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viii | |
Acknowledgments |
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ix | |
Introduction: Museums' Humanities Resources as Allies for Science |
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1 | (8) |
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The Use of Proxy Data for Making the Invisible Visible |
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2 | (1) |
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Why Don't We Do This More? |
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3 | (3) |
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How This Book is Distinctive |
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6 | (1) |
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Why This Book May Be Valuable to You |
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7 | (2) |
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1 How Collections Materials Can Document Change over Time |
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9 | (15) |
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Museum Collections as Environmental Change Resources |
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9 | (1) |
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Natural History Museum Collections as "Durable Snapshots" |
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10 | (3) |
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Documenting Climate Change in Collections Materials |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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How to Use Non-instrumental Proxy Data |
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16 | (2) |
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Using Scientific Collections Materials as Proxies for Climate Change |
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18 | (2) |
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Multi-factor Authentication |
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20 | (1) |
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Museums' Cultural Heritage Collections as Climate Change Resources |
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21 | (3) |
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2 How Humanities Materials Are Proxies for Documenting Climate Change |
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24 | (14) |
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Documentary Climate Proxy Sources: Instrumental and Non-instrumental |
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26 | (1) |
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26 | (4) |
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Instrumental Proxy Data with Narrative Proxy Data |
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29 | (1) |
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Building a Fuller Picture |
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29 | (1) |
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30 | (6) |
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30 | (1) |
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Non-instrumental Proxy Data |
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31 | (1) |
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Archaeological Collections |
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32 | (1) |
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32 | (1) |
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Images and Depictions: Photographs, Paintings, Drawings, and Prints |
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33 | (3) |
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36 | (2) |
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3 Basic Documentary Proxy Materials in Museums |
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38 | (21) |
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Reasonable Use and Expectations of the Data |
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38 | (8) |
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38 | (1) |
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39 | (1) |
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39 | (4) |
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43 | (1) |
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44 | (2) |
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46 | (1) |
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Interpreting Environmental versus Climate Context |
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46 | (3) |
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Identifying Human Environmental Interference versus Human-driven Climate Change |
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48 | (1) |
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49 | (3) |
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Local Disparities--Noise or Better Data? |
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51 | (1) |
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Humanists' Role in Recognizing Environment versus Climate |
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52 | (1) |
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Accuracy, Trust, and Completeness in the Data |
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52 | (3) |
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53 | (2) |
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Accuracy in Art and Images |
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55 | (1) |
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Emerging Approach to This Work |
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55 | (4) |
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4 Untapped Potential for Public Engagement |
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59 | (24) |
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60 | (1) |
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61 | (1) |
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62 | (2) |
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64 | (2) |
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66 | (1) |
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67 | (9) |
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Early Spring, the Concord Museum |
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68 | (4) |
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Landscape of Change, Mount Desert Island Historical Society |
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72 | (4) |
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Crowdsourcing and Citizen Science |
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76 | (3) |
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77 | (1) |
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77 | (1) |
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77 | (1) |
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United Kingdom Tidal Data |
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78 | (1) |
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Angling for Data on Michigan Fishes |
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78 | (1) |
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78 | (1) |
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The Palaeontologist and the Gingko |
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79 | (1) |
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The Future of Climate Change Representation |
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79 | (4) |
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5 The Value of Cultural Heritage to Cultural Climate Diplomacy |
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83 | (12) |
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Cultural Diplomacy as a Resource for Climate Diplomacy |
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84 | (2) |
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Cultural Heritage as a Boundary Object for Climate Diplomacy: Cultural and Climate Diplomacy among Neighbors and Nations |
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86 | (9) |
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86 | (1) |
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Indigenous Peoples and the Federal Government as Neighbors/Nations |
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87 | (1) |
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Global Diplomacy: Toward Meaningful Engagement |
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88 | (2) |
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90 | (1) |
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91 | (1) |
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92 | (3) |
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6 Next Steps for Documentary Climate Proxy Data |
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95 | (9) |
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95 | (5) |
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96 | (1) |
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96 | (1) |
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97 | (1) |
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Datasets, Digitization, and Databases |
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98 | (2) |
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100 | (1) |
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100 | (2) |
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100 | (1) |
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101 | (1) |
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102 | (2) |
Index |
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104 | |