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Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination [Minkštas viršelis]

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  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 230x153x19 mm, weight: 435 g, 11 BW Photos
  • Serija: Ecocritical Theory and Practice
  • Išleidimo metai: 15-Aug-2023
  • Leidėjas: Lexington Books/Fortress Academic
  • ISBN-10: 1666901830
  • ISBN-13: 9781666901832
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 272 pages, aukštis x plotis x storis: 230x153x19 mm, weight: 435 g, 11 BW Photos
  • Serija: Ecocritical Theory and Practice
  • Išleidimo metai: 15-Aug-2023
  • Leidėjas: Lexington Books/Fortress Academic
  • ISBN-10: 1666901830
  • ISBN-13: 9781666901832
Kitos knygos pagal šią temą:
Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the Birds Arent Real movement.

Recenzijos

"These essays constitute an intense and fascinating study of the strangeness of birds and the variety of ways writers and other cultural creators try to comprehend and represent them. This book provides enlightening considerations of what birds do for us culturallyfrom powering flights of imagination to providing the most accessible entrance to the natural worldand what we do to birds as we mistakenly humanize them and directly or indirectly destroy them." -- Sayre Greenfield, University of Pittsburgh at Greensburg "Avian Aesthetics offers a valuable contribution to animal studies and the environmental humanities, exploring the 'multispecies entanglements' of people and birds in literature, art and media from a variety of productive angles. The writers collectively make a potent case for the need to think more deeply and broadly about the relations between the human and avian imaginary." -- Alex Wetmore, University of the Fraser Valley and author of Men of Feeling in Eighteenth-Century Literature Avian Aesthetics is a careful compilation that is informed by a nuanced understanding of environmental studies, and the particularities of avian studies within. DiMarco and Ruppert establish a firm theoretical framework for avian study while at the same time creating space for a variety of disciplinary approaches. Through incisive and unapologetically tender engagement with avian aesthetics, the collection beautifully expands the scope of what is traditionally imagined as environmental texts to undergird the often neglected reality that humans are always at once a part of nonhuman nature, with avian life offering us both a literal and figurative reminder of how fleeting this mutuality can seem in a modern and industrialized world. Traversing genre, ocean, and critical lens, the collection successfully enacts the very principle of entanglement that it seeks to articulate. -- Christine Cusick, Seton Hill University Avian aestheticsis an important contribution to the field of ecocriticism, bridging academia and environmentalism, fostering transdisciplinary scholarship, placing birds at the center where they belong rather than the periphery they have sometimes been consigned to. It offers a wealth of perspectives that will be of interest to anyone concerned with representations of birds and human-bird relations in literature. * Journal of Ecohumanism *

Introduction: The Continuous Line Between Birds and Humans in Animal
Studies Today

Danette DiMarco and Timothy Ruppert

SECTION 1 - The Avian-ness of Aesthetics

Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia
Woolfs Mrs Dalloway

Jemma Deer

Chapter 2

Birds as Character, Motif, Allusion, and Symbol in Meir Shalevs A Pigeon and
a Boy

Laura Major

Chapter 3: With An Aviary Inside Its Head: Surrealist Sensibilities and
Avian Ontologies in the Work of J. G. Ballard and Ted Hughes

Declan Lloyd

Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in
Slumberland

Mark OConnor

SECTION 2 - Writing About/Like Birds

Chapter 5: The Fate of Birds in Anatole Frances Penguin Island

Timothy Ruppert

Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North
American Animal Stories

Jennifer Schell

Chapter 7: What is it like to write (like) a bird?: Rethinking Literary
Practice to Support Avian Subjectivity

Joshua Lobb

Chapter 8: Margaret Atwoods Bird Narratives

Danette DiMarco

SECTION 3 - Entangled Worlds

Chapter 9: The Peregrine: At the Intersection of Ecocriticism and New Nature
Writing

Debarati Bandyopadhyay

Chapter 10: Helen Macdonald, T. H. White, and Hawks: H is [ also] for History

Louis J. Boyle

Chapter 11: Across So Wide a Sea: Humans, Seabirds, and the Kinship of
Mortality

Keri Stevenson

Chapter 12: Collisions in Contemporary American Poetry

Calista McRae

SECTION 4 - Consumers Consuming Birds

Chapter 13: Their Little Brethren of the Air: Rhetoric of Youth Birding in
the United States, 1890s-Present

Laura McGrath

Chapter 14: Birds Arent Real: Narrative and Aesthetic Irony in For-Profit
Conspiracy

Lauren Shoemaker

Chapter 15: Laying Eggs: Ludothematic Resonance and the Birds of Wingspan

Christopher Moore
Danette DiMarco is professor of English at Slippery Rock University.

Timothy Ruppert is assistant professor of English at Slippery Rock University.