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Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb 2021 ed. [Minkštas viršelis]

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  • Formatas: Paperback / softback, 237 pages, aukštis x plotis: 210x148 mm, weight: 339 g, 2 Illustrations, color; 1 Illustrations, black and white; XVI, 237 p. 3 illus., 2 illus. in color., 1 Paperback / softback
  • Išleidimo metai: 28-Nov-2022
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030812367
  • ISBN-13: 9783030812362
Kitos knygos pagal šią temą:
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb 2021 ed.Didesnis paveikslėlis
  • Formatas: Paperback / softback, 237 pages, aukštis x plotis: 210x148 mm, weight: 339 g, 2 Illustrations, color; 1 Illustrations, black and white; XVI, 237 p. 3 illus., 2 illus. in color., 1 Paperback / softback
  • Išleidimo metai: 28-Nov-2022
  • Leidėjas: Springer Nature Switzerland AG
  • ISBN-10: 3030812367
  • ISBN-13: 9783030812362
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9783030812362.html
Raktažodžiai:
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Rancičre) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.
Chapter 1: Introduction.- Part I: Cinematic Representations of Islam:
From Imams to Radicals.
Chapter 2: Imams and Audience in Kaouther Ben
Hanias Niche Filmwork.
Chapter 3: Representations of Radical Islam in
Merzak Allouaches most Recent Films.
Chapter 4: De-westernizing the Gaze on
Islam and the Veil in French and Franco-Algerian Films Abderrahmene
Bourenane and Delphine Letort.
Chapter 5: Nicolas Boukhriefs Made in
France: Nuancing the Mediatized Approach to Islamic Terrorism.- Part II:
Veiling, Islamic and Artistic Symbols and Far-Right Politics in Literary
Representations of Islam and Muslims.
Chapter 6: Jeux de rubans (2011) by
Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisia.
Chapter 7: Eclipsing
the Sun in Amira-Géhanne Khalfallahs Le Naufrage de La Lune:
Re-Appropriating Islamic Power Dynamics Through Allegory and
Self-Representation.
Chapter 8: In Praise of the Transgressive Muslim Body:
Portraits of Moroccan Chikhates.
Chapter 9: Islam and Far-Right Politics in
Post-Contemporary Francophone Speculative Fiction: An Ethical Call to
Resistance or Revival of French Orientalism?.- Part III: Representations of
Islam in Music, Comic Series and Visual Arts.
Chapter 10: (P)raising Islam:
When French Muslim rappers advocate for peace, love and unity in a
Multicultural France.
Chapter 11: Drawing the Muslim Self: Muslim
Citizenship and Contemporary Islam in France.
Chapter 12: Franco-Maghrebi
Perspectives on the Islamic Body in a Contemporary Artistic Context: Kader
Attia and Zoulikha Boubdellah.
Chapter 13: Conclusion.
Ramona Mielusel is Associate Professor of French and Francophone Studies at the University of Louisiana at Lafayette. She is interested in interdisciplinary and comparative approaches to Contemporary French and Francophone Cultural Studies with a special focus on immigration, transnationalism, multiculturalism, postcolonial studies and identity politics. She is the author of Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Farid Boudjellal et Tony Gatlif (LHarmattan, 2015) and Franco-Maghrebi Artists of the 2000s. Transnational Narratives and Identities (Brill Publishers, 2018) as well as of several articles and book chapters. She co-edited with Dr. Simona Emilia Pruteanu the volume Citizenship and Belonging in France and North America. Multicultural Perspectives on Political, Cultural and Artistic Representations of Immigration (Palgrave Macmillan, 2020).