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El. knyga: Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices

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  • Formatas: PDF+DRM
  • Išleidimo metai: 17-Sep-2008
  • Leidėjas: University Press of America
  • Kalba: eng
  • ISBN-13: 9780761841913
Kitos knygos pagal šią temą:
Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art PracticesDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Išleidimo metai: 17-Sep-2008
  • Leidėjas: University Press of America
  • Kalba: eng
  • ISBN-13: 9780761841913
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Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.

Recenzijos

Holly Crawford brings together a series of interviews, essays, conversations, and remarks on collaboration. International visual artists, critics, writers, and musicians explore a range of histories, discourses and theories relating to communal, collective practices including FLUXUS, Zero, GRAV and SPUR in mid-20th century, women artists in the GDR and the Critical Art Ensemble in the Eighties and the experimental New Social Art School set up in Aberdeen in 2004. The resulting anthology, a considerable collaborative project in its own right, challenges orthodoxies and engages in the vital and current debate within the global artistic community about participative cooperative approaches. -- Dr. Gillian Whiteley, Loughborough University, UK and author of Junk: Art and Politics of Trash

Chapter 1
1. The Decoration of the Paris Panthéon by Paul ChenavardA
Particular Brotherhood
Chapter 2
2. The Calling of Two Creatures:
Depression-era Collaboration and a Theory of Camera and Pen
Chapter 3
3.
Creative Occupation: Collaborative Artistic Practices in Europe 1937-1943
Chapter 4
4. Collaborative Practices in Environmental Art
Chapter 5
5.
Concepts of Collaborative Art in the Divided Germany of the 1960s
Chapter 6
6. "Avant-femme" or Futuristic Frauen: Collaborative Art by Women in the
German Democratic Republic
Chapter 7
7. The Second Self
Chapter 8
8.
"Encompassing Unboundness": Desire and Collaborative Authorship in Carla
Harryman and Lyn Hejinian's "The Wide Road"
Chapter 9
9. An Easy Alliance: A
Dialogue on Methodology
Chapter 10
10. Learning from Robert Venturi and
Denise Scott Brown
Chapter 11
11. Languages of Innovation
Chapter 12
12.
Working Together
Chapter 13
13. Ken Friedman: A Life in Fluxus
Chapter 14
14.
Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman and Disney
Chapter 15
15. The Ivory Towers Were Always Connected: Interdisciplinary Dia(b)logues as
Challenge and Choice
Chapter 16
16. Socially Engaged Art, Critics, and
Discontents: Interview with Claire Bishop
Chapter 17
17. "Detrimental to the
Interests of the United States": Cuban Artists (Not) in Residence
Chapter 18
18. Suzanne Lacy: Oakland Projects
Chapter 19
19. Simonides in the Machine:
The Art of Virtual Memory in a Pentagon-funded Initiative
Chapter 20
20.
Locating a Temporary Common Space: Cultural Exchanges in Weedpatch
Chapter 21
21. "Sometimes I'm Harvey Weinstein; Sometimes I'm Wes Craven. The Same Goes
For My Brother." The Neistat Brothers
Chapter 22
22. Having Their Cake and
Eating it Too: The Case of Christo's (and Jeanne-Claude's) Im(permanence) and
Exclusivity
Chapter 23
23. The Wu-wei of the 21st Century Art of
Collaboration
Chapter 24
24. What is Conversational Music or "Convers"?
Chapter 25
25. Some Thoughts on Collaboration
Chapter 26
26. The Electron
Buddy System
Chapter 27
27. I Always Appreciated Teamwork and Collaborations
Chapter 28
28. The Dream of a Common Language: Thoughts on Collaboration and
Protest
Chapter 29
29. Observations on Collective Cultural Action
Chapter 30
30. New Social Art School
Chapter 31
31. Complicity
Chapter 32
32.
Transromantik
Chapter 33
33. On Collaboration
Chapter 34
34. "This Way Up":
Concept and Progress
Chapter 35
35. Online Collaboration in Genomic Art
Chapter 36
36. A Robot and Its Double
Chapter 37
37. Art.es and Collaborative
Projects
Chapter 38
38. My Collaborative Art
Chapter 39
39. Collaboration
between Tracey Snelling and Salvador Diaz, Chicago, March 2005
Chapter 40
40.
"i Woz" and Gina
Chapter 41
41. "It seems simple, but it is not."
Holly Crawford, (Ph.D.), is an artist and art historian. She is the Director of AC Institute, a nonprofit organization for research in contemporary art.
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