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El. knyga: Bad Girls, Dirty Bodies: Sex, Performance and Safe Femininity

(Birmingham City University, UK)
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What makes a woman 'bad' is commonly linked to certain 'qualities' or behaviours seen as morally or socially corrosive, dirty and disgusting. In Bad Girls, Dirty Bodies, Gemma Commane critically explores the social, sexual and political significance of women who are labelled 'bad', sluts or dirty. Through a variety of case studies drawn from qualitative and original ethnographic research, she argues that 'Bad Girls' disrupt heterosexual normativity and contribute new embodied knowledge.

From neo-burlesque, sex-positive and queer performance art, to explicit entertainment and areas of popular culture; Commane situates 'bad' women as sites of power, possibility and success. Through the combination of case studies (Ms T, Empress Stah and RubberDoll, Mouse and Doris La Trine), Gemma Commane offers a challenge to those who think that sexual, slutty, bad, and dirty women are not worth listening to. Significantly, she unpicks the issues generated by women who are complicit in the subjugation, policing and marginalization of 'other' women, both in popular culture and in sites of subcultural resistance.

Recenzijos

This book makes a bold intervention into debates on femininity, pleasure, agency, and sexualisation. Bad Girls, Dirty Bodies is a singular achievement: scholarly, sophisticated and provocative, it establishes Gemma Commane as one of the most exciting voices in feminist cultural studies today. -- Dr Debra Ferreday, Director, Institute for Gender and Women's Studies, Department of Sociology, Lancaster University, UK.

Daugiau informacijos

Explores the social, sexual and political significance of women who are labelled bad, sluts or dirty, including neo-burlesque, sex-positive, queer performance art and explicit entertainment.
Series Editors' Foreword xii
Acknowledgements xiv
Introduction 1(14)
My voice and self-identity
2(2)
Bad Girls, Dirty Bodies
4(4)
Dangerous femininities
8(1)
From Bad Girls to the shadows of safe femininity
9(3)
Notes
12(3)
1 Bad Girls, Dirty Bodies
15(36)
Bad Girls: What is a Bad Girl?
16(28)
Bad Women, bad sexualities?
17(5)
Bad Girls, space and popular culture
22(4)
Tattooed, screwed and lewd
26(3)
Dirty Bodies: What makes a body dirty?
29(2)
Dirt, filth, stigma
31(3)
Disgust reinforcing social conformity
34(2)
Bad Women, Dirty Bodies as abject
36(3)
Dirty Bodies, place, space
39(5)
What's this? It's messy, dirty
44(7)
Mouse, Dirty Dog
45(2)
Doris La Trine: Burlesquing Bulimia
47(4)
2 Bad Girls happen to things
51(30)
The kinky and queer Bad Girl
51(13)
Scope of self-expression
57(2)
Intimacy, Dirt and the Monster Stomp
59(5)
Bad Girls happen to things
64(17)
`Dirtying it out'
65(3)
Bad Girls, sex and stereotypes
68(3)
Filthy bodies and sexual security
71(10)
3 Magnification and the unknown
81(36)
Background context and performance style
82(16)
Performance style and notable themes
86(3)
Conceptualization and the value of the body
89(5)
Doing it sideways: The future of neo-burlesque
94(4)
Styling gender, sexual expression and bad femininity
98(19)
The Queen of the Night
98(7)
Disengagement and readability
105(3)
The impact of the unknown
108(9)
4 RubberDoll: Success and the significance of sexual otherness
117(20)
Expertise, career and craft
118(6)
Journeys and life history
120(4)
Live shows
124(7)
The art of illusion
125(2)
Erotica stage performance
127(4)
Rubberised entrepreneurship and alternative income streams
131(6)
5 Commodification of cult and `alternative' femininities
137(36)
Cleanliness and purity
138(10)
Birmingham Bizarre Bazaar
141(3)
London Burlesque Festival: Angela Ryan
144(2)
Burlesque in Birmingham: Ditzy Diamond
146(2)
Uncompromising clean femininity?
148(6)
Heterosexual legitimacy and the Good Girl
148(5)
Resurrection of the `alternative to'?
153(1)
Clean versus Dirty burlesque
154(7)
Popular entertainment and controversy
155(4)
Sexual economies and body politics
159(2)
Revivalist burlesque: Cleanliness and the commodification of alternatives
161(12)
Style, confidence and cleanliness
164(9)
6 The shadows of safe femininity
173(16)
Safe femininity and the domination of heterosexuality
173(7)
On compulsory heterosexuality and the `true' woman
176(4)
Invisibilities and exclusions
180(9)
The problems with oppression and frames of `lack'
181(2)
Attacks, absences, exclusion
183(6)
Conclusion
189(24)
Socially approved femininities and mediating the Bad Girl
192(2)
Revivalist burlesque and alternatives to
194(6)
The value of lived experience and the inclusion of contexts
200(3)
Bad Women and the power of the vagina
203(7)
Rethinking bad femininities
210(3)
Bibliography 213(18)
Index 231
Dr Gemma Commane is a Senior Lecturer in Media and Communication at the Birmingham School of Media, Birmingham City University, UK. She is active in research in the fields of media and cultural studies, and gender and sexuality.
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Pastovi nuoroda: https://www.kriso.lt/db/97813501173582e.html
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