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El. knyga: Artist as Curator

(University of Ottawa)
  • Formatas: 214 pages
  • Išleidimo metai: 01-Jan-2015
  • Leidėjas: Intellect Books
  • Kalba: eng
  • ISBN-13: 9781783203383
  • Formatas: 214 pages
  • Išleidimo metai: 01-Jan-2015
  • Leidėjas: Intellect Books
  • Kalba: eng
  • ISBN-13: 9781783203383

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In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture. Taking a deliberately multidisciplinary and cross-cultural focus, The Artist as Curator will fill a gap in museum and curatorial studies, offering a thorough and diverse treatment of various approaches to the historical and changing role of the artist as curator that should appeal to scholars, curators, and artists alike.
Acknowledgements vii
Foreword 1(4)
Introduction 5(10)
Celina Jeffery
Chapter 1 Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things
15(30)
Nicola Levell
Chapter 2 Re-Mastering MoMA: Kirk Varnedoe's `Artist's Choice' Series
45(14)
Lewis Kachur
Chapter 3 `Both Object and Subject': MoMA's Burton on Brancusi
59(20)
Cher Krause Knight
Chapter 4 Curating Between Worlds: How Digital Collaborations Become Curative Projects
79(18)
Dew Harrison
Chapter 5 Erasure: Curator as Artist
97(16)
Bruce Checefsky
Chapter 6 Say My Name
113(18)
Brenda L. Croft
Chapter 7 Performing the Curator, Curating the Performer: Abramovic's Seven Easy Pieces
131(18)
Gregory Minissale
Chapter 8 Curating the City: Collectioneering and the Affects of Display
149(24)
Jim Drobnick
Jennifer Fisher
Chapter 9 Artists Curating the Expedition
173(16)
Celina Jeffery
Contributors 189(6)
Index 195
Celina Jeffery is an associate professor of art history at the University of Ottawa and a curator. Recent publications include Ephemeral Coast (2015), The Artist as Curator (2015), the Junk Ocean issue of Drain: A Journal of Contemporary Art and Culture (2016) and the Towards a Blue Humanity issue of Symploke (2019). She is the founder of Ephemeral Coast (2015present, www.ephemeralcoast.com), a Social Sciences and Humanities Research Council-funded curatorial research project.