Atnaujinkite slapukų nuostatas

Art and Social Interaction: A Guide for College Internships Serving Correctional, Rehabilitation and Human Service Needs [Kietas viršelis]

  • Formatas: Hardback, 162 pages, aukštis x plotis: 280x210 mm, weight: 598 g, 21 Tables, black and white; 74 Halftones, black and white; 74 Illustrations, black and white
  • Išleidimo metai: 15-Apr-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032184124
  • ISBN-13: 9781032184128
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 162 pages, aukštis x plotis: 280x210 mm, weight: 598 g, 21 Tables, black and white; 74 Halftones, black and white; 74 Illustrations, black and white
  • Išleidimo metai: 15-Apr-2022
  • Leidėjas: Routledge
  • ISBN-10: 1032184124
  • ISBN-13: 9781032184128
Kitos knygos pagal šią temą:
This manual contains the information needed for human service institutions, liberal arts colleges, and community volunteers to present a program of creative visual arts in jails, psychiatric facilities, drug rehabilitation centres, nursing homes, shelters and facilities for youth in need.

By engaging in one-on-one artistic interaction with the individuals served, students not only perform community service but gain unique personal understanding of the major domestic issues of our timecrime, mental illness, substance abuse, domestic abuse and aging. The covered activities are designed to stimulate memory, acknowledge experience and achievement, and improve self-esteem. Delivering everything needed to set up the course in any liberal arts college, the book offers approaches for diverse populations and covers planning and execution, aesthetic and humanistic objectives, projected outcomes, and methods of evaluation. Techniques are presented for drawing, painting, collage, sculpture and crafts.

By adopting this manual, colleges with programs in art and social work, can provide students with education relevant to their lives and potential careers while providing a unique service to social service institutions.

Recenzijos

'In Art and Social Interaction, Professor Peck provides a detailed blueprint for experiential learning in art and social justice. Through internships making art collaboratively with a range of individuals experiencing the challenges of poverty, trauma and oppression, often in institutional settings, students practice compassion, humility and creativity. Art and Social Interaction is truly a book for this moment, when those with educational privilege are called to use their skills to advance social justice. Professor Peck demonstrates the way visual art levels the playing field and facilitates critical insight into identity and society. Art & Social Interaction is a must read for university administrators and faculty as we work to educate the next generation of compassionate and skilled leaders.'

Francine Sherman, Clinical Professor Emerita, Boston College Law School; President of I Am Why, Iamwhy.org

'Dr. Pecks book on the healing of disenfranchised and marginalized populations via shared expressive art activities with college students is a breath of fresh air. An artist and an educational icon, she leads the next generation of students to appreciate the value and imperative nature of this endeavor.'

Kathleen Monahan, DSW, LCSW, LMFT, Associate Professor, School of Social Welfare, Stony Brook University

'The art program at Delaney Hall succeeded in healing the residents suffering from substance use disorders and co-occurring disorders in a way that traditional forms of therapy could and would not do alone. I saw more and more residents take an interest in the program and residents who had barely interacted with staff begin to open up. The art created with the college students became an emotional outlet that allowed their anger, sorrow and joy to transcend the traditional therapeutic relationship and in turn gave them a sense of healing. The value went well beyond the sessions because their artwork became a piece of their psyche, or inner self to reflect upon. The availability of this book allows for the possibility of continuing a version of this fertile program through our own resources.'

Ellyn Gannon, LPC, MA, NCC, ACS, CCS, Delaney Hall, Deputy Director/Clinical Director

'Judith Pecks new book, Art and Social Interaction, offers a compelling rationale and a useful guide to teachers, counselors, institutional administrators, and others in human services to get at the innermost feelings and concerns of those in their care -- particularly those most vulnerable and often reticent to speak out -- by employing various forms of non-verbal expression through drawing, painting and sculpture and the non-threatening social engagement with dedicated college students.'

Peter I. Rose, Sophia Smith Professor Emeritus of Sociology and Anthropology, Smith College

'What makes Pecks book different is the authenticity of her broad experience, and its relevance to professors, students and institutional administrators. The kind of work encouraged and fostered here draws on an altruism that is fading. This work facilitates social change and builds sorely needed connection between institutions and communities.'

Andy Teirstein, PhD, Arts professor at NYU Tisch School of the Arts

List of Tables
xi
A Personal Perspective xii
Preface xiii
Acknowledgments xiv
PART I Art and Social Interaction: Concept and Design
1(14)
1 Background and Overview
3(5)
Concept
3(1)
Distinguishing Characteristics of the Program
3(1)
Presenters of the Program
4(2)
Participants in the Program
6(2)
2 The Magic Mix: Art and Social Interaction
8(4)
The Limitations of Product-Oriented Art Programs
8(1)
Evocative Artistic Activity
8(1)
Projects of the Text
9(1)
Social Interaction
10(2)
3 The Program as a Learning Experience for Presenters
12(3)
Cultural Significance
12(1)
Personal Significance
13(1)
Informational Significance
13(2)
PART II Participating Groups: An Overview
15(22)
4 Group and Site Distinguishing Characteristics
17(10)
The Frail Elderly and the Physically Disabled
17(1)
Choosing to Work with the Frail Elderly or Disabled
18(1)
Residents of Correctional Facilities: Jails and Drug Rehabilitation Wards
19(2)
Choosing to Work with Incarcerated Men and Women
21(1)
Adult Patients of Psychiatric Hospitals and Mental Health Centers
22(1)
Choosing to Work with Psychiatric Patients
23(1)
Children with Special Needs Relating to Abuse, Trauma, Poverty and Physical and Intellectual Disabilities
24(1)
Choosing to Work with Youth
25(2)
5 Site Characteristics Relevant to the Program
27(3)
Responsiveness to the Needs of the Participants
27(2)
Responsiveness to Needs of the Service Agencies
29(1)
Sharing Institutional Goals without Conflict
29(1)
6 Barriers in Instituting the Series
30(7)
Initial Admittance: The Jail Example
30(1)
Accepting Presenters
31(1)
The Transition from Apathy to Responsiveness
31(1)
The Issue of Trust
32(1)
Accepting Visual Art Activity
32(1)
Conclusions and Partial Solutions
33(4)
PART III Preparing the Program as an Academic Fieldwork Course
37(16)
7 The Structure of College and Community Interaction
39(5)
Ways that College and Community Can Support Their Separate Goals
39(1)
Benefits of the Program to the College
39(1)
Benefits of the Program to the Community
40(1)
Relating the Program to the Liberal Arts Curriculum
40(4)
8 Pre-registration Course Planning
44(4)
Preparing Written Materials
44(1)
Summary of Pre-registration Written Materials
44(1)
Planning Classroom Space, Equipment, Budget and Funding
45(3)
9 Curriculum Content
48(5)
Overview: Time Frame, Fieldwork, Site Selection, Art Projects, Logs
48(2)
Critiques
50(1)
Oral Book Report
50(1)
In-Class Enrichment
50(1)
Out-of-Class Enrichment
51(2)
PART IV Community Field Sites for the Art and Social Interaction Program
53(20)
10 Determining Community Field Sites
55(3)
Program Criteria for Selecting Appropriate Sites
55(1)
Locating and Visiting Sites
55(1)
Presenters' Criteria for Selecting Sites to Serve
56(2)
11 Site Responsibilities, Personnel and Support
58(4)
Physical Facilities and Logistical Support
58(1)
Staff Responsibilities in Recruitment, Assistance and Supervision
58(3)
Respect for the Regularity of Participation
61(1)
Staff Contribution to the Education of Presenters
61(1)
12 Orientations
62(5)
The Home-Based Orientation
62(2)
The Master Chart
64(1)
On-Site Orientations
64(3)
13 Logistics of the Art and Social Interaction Sessions
67(6)
Preparing Art Projects for the Weekly Workshops
67(1)
Transportation and Arrival
68(1)
Set-up at the Sessions
69(1)
Handling Distractions
70(3)
PART V The Creative Art Projects
73(52)
14 Presenting Creative Art Projects
75(10)
Approach
75(2)
Introductory Remarks to Presenters
77(1)
Preparing Supplies and End Products
78(7)
15 Art Projects: Descriptions and Processes
85(40)
I Drawing and Design
85(6)
II Collage
91(5)
III Painting
96(10)
IV Sculpture
106(8)
V Fabric Pictures
114(3)
VI Puppets
117(4)
VII Jewelry Projects
121(3)
VIII Innovations and Variations
124(1)
PART VI Enhancing, Expanding and Evaluating the Program
125(16)
16 Enhancing Interaction with Participants and Staff
127(5)
Guidelines in Interacting with Participants
127(2)
Recognizing the Limited Duration of the Program
129(1)
Guidelines in Interacting with Staff
130(2)
17 Expanding the Artistic and Social Experience
132(4)
Displaying Artwork
132(1)
"Critiques" in the Context of the Program
133(1)
Optional Enterprises for Expanding the Experience
134(2)
18 Evaluating Program Effectiveness
136(5)
The Structure of an Evaluation Design
136(1)
Evaluating Benefits to Presenters
137(1)
Evaluating Benefits to Participants and Institutions
137(1)
Verbal Evaluation Processes: Tapes
138(1)
Additional Considerations in an Evaluation Process
138(1)
List of Illustrations
139(2)
Appendix 1 Instruments for Class and Fieldwork 141(6)
Appendix 2 Resources of the Pilot Program 147(2)
Appendix 3 Evaluation Instruments 149(7)
Annotated Bibliography 156(3)
Art Therapy Journals 159(1)
Index 160
Judith Peck, EdD, is a sculptor with work in 80 public and private collections. Now professor emeritus of art, Dr. Peck designed Art and Social Interaction 40 years ago (the program evolved and ongoing) convinced that the freedom inherent in personally directed art allowed a way out of confinement into refreshing self-awareness for participants bound either physically or mentally, and relevant life education for presenters. Judith holds a doctoral degree and two masters degrees in art and art education and is author of several books in the field.