Atnaujinkite slapukų nuostatas

Art and Science in Word and Image: Exploration and Discovery [Kietas viršelis]

Volume editor , Volume editor , Volume editor , Volume editor
  • Formatas: Hardback, 352 pages, aukštis x plotis: 235x155 mm, weight: 712 g
  • Serija: Word and Image Interactions 9
  • Išleidimo metai: 17-Jan-2019
  • Leidėjas: Brill
  • ISBN-10: 9004361103
  • ISBN-13: 9789004361102
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 352 pages, aukštis x plotis: 235x155 mm, weight: 712 g
  • Serija: Word and Image Interactions 9
  • Išleidimo metai: 17-Jan-2019
  • Leidėjas: Brill
  • ISBN-10: 9004361103
  • ISBN-13: 9789004361102
Kitos knygos pagal šią temą:
Art and Science in Word and Image investigates the theme of riddles of form, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences.

Using the impact of evolutionary biologist DArcy Thompsons On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.

Contributors are: Dina Aleshina, Mįrcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
Acknowledgments ix
List of Figures
x
Notes on Contributors xv
Introduction 1(12)
PART 1 On Growth and Form, I: Engagements with D'Arcy Thompson's Biomorphism in Word and Image Forme et croissance, I: Le Biomorphisme selon D'arcy Thompson a l'epreuve du texte et de l'image
1 Riddles of Form: D'Arcy Thompson in Word and Image
13(14)
Matthew Jarron
2 The Influence of D'Arcy Thompson's On Growth and Form on the British Painters of the St. Ives School: The View from Russia
27(16)
DinaAleshina
PART 2 On Growth and Form, II: Exploring Spirals in Nature, Literature and Art Forme et croissance, II: La Spirale dans la nature, la litterature et les arts
3 Beyond Formalism: Spirals in Photography from Steichen to Weston
43(15)
Philippe Kaenel
4 Profondeur et relief de la spirale chez Marcel Duchamp
58(10)
Marcia Arbex et Philippe Enrico
5 Stone Spirals and Retro Fiction: Tracy Chevalier, Joan Thomas, and Mary Anning
68(17)
Catherine Lanone
PART 3 The Scientific Imagination and Spacetime Visions Imaginaire scientifique et representations de l'espace-temps
6 A Man of Vision: Robert Duncan Milne's Scientific Fiction and Cinematic Time
85(15)
Barry Sullivan
7 Wars of the Worlds: H.G. Wells's Ekphrastic Style in Word and Image
100(15)
Madeline B. Gangnes
8 "Space and Time, Sublimated": Science in Balla, Boccioni, Cendrars, and Survage
115(18)
Eric Robertson
PART 4 Avant-gardening: (Horticultural Frontiers Past and Present Jardins et paysages: Des frontieres (horti)culturelles hier et aujourd'hui
9 Diary of a Scotch Gardener: Thomas Blaikie, Travel Writing, and the Construction of Monceau and Bagatelle
133(16)
Donna T. Canada-Smith
10 Reading Eden's Riddles: Words in the Landscape, Texts in the Garden
149(10)
Eric T. Haskell
11 Thomas Telford's Tour in the Highlands: Shaping the Wild Landscape through Word and Image
159(18)
Frances Robertson
PART 5 Palimpsestuous Histories: Excavating Time in Visual Art and Writing Histoires palimpsestueuses: Formes ecrites et formes visuelles de l'exploration temporelle
12 Burnsiana
177(16)
Calum Colvin
13 The Art of Adriana Varejao: A Challenge to Brazilian Official History
193(12)
Solange Ribeiro de Oliveira
14 Les Palimpsestes de Tom Phillips
205(16)
Francis Edeline
15 Uncovering the Self: Explorations of Recovery in J.L. Carr's A Month in the Country
221(20)
Melanie Stengele
PART 6 (Typo)graphic Poetry Poesie (typo)graphique
16 Warblers and Wild Strawberries: Rewards for Looking in the Works of Moschatel Press
241(12)
Alice Tarbuck
17 New Forms for New Explorations and Experiences
253(12)
Cathy Roche-Liger
18 Mapping the Text: A Practice-Led Analysis of the Creative Interfaces between Typography and Text
265(18)
Tim Isherwood
Judy Kendall
PART 7 Riddles of the Ninth Art: Exploring Adaptation in Graphic Novels Enigmes du neuvieme art: L'Adaptation dans les romans graphiques
19 Trollope and Millais: Words and Images That Illustrate Each Other
283(12)
David Skilton
20 Adapting as a Form of Remediation: A Benjaminian Perspective
295(14)
Frederik Van Dam
PART 8 Intermedial Circuits (Re)Charging Texts through Images and Images through Text Parcours intermediaux: (Re)lectures croisees du texte et de l'image
21 Exploring the World with Rockwell Kent's Candide: Intermedial Translation, Paratextual Framing, and Iconographic Landscape
309(14)
Christina Ionescu
22 Manufacturing Wonder: Animating Pictures in Steven Millhauser's Fiction
323(10)
Etienne Fevrier
23 Duane Michals: "Photographing Nothing"
333(12)
Kristen Nassif
Index 345
Keith Williams, DPhil (1991), is reader in English at the University of Dundee. He has published widely on modern literature and media, including H.G. Wells, Modernity and the Movies (2007) and James Joyce and Cinematicity: Before and After Film (forthcoming).

Jan Baetens, Ph.D. (1985), is professor of Cultural Studies at the University of Leuven. He has published widely on contemporary French poetry and word and image studies, including The Graphic Novel (2015, with Hugo Frey) and A Voix haute (2016).

Sophie Aymes, Ph.D. (2001), is senior lecturer at the University of Burgundy (France). Her research focuses on intermediality, printmaking and illustration in 20th century Britain.

Chris Murray, Ph.D (2005), is professor of Comics Studies at the University of Dundee. He has published widely on comics and graphic novels, including Champions of the Oppressed: Superhero Comics, Popular Culture and Propaganda in America during World War Two (2011), and The British Superhero (2017). He is co-editor of the journal Studies in Comics.