About the Authors |
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xv | |
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1 | (114) |
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3 | (30) |
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3 | (1) |
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4 | (1) |
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Periodic and Aperiodic Signals |
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5 | (1) |
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6 | (3) |
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9 | (2) |
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11 | (3) |
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14 | (2) |
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16 | (4) |
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Frequency Response and Linearity |
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20 | (2) |
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22 | (3) |
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Root Mean Square Measurements |
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25 | (1) |
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26 | (4) |
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30 | (3) |
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32 | (1) |
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33 | (48) |
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Concepts Underlying the Decibel and its Use in Sound Systems |
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33 | (5) |
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Measuring Electrical Power |
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38 | (1) |
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Expressing Power as an Audio Level |
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39 | (1) |
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40 | (2) |
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The Decibel in Acoustics---LP, LW, and Lt |
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42 | (2) |
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Acoustic Intensity Level (LI), Acoustic Power Level (LW), and Acoustic Pressure Level (LP) |
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44 | (2) |
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46 | (1) |
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47 | (1) |
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47 | (1) |
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A Decibel is a Decibel is a Decibel |
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48 | (1) |
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48 | (3) |
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The Equivalent Level (LEQ) in Noise Measurements |
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51 | (3) |
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54 | (4) |
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58 | (1) |
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58 | (2) |
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Finding the Logarithm of a Number to Any Base |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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The VU and the Volume Indicator Instrument |
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62 | (6) |
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Calculating the Number of Decades in a Frequency Span |
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68 | (1) |
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Deflection of the Eardrum at Various Sound Levels |
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69 | (1) |
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70 | (3) |
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73 | (1) |
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73 | (1) |
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The Acoustical Meaning of Harmonic Distortion |
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74 | (2) |
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Playback Systems in Studios |
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76 | (1) |
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77 | (2) |
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79 | (2) |
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79 | (2) |
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81 | (34) |
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81 | (1) |
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82 | (2) |
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84 | (1) |
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85 | (3) |
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Temperature-Dependent Velocity |
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88 | (1) |
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The Effect of Altitude on the Velocity of Sound in Air |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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Reflection and Refraction |
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91 | (1) |
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Effect of a Space Heater on Flutter Echo |
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92 | (2) |
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94 | (3) |
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97 | (5) |
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The Acoustic Environment Indoors |
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102 | (10) |
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112 | (3) |
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113 | (2) |
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115 | (46) |
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117 | (22) |
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Building Block Components |
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117 | (22) |
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139 | (22) |
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139 | (4) |
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143 | (1) |
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144 | (1) |
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Influence of Signal Type on Power Supply Design |
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144 | (2) |
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High Current Power Supply Systems |
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146 | (1) |
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Half-Wave and Full-Wave Rectification |
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147 | (1) |
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Direct Current Supply Line Ripple Rejection |
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147 | (1) |
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Voltage Regulator Systems |
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148 | (2) |
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150 | (2) |
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152 | (1) |
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Integrated Circuit (Three Terminals) Voltage Regulator ICs |
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153 | (4) |
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Typical Contemporary Commercial Practice |
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157 | (2) |
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159 | (1) |
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Switch-Mode Power Supplies |
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159 | (2) |
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159 | (2) |
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III. Preamplifiers and Amplifiers |
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161 | (246) |
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Introduction to Audio Amplification |
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163 | (4) |
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Preamplifiers and Input Signals |
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167 | (74) |
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167 | (1) |
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Signal Voltage and Impedance Levels |
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167 | (2) |
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Gramophone Pick-Up Inputs |
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169 | (2) |
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171 | (4) |
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Moving Coil Pick-up Head Amplifier Design |
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175 | (1) |
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176 | (7) |
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183 | (1) |
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184 | (2) |
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186 | (2) |
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188 | (9) |
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197 | (1) |
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Output Voltage Characteristics |
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198 | (2) |
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200 | (2) |
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Constant-Current Sources and ``Current Mirrors'' |
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202 | (7) |
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209 | (3) |
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212 | (6) |
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General Design Considerations |
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218 | (1) |
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219 | (22) |
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239 | (2) |
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Interfacing and Processing |
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241 | (42) |
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241 | (11) |
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Radio Frequency Filtration |
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252 | (1) |
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253 | (4) |
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Subsonic Protection and High-Pass Filtering |
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257 | (6) |
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263 | (4) |
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What Are Process Functions |
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267 | (11) |
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278 | (5) |
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280 | (3) |
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283 | (30) |
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283 | (3) |
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Control of Operating Bias |
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286 | (2) |
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288 | (1) |
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Basic Junction Transistor Circuit Configurations |
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289 | (2) |
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291 | (3) |
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Thermal Dissipation Limits |
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294 | (1) |
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Junction Field Effect Transistors (JFETs) |
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295 | (4) |
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Insulated Gate FETs (MOSFETs) |
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299 | (4) |
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Power BJTs vs Power MOSFETs as Amplifier Output Devices |
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303 | (2) |
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305 | (2) |
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Useful Circuit Components |
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307 | (2) |
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309 | (2) |
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311 | (2) |
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312 | (1) |
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Audio Amplifier Performance |
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313 | (24) |
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A Brief History of Amplifiers |
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313 | (1) |
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314 | (1) |
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The Three-Stage Architecture |
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314 | (3) |
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317 | (8) |
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AC- and DC-Coupled Amplifiers |
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325 | (5) |
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Negative Feedback in Power Amplifiers |
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330 | (7) |
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334 | (3) |
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Valve (Tube-Based) Amplifiers |
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337 | (30) |
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337 | (12) |
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349 | (1) |
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Valve Audio Amplifier Layouts |
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350 | (2) |
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Single-Ended Versus Push-Pull Operation |
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352 | (3) |
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355 | (3) |
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358 | (2) |
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Output (Load-Matching) Transformer |
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360 | (4) |
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Effect of Output Load Impedance |
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364 | (1) |
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365 | (2) |
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366 | (1) |
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367 | (14) |
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Amplifier Stability and Negative Feedback |
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367 | (10) |
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Maximizing Negative Feedback |
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377 | (1) |
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Maximizing Linearity Before Feedback |
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378 | (3) |
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379 | (2) |
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381 | (26) |
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Audio Amplifier Printed Circuit Board Design |
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381 | (9) |
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390 | (3) |
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Ground Loops: How They Work and How to Deal with Them |
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393 | (7) |
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400 | (1) |
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Mechanical Layout and Design Considerations |
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401 | (6) |
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407 | (230) |
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Digital Audio Fundamentals |
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409 | (28) |
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409 | (2) |
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411 | (3) |
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414 | (4) |
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418 | (2) |
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Some Digital Audio Processes Outlined |
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420 | (3) |
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Time Compression and Expansion |
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423 | (2) |
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Error Correction and Concealment |
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425 | (5) |
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430 | (1) |
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431 | (1) |
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432 | (1) |
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Rotary Head Digital Recorders |
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432 | (2) |
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Digital Audio Broadcasting |
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434 | (1) |
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434 | (3) |
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436 | (1) |
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Representation of Audio Signals |
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437 | (60) |
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437 | (1) |
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437 | (6) |
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Elementary Logical Processes |
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443 | (2) |
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The Significance of Bits and Bobs |
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445 | (3) |
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Transmitting Digital Signals |
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448 | (3) |
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The Analogue Audio Waveform |
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451 | (7) |
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458 | (9) |
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467 | (9) |
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476 | (2) |
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478 | (16) |
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Transform and Masking Coders |
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494 | (3) |
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495 | (2) |
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497 | (28) |
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Problems with Digital Encoding |
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497 | (5) |
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502 | (3) |
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505 | (15) |
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520 | (5) |
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524 | (1) |
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Digital Audio Recording Basics |
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525 | (42) |
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525 | (8) |
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533 | (2) |
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Some Digital Audio Processes Outlined |
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535 | (15) |
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550 | (3) |
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553 | (1) |
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An Open Reel Digital Recorder |
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554 | (2) |
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Rotary Head Digital Recorders |
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556 | (6) |
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562 | (1) |
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Editing Digital Audio Tape |
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563 | (4) |
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566 | (1) |
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567 | (12) |
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567 | (8) |
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MADI (AES10-1991) Serial Multichannel Audio Digital Interface |
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575 | (4) |
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579 | (14) |
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580 | (2) |
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Intermediate Compression Systems |
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582 | (1) |
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Psychoacoustic Masking Systems |
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583 | (1) |
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MPEG Layer 1 Compression (PASC) |
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583 | (3) |
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MPEG Layer 2 Audio Coding (MUSICAM) |
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586 | (1) |
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587 | (2) |
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589 | (3) |
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592 | (1) |
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593 | (18) |
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Digital Audio Workstations (DAWs) |
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593 | (7) |
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600 | (2) |
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602 | (1) |
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602 | (1) |
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Disks and Other Peripheral Hardware |
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603 | (1) |
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Hard Drive Interface Standards |
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604 | (2) |
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Digital Noise Generation---Chain Code Generators |
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606 | (5) |
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609 | (2) |
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Other Digital Audio Devices |
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611 | (26) |
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611 | (1) |
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High Definition Compatible Digital (HDCD) |
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612 | (1) |
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612 | (8) |
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620 | (5) |
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625 | (1) |
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Transcribing a Recording by Computer |
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626 | (3) |
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629 | (1) |
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630 | (1) |
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631 | (6) |
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V. Microphone and Loudspeaker Technology |
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637 | (110) |
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639 | (36) |
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639 | (4) |
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643 | (4) |
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Nature of Response and Directional Characteristics |
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647 | (10) |
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657 | (9) |
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Microphone Connectors, Cables, and Phantom Power |
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666 | (5) |
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671 | (4) |
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673 | (2) |
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675 | (30) |
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675 | (2) |
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677 | (1) |
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677 | (1) |
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677 | (1) |
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678 | (1) |
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Sound Pressure Produced at Distance r |
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679 | (3) |
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682 | (3) |
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Diaphragm/Suspension Assembly |
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685 | (1) |
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685 | (2) |
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687 | (1) |
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688 | (2) |
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690 | (1) |
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691 | (1) |
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692 | (1) |
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693 | (1) |
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694 | (3) |
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697 | (8) |
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703 | (2) |
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705 | (26) |
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705 | (15) |
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The Interrelation of Components |
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720 | (11) |
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731 | (16) |
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731 | (1) |
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Pros and Cons of Headphone Listening |
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732 | (2) |
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734 | (7) |
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741 | (2) |
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743 | (2) |
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745 | (2) |
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VI. Sound Reproduction Systems |
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747 | (122) |
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749 | (12) |
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749 | (1) |
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750 | (1) |
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The Physics of Magnetic Recording |
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751 | (1) |
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752 | (1) |
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753 | (1) |
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754 | (1) |
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754 | (2) |
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Recording Formats---Analogue Machines |
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756 | (5) |
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761 | (48) |
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761 | (1) |
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Standard Levels and Level Meters |
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762 | (8) |
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Standard Operating Levels and Line-Up Tones |
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770 | (1) |
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771 | (1) |
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Sound Mixer Architecture and Circuit Blocks |
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771 | (8) |
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779 | (14) |
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793 | (2) |
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795 | (14) |
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807 | (2) |
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809 | (32) |
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809 | (1) |
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809 | (1) |
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Cathode Ray Tube and Raster Scanning |
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810 | (1) |
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811 | (3) |
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814 | (2) |
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816 | (7) |
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Analogue Video Interfaces |
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823 | (1) |
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824 | (10) |
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Embedded Digital Audio in the Digital Video Interface |
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834 | (3) |
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837 | (4) |
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841 | (28) |
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841 | (1) |
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842 | (12) |
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Studio and Control Room Acoustics |
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854 | (15) |
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VII. Audio Test and Measurement |
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869 | (22) |
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Fundamentals and Instruments |
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871 | (20) |
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872 | (1) |
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873 | (12) |
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Alternative Waveform Types |
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885 | (5) |
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890 | (1) |
Index |
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891 | |