Atnaujinkite slapukų nuostatas

Art of Scenic Design: A Practical Guide to the Creative Process [Kietas viršelis]

(Washington University in St. Louis, USA), Series edited by (California State University, Fullerton, USA)
  • Formatas: Hardback, 168 pages, aukštis x plotis: 234x156 mm, 25 colour and 13 bw illus
  • Serija: Introductions to Theatre
  • Išleidimo metai: 25-Aug-2022
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350139556
  • ISBN-13: 9781350139558
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 168 pages, aukštis x plotis: 234x156 mm, 25 colour and 13 bw illus
  • Serija: Introductions to Theatre
  • Išleidimo metai: 25-Aug-2022
  • Leidėjas: Methuen Drama
  • ISBN-10: 1350139556
  • ISBN-13: 9781350139558
Kitos knygos pagal šią temą:

How do you navigate a career as an entertainment designer while maintaining a sense of self-worth and value in the various off-ramps and sidestreets you may choose to take on the journey? The Art of Scenic Design provides an in-depth look at the scenic design process for young designers as well as creative entrepreneurs seeking to nurture a collaborative environment that leads to rediscovery and innovation in their work.

Based on his 30 years of experience in stage design, exhibit design, art direction for film, and theme park and industrial design, Robert Mark Morgan demonstrates that while a design process for creating these types of works can seem like niche professions, the lessons learned in collaboration, testing and re-testing ideas, prototyping concepts, overcoming fears, venturing guesses, divergent thinking, and the creative process in general are applicable – and valuable – in nearly all disciplines and professions both inside and outside of the entertainment industry.

In The Art of Scenic Design: A Practical Guide to the Creative Process you will follow an accomplished designer on a narrative of the theatrical design process from early phases of a design with a creative team encompassing visual research, idea-making, and collaborative relationships, to sketching, prototyping, and testing ideas, through to the execution and manifestation of the design with a team of artists and collaborators. The design journey is contextualized with backstage stories of "what if?" moments, provocative discussions, and lessons that are indispensable to your professional development.

Recenzijos

Robert Mark Morgan has crafted an accessible and nuanced conversation about the why-how-what-ifs of stage design in ways only an empathetic creative soul might. From afar, Robs career as a designer, innovator, and educator has appeared to me like a lighthouse for the next generation of theater artists. His book is that invitation for young designers to dig in and find their own voice in the collaborative arts for the 21st century. * Mike Brown, Principal, Creative Director, Lot71, USA * Rob Morgans book is a love letter to the young designer, and a reminder that a designer is not just a person gifted with magical talent, but one who lives a lifelong journey of observing, curating, reimagining and reassembling the world around them. * Jill Davis, Case Western Reserve University, USA *

Daugiau informacijos

Offering a view into the world of professional stage, exhibit, film, and theme park design, this book provides practical expertise and insights for designers, and equips them with a new way of thinking and tackling challenges - both onstage and off.
List of Illustrations
x
Foreword xii
Acknowledgments xiv
Introduction: "And Just Like That" 1(10)
The Theatrical Identity Crisis--and the Opportunities it Presents
1(1)
Rely on Story--Always
2(3)
Adjacent Possible and the Liminal Space
5(1)
What has Changed and What has Not
6(5)
1 The Designer as A Child Futurist
11(20)
Who I am and Why you Should Bother to Care
11(3)
The Creative Adult is the Child who Survived
14(1)
Creativity Scars
15(3)
Take the Risk of not Knowing
18(4)
You are a Designer Everyday
22(4)
Two Worlds that Collide at the Stage Edge
26(5)
2 Empathy and Answering, "What Story Are We Telling" with Collaborators
31(12)
The Beginning of the Design Journey--and the Possibility Represented by "What If?"
31(3)
Creating Creative Space
34(3)
The Design Jacket and how it Fits (or Does Not Fit) the Play
37(1)
If/Then as a Catalyst for Design Ideas
38(1)
Renaissance Teams
39(4)
3 The Importance of Research as "Fuel" for ANY Process
43(22)
The Playlist of the Mind
43(5)
Designer as Translator into a Visual Language
48(1)
Visual Alchemy
48(4)
Designer as Visual Collector (Bordering on Visual Hoarder)
52(2)
Get your Inspiration from ANYwhere!
54(2)
Responsibility to the Story as a Storyteller
56(2)
Identifying Patterns
58(1)
Identify your "Cup of Tea" and Ignore That
59(2)
Primary and Secondary Research
61(4)
4 Clawing and Scratching Out an Idea
65(18)
Design is Messy and Lose the Boxes
65(2)
Get Lost in the Woods
67(1)
Across Space and Time
68(4)
The Design Digestive System
72(1)
Avoiding the Self-edit
73(2)
Your Inner Clown
75(1)
What is Working and What isn't?
76(1)
Answering "What If?" with your Pencil
77(3)
Space, Time, and the Default Mode Network
80(3)
5 Modeling and Shaping an Object and an Idea
83(12)
You are Your own Instrument
83(2)
Don't Tell Me, Show Me
85(1)
The Saint Joan Saga
86(4)
The Model: It's not Jewelry. Don't Fall in Love
90(2)
Modeling as Prototyping
92(3)
6 Creative Swings, Career Fields, and Collaboration
95(14)
Collaboration is Key
95(2)
The Myth of the Sole Genius
97(3)
The Path vs the Field
100(3)
Don't Fit In. Don't Try to Fit In
103(3)
Q-Theory and the Creative Team
106(1)
Design as Collaborative Craft
107(2)
7 The Tech and Preview Process--the Ultimate Proof-of-Concept
109(14)
Recognize Your Role
109(2)
A Musical Factory with Lessons to Spare
111(4)
The Leap of Faith
115(2)
The Playwright as Prophet
117(3)
The Promise of the Payoff
120(3)
8 The Inevitability of Failure and the Sea of Criticism
123(8)
Courage: It's You in the Arena
123(2)
Do no Harm, Take no Shit
125(2)
A Moon for the Misbegotten and the Very Public Failure
127(3)
Channel the Haters: Prove them Wrong
130(1)
9 Where Do We Go From Here?
131(8)
The Certainty of Uncertainty
131(1)
Take Stock: What has not Changed
132(1)
Re-think the Theatre Volume: Where are we and Where is "Where"?
133(4)
Don't Box Up Your Artistic Shop!
137(2)
Notes 139(8)
Further Reading 147(2)
Index 149
Robert Mark Morgan is Teaching Professor of Drama and Director of the Beyond Boundaries Program at Washington University in St. Louis, USA, and a Teaching Artist for arts education and consultancy COCAbiz. For 30 years he has designed professionally in the areas of theatre, film, museum, and theme park venues, including for American Conservatory Theatre, the MUNY, Old Globe Theatre, Denver Center for the Performing Arts, Indiana Repertory Theatre, and the Cleveland Play House.