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"This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age. The upward and downward pull seem in a constant contest for humanity's attention. Both forces are powerful in the effects and affects they invoke. When tracing this iconological history, Amanda du Preez's starts in the early nineteenth century, moving into the twentieth century and then spanning the whole century up to contemporary twentieth-first century screen culture and space travels. Du Preez parses the intersecting pathways between Heaven and Earth, up and down, flying and falling through the concept of being "spaced out." The idea of being "spaced out" is applied as a metaphor to trace the visual history of sublime encounters that displace Earth, gravity, locality, belonging, home, real life and embodiment. The book will be of interest to scholars working in art history, visual culture, media and cultural studies, phenomenology, digital culture, mobility studies, and urban studies"--

This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age.



This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age.

The upward and downward pull seem in a constant contest for humanity’s attention. Both forces are powerful in the effects and affects they invoke. When tracing this iconological history, Amanda du Preez starts in the early nineteenth century, moving into the twentieth century and then spanning the whole century up to contemporary twenty-first century screen culture and space travels. Du Preez parses the intersecting pathways between Heaven and Earth, up and down, flying and falling through the concept of being “spaced out”. The idea of being “spaced out” is applied as a metaphor to trace the visual history of sublime encounters that displace Earth, gravity, locality, belonging, home, real life, and embodiment.

The book will be of interest to scholars working in art history, visual culture, media and cultural studies, phenomenology, digital culture, mobility studies, and urban studies.

List of Figures
xi
List of Tables
xiii
Acknowledgements xv
1 Introduction
1(12)
Spaced Out
2(3)
Sublimely Spaced Out
5(2)
Iconology of Spaced Outness
7(2)
Plotting Visual Pathways
9(4)
Walking on Thin Air
9(1)
Walking on the Moon
10(3)
PART 1 Walking on Thin Air
13(72)
2 Balancing Act
15(22)
The Tightrope Walker
16(10)
A Self-Overcoming
19(2)
Bridge of Art
21(2)
Counter Reality and Counterbalance
23(2)
Going Over and Under
25(1)
Sublimely Suspended
26(3)
Sanity Hanging in the Balance
27(1)
Audience Transformed
28(1)
Wired
29(8)
3 Into the Void
37(24)
Reaching the Edge of the World
39(3)
Mountains Real and Imaginary
40(2)
Inventing the Modern Subject
42(4)
Inner Landscape
44(1)
Falling into the Abyss
45(1)
Discovering Vertically
46(3)
The Falling Man
49(3)
Leaping into the Void
52(9)
4 Running-As-If
61(24)
Nature Eclipsed
62(6)
American Technological Sublime
64(1)
Annihilation of Space and Time
65(3)
Forerunners
68(1)
Running-As-If-Your Life-Depends-On-It
69(6)
Creating Flow
70(3)
Traversing Hyperspace
73(2)
Extreme Adventurer
75(3)
Place Hacking
78(7)
PART 2 Walking on the Moon
85(80)
5 Up in the Air
87(25)
Mobility on a Global Scale
88(2)
Do We All End Up in the Same Place?
90(2)
Places without Place
92(2)
Ecstasy of Speed
94(4)
Cocoon of Self-Banishment
96(2)
The View from Above
98(4)
Global Operators
102(1)
Homesick
103(3)
Without Gravity
106(6)
6 In Vain
112(25)
Cyberspace
112(2)
Cybernaut
114(2)
Mirroring
116(5)
Black Mirrors
119(2)
Selfienaut
121(3)
Mirror > Window> Screen
124(4)
Into the Mirror-Screen
127(1)
Mirror Selfie in Nature
128(9)
7 Approaching the Unknown
137(28)
Post-Earth
139(3)
Astronauts
142(3)
Encounters
145(4)
Where on Earth?
149(3)
Falling Down or Up?
150(2)
Overview Effect
152(13)
Terra Incognita
155(10)
Index 165
Amanda du Preez is Professor in Visual Culture Studies in the School of Arts, University of Pretoria, South Africa.