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El. knyga: Auditory Culture Reader

3.68/5 (38 ratings by Goodreads)
Edited by , Edited by (University of Sussex, UK)
  • Formatas: 476 pages
  • Serija: Sensory Formations
  • Išleidimo metai: 31-May-2020
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781000181722
Kitos knygos pagal šią temą:
Auditory Culture ReaderDidesnis paveikslėlis
  • Formatas: 476 pages
  • Serija: Sensory Formations
  • Išleidimo metai: 31-May-2020
  • Leidėjas: Bloomsbury Academic
  • Kalba: eng
  • ISBN-13: 9781000181722
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The first edition of The Auditory Culture Reader offered an introduction to both classical and recent work on auditory culture, laying the foundations for new academic research in sound studies. Today, interest and research on sound thrives across disciplines such as music, anthropology, geography, sociology and cultural studies as well as within the new interdisciplinary sphere of sound studies itself.

This second edition reflects on the changes to the field since the first edition and offers a vast amount of new content, a user-friendly organization which highlights key themes and concepts, and a methodologies section which addresses practical questions for students setting out on auditory explorations. All essays are accessible to non-experts and encompass scholarship from leading figures in the field, discussing issues relating to sound and listening from the broadest set of interdisciplinary perspectives.

Inspiring students and researchers attentive to sound in their work, newly-commissioned and classical excerpts bring urban research and ethnography alive with sensory case studies that open up a world beyond the visual. This book is core reading for all courses that cover the role of sound in culture, within sound studies, anthropology, sociology, cultural studies, history, media studies and urban geography.

Recenzijos

"This is a wonderful update to the original Auditory Culture Reader. It is on par in terms of quality and interest with the recent sound studies handbooks offered by Routledge and OUP. The new introduction and selected chapters provide an excellent overview of the state of things in sound studies. This is certainly among the most up-to-date and authoritative statements on the subject. - Kyle Devine, University of Oslo, Norway

An excellent introduction to this little-known field. It will certainly stimulate readers to listen more actively and critically, and help them gain a greater appreciation of the importance of sound in their own and others' lives. - Media International Australia (of the first edition)"

Daugiau informacijos

A substantially revised and updated second edition of this ground-breaking and bestselling Reader which charts new territory in the study of the auditory and its role in society.
List of Illustrations
ix
List of Contributors
xi
Introduction
Into Sound ... Once More with Feeling
1(20)
Michael Bull
Les Back
Part I Sound Engagements
Introduction
21(2)
1 Hearing Loss
23(14)
Leigh Eric Schmidt
2 Descartes's Resonant Subject
37(16)
Veit Erlmann
3 Cross Polytopes and Octaphons More Agreeable: Toward a Taxonomy of Sounds All Around But Not Quite There
53(10)
Hillel Schwartz
4 Each Echoing Opening; Each Muffled Closure
63(10)
David Toop
5 Sounding Out the City: An Auditory Epistemology of Urban Experience
73(14)
Michael Bull
6 Sound Studies Meets Deaf Studies
87(12)
Michele Friedner
Stefan Helmreich
7 Making Sense of Race
99(10)
Mark M. Smith
8 Words as Persuasive Art
109(10)
Greg Goodale
9 Situative Signals in Sonic Conflicts: An Anthropology of Sound Design
119(16)
Carla J. Maier
Max Schneider
Holger Schulze
Part II Sound Methodologies
135(50)
10 Tape recorder
137(14)
Les Back
11 Hearing Urban Regeneration: Community Composition as a Tool for Capturing Change
151(12)
Jacqueline Waldock
12 Sonic Geographies, Soundwalks and More-Than-Representational Methods
163(10)
Helen F. Wilson
13 Walking Through the Woodlands: Learning to Listen with Companions Who Have Impaired Vision
173(12)
Karis Petty
Part III Spaces of Sound
185(64)
14 The Auditory Markers of the Village
187(6)
Alain Corbin
15 The Telephone Booth: Fixed Mobility and the Evolution of Sonic Space
193(12)
John M. Picker
16 Know It Well, Know It Differently: New Sonic Practices in Late Nineteenth-Century Theatre-Going: The Case of the Theatrophone in Paris
205(12)
Melissa Van Drie
17 Memories of Sound: Socioeconomic, Community and Cultural Soundscapes of Smithfield, Dublin from the 1950s
217(12)
Linda O'Keeffe
18 Busking and Negotiations of Urban Acoustic Space in South Bank, London
229(14)
Meri Kyto
Elina Hytonen-Ng
19 Aural Postcards: Sound, Memory and the City
243(6)
Fran Tonkiss
Part IV Conflicting Sounds
249(70)
20 Sectarian Sound and Cultural Identity in Northern Ireland
251(10)
Paul Moore
21 Noise of the Past: Spatial Interruptions of War, Nation and Memory
261(16)
Nirmal Puwar
22 Unruly Voices in the Museum: Multisensory Engagement with Disquieting Histories
277(16)
Julia T. S. Binter
23 `A few feet of film run backwards': Tracing the Sonic Construction of Shellfire, 1914--30
293(10)
Louis Goddard
24 War, Cognition and the Media: Training the Senses in a Fully Mediated World
303(16)
Michael Bull
Part V Music, Technologies and Materialities
319(90)
25 Between the Blues and the Blues Dance: Some Soundscapes of the Black Atlantic
323(12)
Paul Gilroy
26 Calypso Kings
335(6)
Stuart Hall
27 Click / Beat / Body: Thoughts on the Materiality of Time and Tempo
341(8)
Paul Theberge
28 Auditory and Technological Culture: The Fine-Tuning of the Dancehall Sound System `Set'
349(8)
Julian Henriques
29 Remix Redux
357(10)
Emily Thompson
30 The Aeolian and Henry David Thoreau's Sphere Music
367(12)
Douglas Kahn
31 Music as Torture / Music as Weapon
379(14)
Suzanne G. Cusick
32 Going After the Kids: Music and the `Extreme' of Christian Fundamentalism
393(12)
Jonathan Pieslak
33 Resistance
405(4)
Richard Sennett
Part VI Economic Sounds
409(44)
34 The Racket
411(22)
Frances Dyson
35 The Sounds of Economic Exchange
433(12)
Trevor Pinch
36 Neoliberal Capitalism and the Rise of Digital Sampling
445(8)
Timothy Taylor
Afterword
Sound Pedagogy
453(6)
Jonathan Sterne
Appendix of Sources 459(4)
Index 463
Michael Bull is Professor of Sound Studies at the University of Sussex, UK. He has published widely in the field of sound studies. He is a founding member of The European Association of Sound Studies and is the editor and co-founder of the journals The Senses and Society and Sound Studies: An Interdisciplinary Journal (both Bloomsbury).Les Back is Professor of Sociology at Goldsmiths College, University of London, UK. He has written and edited numerous books on race, music and multiculturalism.
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