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El. knyga: Artists' Voices in Cultural Policy: Careers, Myths and the Creative Profession after German Unification

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Artists' Voices in Cultural Policy: Careers, Myths and the Creative Profession after German UnificationDidesnis paveikslėlis
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This volume examines visual artists’ careers in the East German region of Saxony, as seen through the lens of cultural policy studies. The book discusses how myth binaries, memory layers and identity markers shaped artists professional lives in an interwoven and fluid approach following German unification, taking a fresh look at the intricacies of visual artists’ careers within the specifics of the cultural, social and political changes. It surveys artists’ professional practice and work under the new framework of the professional class, and discusses the implications for the profession of artists with special reference to visual artists. Simone Wesner looks beyond geographical and political contexts and provides the reader with a longitudinal narrative that produces a revised understanding of artists’ careers within the cultural policy context.  

Recenzijos

Encompassing seventy years and conducted over a span of twenty-one, her data presents an exceptional resource that pertains beyond her immediate field of cultural policy research and should be of interest to historians, political scientists, art historians, German and Eastern European Studies scholars, as well as transition researchers. (Evelyn Preuss, Studies in 20th & 21st Century Literature STTCL, Vol. 44 (1), 2020)

Part I Mapping Perceptions
1 Introduction: Understanding Artists
3(14)
Perceptions of Visual Artists and Their Careers
3(5)
Methodology
8(3)
Overview of the Book
11(3)
References
14(3)
2 The Artist and the Artistic Myth
17(24)
Introduction
17(2)
Establishing Myth as Ontological Discourse
19(7)
Re-(de)Constructing Myth
26(7)
Art Academy Experience in the GDR
27(2)
Artists' Role During Unification
29(1)
Marketisation and Myth After Unification
30(3)
Interdependencies and the Changing Nature of Myth Narration
33(4)
Conclusion
37(1)
References
38(3)
3 Memory
41(30)
Introduction
41(1)
The Role of Memory
42(3)
Memory Maps and Layers of the Past
45(3)
The Researcher's Memory
48(5)
The Bilderstreit
53(10)
The Story of Kasper
63(3)
Conclusion
66(2)
References
68(3)
4 Identity
71(28)
Introduction
71(2)
Conceptualising Identity
73(5)
Mapping Artistic Identity
78(10)
Artistic Identity as Cultural Identity
88(3)
Conclusion
91(2)
References
93(6)
Part II Visual Artists in Cultural Policy
5 Inherited Certainties: Transitional Cultural Policies and Visual Artists
99(46)
Introduction
99(3)
Locating Artist Policies in Cultural Policy Theories
102(8)
Transitional Artist Policies in Saxony
110(8)
Artist Policies in the German Democratic Republic
118(5)
From the Association of Visual Artists to the Dresden Artists' Association
123(8)
Social Security Agency for Artists
131(5)
Conclusion
136(3)
References
139(6)
6 Artists' Professionalisation and Careers in the Cultural Policy Landscape
145(32)
Introduction
145(1)
Profession: Artist
146(9)
Professional Practice
155(10)
The Concept of Work
165(6)
Conclusion
171(2)
References
173(4)
7 Conclusion: Artists, Policy and the Future of the Professional Class
177(8)
Artists as a Professional Class
177(2)
Future Research Agendas
179(2)
Policy Recommendations
181(3)
References
184(1)
Index 185
Simone Wesner is Lecturer in Cultural Policy and Arts Management at Birkbeck, University of London, UK.
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