Spanning timeframes from 1967 to 2002, Frank Gillettes essays included in this volume are concerned with the re-enchantment of the natural order. Employing several literary styles, from spon-taneous improvisation to a version of Gregory Batesons
metalogue, Gillettes writings are ruminations on symbolic and metaphorical reasoning.
Spanning timeframes from 1967 to 2002, Frank Gillettes essays included in this volume are concerned with the re-enchantment of the natural order. Employing several literary styles, from spon-taneous improvisation to a version of Gregory Batesons metalogue, Gillettes writings are ruminations on symbolic and metaphorical reasoning. Containing pertinent images inserted after original essays, this compilation underscores Gillettes thinking translated into words and visual media.
| Introduction |
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9 | (10) |
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| Remarks: On Texts |
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19 | (2) |
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| Acknowledgments |
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21 | (8) |
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Design, Purpose & Ecology (2002) |
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29 | (6) |
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Patterns Which Connect #2 (Hypnagogic Transitions) (2002) |
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35 | (4) |
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Cyborg Smorgasbord (2002) |
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39 | (14) |
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Frank Gillette and Tom McEvilley (2000) |
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53 | (22) |
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McLuhan & Art History: Take One / Oral Version (1998) |
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75 | (6) |
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The Broken Text (1994/2002/2008) |
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81 | (44) |
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125 | (6) |
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The Philosophical Roots of Biomorphism in Art (1994) |
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131 | (14) |
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On Paul Ryan Sign(s) (1993) |
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145 | (4) |
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149 | (32) |
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The Retangled Bank (1992) |
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181 | (24) |
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205 | (4) |
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Errata. Erotica: A Rant (1992) |
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209 | (6) |
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White Columns Lecture (1990) |
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215 | (4) |
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219 | (4) |
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Art and Philosophy (1989) |
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223 | (4) |
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Notes on the Photographic Sets (1980) |
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227 | (10) |
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237 | (48) |
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Aransas - Axis of Observation (1978) |
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285 | (62) |
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Proposal: Memory's Hand (1975) |
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347 | (4) |
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Masque in Real Time (1975) |
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351 | (10) |
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361 | (4) |
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The Nutritive Context (1970) |
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365 | (2) |
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Random Notes on the Special Case or Loop de Loop (1970) |
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367 | (4) |
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On the Revolutionary Contingent (1967) |
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371 | (8) |
| Biographies |
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379 | |
Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including Daejeon Biennale 2018, Korea, The Center for Art and Media Technology Karlsruhe | ZKM, the International Biennial of Contemporary Art of Cartagena de Indias, Colombia, the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005.
Sabine Flach is Professor of Modern and Contemporary Art at the University of Graz. She is Head of the Institute of Art History and Chair of the Center of Contemporary Art. In addition, she is a member of the Faculty at the School of Visual Arts, New York City. From 2011-2013 she was a Professor at the School of Visual Arts, New York City and from 2000-2010 Head of the research department "WissensKünste" at the Center for Literary and Cultural Research in Berlin (ZfL).
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