Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Menaims to provide BAME (Black, Asian and minority ethnic) actors and practitioners with new and exciting audition and showcase material from plays written by contemporary playwrights. The monologue anthology will celebrate the work of British and international contemporary playwrights who have written powerful and diverse roles for BAME actors within the last forty years.
A growing number of BAME actors are attending drama schools and progressing to professional life in the theatre and on screen, yet finding quality monologues from a wide range of authors has proved to be a difficult task.Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Men seeks to redress that paucity of resource.
Featuring forty monologues, categorised by theme - and offering a suggested playing age for each - this collection is the go-to resource for monologues for aspiring and professional BAME actors.
Recenzijos
Takes the stress out of trying to find suitable material for auditions as the anthologies are well researched, written and edited A wonderful resource and tool for teachers. * Word Matters (STSD) *
Daugiau informacijos
A collection of audition speeches for male Black, South Asian and Middle Eastern actors, from a broad selection of plays by British and international playwrights.
Foreword |
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xi | |
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Performing Rights |
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xiii | |
Introduction |
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xix | |
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Sucker Punch by Roy Williams -- Leon |
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3 | (3) |
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Refugee Boy by Benjamin Zephaniah, adapted for stage by Lemn Sissay -- Alem |
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6 | (4) |
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Gone Too Far! by Bola Agbaje -- Blazer |
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10 | (4) |
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Child of the Divide by Sudha Bhuchar -- Buttameez |
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14 | (3) |
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rihannaboi95 by Jordan Tannahill -- Sunny |
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17 | (3) |
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What Fatima Did ... by Atiha Sen Gupta -- Mohammed |
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20 | (3) |
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Desert Sunrise by Misha Shulman -- Tsahi |
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23 | (3) |
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The North Pool by Rajiv Joseph -- Khadim |
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26 | (4) |
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I Am Yusuf And This Is My Brother by Amir Nizar Zuabi -- Ali |
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30 | (4) |
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The Keepers of Infinite Space by Omar El-Khairy -- Shadi |
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34 | (7) |
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Red Velvet by Lolita Chakrabarti -- Ira |
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41 | (4) |
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Moonfleece by Philip Ridley -- Zak |
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45 | (5) |
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Off the Endz by Bola Agbaje -- David |
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50 | (3) |
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Southbridge by Reginald Edmund -- Christopher |
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53 | (3) |
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The Elaborate Entrance of Chad Deity by Kristoffer Diaz -- VP |
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56 | (3) |
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True Brits by Vinay Patel -- Rahul |
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59 | (6) |
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Snookered by Ishy Din -- Shaf |
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65 | (3) |
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The Empire by DC Moore -- Zia |
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68 | (5) |
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The Fever Chart by Naomi Wallace -- Ali |
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73 | (7) |
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The Adventures of Ali & Ali and the aXes of Evil by Marcus Youssef, Guillermo Verdecchia and Camyar Chai -- Ali Ababwa |
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80 | (4) |
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I Call My Brothers by Jonas Hassen Khemiri -- Amor |
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84 | (9) |
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The Mountaintop by Katori Hall -- King |
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93 | (4) |
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Good Goods by Christina Anderson -- Truth |
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97 | (5) |
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Detroit '67 by Dominique Morisseau -- Lank |
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102 | (3) |
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Bombay Black by Anosh Irani -- Kamal |
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105 | (3) |
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Bells by Yasmin Whittaker Khan -- Charles |
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108 | (3) |
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Mustafa by Naylah Ahmed -- Mustafa |
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111 | (5) |
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A Brimful of Asha by Ravi Jain and Asha Jain -- Ravi |
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116 | (5) |
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The Beloved by Amir Nizar Zuabi -- Abraham |
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121 | (5) |
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Adrift by Marcus Youssef -- Anis |
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126 | (4) |
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Fireworks by Dalia Taha -- Ahmed |
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130 | (5) |
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Archipelago by Caridad Svich -- B |
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135 | (6) |
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Ten Acrobats in an Amazing Leap of Faith by Yussef El Guindi -- Kamal |
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141 | (4) |
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A Wolf in Snakeskin Shoes or The Gospel of Tartuffe by Marcus Gardley -- Apostle Toof |
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145 | (4) |
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Free Fall Vinay Patel -- Roland |
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149 | (6) |
Publications |
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155 | |
Simeilia Hodge-Dallaway - the former manager of the Black Play Archive at the National Theatre, London - was born in East London to West Indian parents. She trained as a theatre director at the Young Vic Theatre and the National Theatre and has worked nationally and internationally as a director, producer, audience development consultant, teacher and facilitator in theatres and schools. Simeilia has been affiliated with theatres such as the National Theatre, Theatre Royal Stratford East, Arcola Theatre, Eclipse Theatre, Kali Theatre, West Yorkshire Playhouse and the Baxter Theatre (South Africa). She has devised and facilitated workshops about Black British plays for a wide range of arts organisations and universities. Her film Voices from the Black Row, a short documentary celebrating Black British artists, was released in 2013.