Atnaujinkite slapukų nuostatas

Basics Architectural Presentation 2nd Revised edition [Minkštas viršelis]

  • Formatas: Paperback / softback, 408 pages, aukštis x plotis: 220x155 mm, weight: 837 g, 281 Illustrations, black and white; 122 Illustrations, color
  • Serija: Basics
  • Išleidimo metai: 08-Nov-2021
  • Leidėjas: Birkhauser
  • ISBN-10: 3035623147
  • ISBN-13: 9783035623147
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 408 pages, aukštis x plotis: 220x155 mm, weight: 837 g, 281 Illustrations, black and white; 122 Illustrations, color
  • Serija: Basics
  • Išleidimo metai: 08-Nov-2021
  • Leidėjas: Birkhauser
  • ISBN-10: 3035623147
  • ISBN-13: 9783035623147
Kitos knygos pagal šią temą:

At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.
However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?
Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

Foreword 8(3)
Freehand Drawing
11(86)
Basic Principles of Freehand Drawing
12(6)
Distinctions and terms
12(2)
Design medium
14(1)
Instrument of communication
15(1)
Perception
16(2)
Tools and Techniques
18(31)
Drawing substrates
18(8)
Lines and the instruments for drawing them
26(10)
Surfaces and the instruments for drawing them
36(11)
Special instruments used in architectural design
47(2)
Freehand Drawing in Architectural Design
49(22)
Drawing types
49(16)
Indicators of scale
65(4)
Continuing the design
69(2)
Architectural Drawing on Site
71(18)
Drawing types
71(3)
Perspective drawing
74(8)
Aids
82(7)
Further Development
89(5)
As-built drawing
89(1)
Digitalisation and image editing
89(5)
In Conclusion
94(3)
Technical Drawing
97(66)
Projection Types
99(5)
Top view (or roof plan)
99(1)
Plan view
99(1)
Elevation
100(1)
Section
100(2)
Three-dimensional views
102(2)
Principles of Representation
104(16)
Aids
104(2)
Paper formats and paper types
106(2)
Scale
108(1)
Lines
109(2)
Hatching
111(1)
Labelling
112(2)
Dimensioning
114(6)
Planning Stages
120(36)
Determining basics
120(1)
Preliminary design drawing
120(9)
Presentation plans
129(3)
Design planning
132(8)
Planning permission
140(2)
Working plans
142(11)
Specialist planning
153(3)
Plan Presentation
156(7)
Plan composition
156(1)
Plan header
156(2)
Plan distribution
158(5)
Detail Drawing
163(70)
Introduction
165(1)
Basics and Requirements
166(8)
Explanation of terms, and their use in detail drawings
166(1)
General requirements for a detail drawing
167(5)
Specific Requirements
172(1)
Timing within the Design Process
173(1)
Work Processes
173(1)
Components of Detail Drawings
174(19)
Lines
174(1)
Hatching
175(5)
Pattern lines
180(1)
Inserting dimensions
181(5)
Annotations
186(4)
Annotation systems
190(3)
Preparation
193(11)
Selection of area to be detailed
193(2)
Forms of representation
195(5)
Defining the area to be represented
200(1)
Selecting the scale of the drawing
200(4)
Example of the Process of Producing a Detail Drawing
204(16)
Objective-Based Detail Design
220(4)
Choice of Medium
224(9)
Modelbuilding
233(76)
The Architectural Model as a Means of Representation
234(3)
Types of Models
237(10)
Conceptual models (without a concrete scale)
238(1)
Urban design and landscape models, site and topography
239(3)
Architectural/building models
242(1)
Interior models
243(2)
Detailed models
245(2)
Design and Concept Development
247(5)
Color and materials
247(1)
Composition and proportion
248(1)
Abstraction and level of detail
249(3)
Equipment, Tools and Techniques
252(22)
Cutting
252(4)
Gluing
256(3)
Modelling, shaping and casting
259(2)
Machines in the modelling workshop
261(5)
Hot wire cutters
266(1)
Digital model making
267(7)
Materials
274(24)
Paper, paperboard and cardboard
275(4)
Wood and wood-based materials
279(5)
Metals
284(3)
Plastics
287(5)
Paints and varnishes
292(1)
Plaster, clay and modelling clays
293(2)
Accessories: trees, figures and cars
295(3)
From Drawing to Model Steps and Approaches
298(8)
A few preliminary thoughts
298(1)
The mounting board
298(2)
Making individual building elements
300(3)
Assembling the elements
303(1)
Final tasks and accessories
304(1)
Presentation
305(1)
In Conclusion
306(3)
Architectural Photography
309(68)
Introduction
311(2)
Fundamentals of Photography
313(8)
Optics
313(1)
Principles of representation
314(4)
Recording the image
318(3)
The Camera
321(12)
Image quality
321(1)
Objectives
322(2)
Control elements
324(3)
Camera types
327(5)
Accessories
332(1)
Imabe Analysis
333(18)
Image factor: content
334(6)
Image factor: reproduction
340(5)
Image factor: graphics
345(6)
The Photobraph
351(11)
The series
351(1)
Divergent lines
352(1)
Order
352(3)
Weather
355(1)
Interior shots
356(1)
Artificial light
356(3)
Construction sites
359(1)
Photographing models
360(2)
Processing the Image
362(2)
Scanning
362(1)
Importing images
362(1)
Selecting images
363(1)
Image Editing
364(9)
Resolution
364(1)
Colors
365(1)
Storage formats
366(1)
Parameters
367(1)
Correcting image errors
368(1)
Retouching
369(1)
Special techniques
370(1)
The image as end product
371(2)
The Architect and Communications Media
373(2)
In Conclusion
375(2)
Appendix
377
Literature
378(3)
Guidelines, Standards and Checklists
381(8)
Picture Credits
389(6)
The Authors
395
Bert Bielefeld, Professor at the University of Siegen, managing partner of bielefeld&partner in Dortmund