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El. knyga: Artistic Research in Jazz: Positions, Theories, Methods [Taylor & Francis e-book]

Edited by (University of Music and Performing Arts Graz, Austria)
  • Formatas: 202 pages, 3 Tables, black and white; 17 Line drawings, black and white; 1 Halftones, black and white; 18 Illustrations, black and white
  • Išleidimo metai: 16-Jul-2021
  • Leidėjas: Routledge
  • ISBN-13: 9780429275838
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
  • Formatas: 202 pages, 3 Tables, black and white; 17 Line drawings, black and white; 1 Halftones, black and white; 18 Illustrations, black and white
  • Išleidimo metai: 16-Jul-2021
  • Leidėjas: Routledge
  • ISBN-13: 9780429275838
Kitos knygos pagal šią temą:

This book presents the recent positions, theories, and methods of artistic research in jazz, inviting readers to critically engage in and establish a sustained discourse regarding the theoretical, methodological, and analytic perspectives in the field of artistic practice-as-research.

This edited collection presents an in-depth discourse on shared and specific approaches to practice-as-research in jazz and popular music. A panel of eleven international contributors provide an understanding of the specificity of current practice in jazz and popular music, both improvisational and composed. The topics addressed throughout consider the cultural, institutional, epistemological, philosophical, ethical, and practical aspects of the discipline, as well as the influence of race, gender and politics. The book is structured in three parts: first, on topics related to improvisation, theory and history; second, on institutional and pedagogical positions; and third, on methodical approaches in four specific research projects conducted by the authors.

In thinking outside established theoretical frameworks, this book invites further exploration and participation, and encourages practitioners, scholars, students and teachers at all academic levels to shape the future of jazz research collectively. It will be of interest to students in jazz and popular music studies, performance studies, improvisation studies, music philosophy, music aesthetics, and Western art music research.

Figures
vii
Tables
viii
Photograph viii
Contributors ix
Preface and Acknowledgments xv
Michael Kahr
Artistic Research in Jazz: An Introduction xvi
Michael Kahr
PART I Improvisation, Theory, and History
1(64)
1 Improvising Artistic Research
3(12)
Marcel Cobussen
2 Improvising Touch: Musical Improvisation Considered as a Tactile Practice
15(14)
Vincent Meelberg
3 Mapping Jazz's Affect: Implications for Music Theory and Analysis
29(17)
Chris Stover
4 Artistic Research in Jazz: Historical Contexts
46(19)
Michael Kahr
PART II Institutional and Pedagogical Considerations
65(48)
5 Wordplay: Negotiating the Conservatory `Culture Clash'
67(18)
Fetter Frost Fadnes
6 The Lessons of Jazz: What We Teach When We Teach Jazz in College
85(13)
Tracy Mcmullen
7 It Don't Mean a Thing Without My Web Fan Base Thing: A Dance of Cultural Relevancy in Jazz Education Culture Today
98(15)
William C. Banfield
PART III Specific Projects
113(79)
8 Silent Groove, Frames and Applied Improvisation in Miles Davis' "Shhh/Peaceful" and austraLYSIS' "Silent Waves": Practice-led Research Beckons to Research-led Practice
115(20)
Roger T. Dean
9 Analysis and Observations of Pre-learnt and Idiosyncratic Elements in Improvisation: A Methodology for Artistic Research in Jazz
135(20)
Robert L. Burke
10 Articulating Musical Practice and Research: Notes on a South African Recording Project
155(20)
Marc Duby
11 Embodied Hope: An Empathically Creative Approach to Contemporary Jazz
175(17)
Andrew Bain
Index 192
Michael Kahr is Senior Lecturer at the Institute for Jazz at the University of Music and Performing Arts Graz, Austria as well as Dean of Music Faculty and Head of Master Studies at the Jam Music Lab University in Vienna, Austria.