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Basics Architectural Presentation [Minkštas viršelis]

  • Formatas: Paperback / softback, 408 pages, aukštis x plotis: 220x155 mm, weight: 858 g, 281 Illustrations, black and white; 122 Illustrations, color
  • Serija: Basics
  • Išleidimo metai: 26-May-2014
  • Leidėjas: Birkhauser
  • ISBN-10: 3038215279
  • ISBN-13: 9783038215271
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 408 pages, aukštis x plotis: 220x155 mm, weight: 858 g, 281 Illustrations, black and white; 122 Illustrations, color
  • Serija: Basics
  • Išleidimo metai: 26-May-2014
  • Leidėjas: Birkhauser
  • ISBN-10: 3038215279
  • ISBN-13: 9783038215271
Kitos knygos pagal šią temą:
At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: learning by doing is the only way for students to quickly develop a repertoire for their design work. However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it? Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, CAD, Modelbuilding, and Architectural Photography from the series BASICS with a yet to be published volume entitled Freehand Drawing. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.
Freehand Drawing
11(86)
Basic Principles Of Freehand Drawing
12(6)
Distinctions and terms
12(2)
Design medium
14(1)
Instrument of communication
15(1)
Perception
16(2)
Tools And Techniques
18(31)
Drawing substrates
18(8)
Lines and the instruments for drawing them
26(10)
Surfaces and the instruments for drawing them
36(11)
Special instruments used in architectural design
47(2)
Freehand Drawing In Architectural Design
49(22)
Drawing types
49(16)
Indicators of scale
65(4)
Continuing the design
69(2)
Architectural Drawing On Site
71(18)
Drawing types
71(3)
Perspective drawing
74(8)
Aids
82(7)
Further Development
89(5)
As-built drawing
89(1)
Digitalisation and image editing
89(5)
In Conclusion
94(3)
Technical Drawing
97(66)
Projection Types
99(5)
Top view (or roof plan)
99(1)
Plan view
99(1)
Elevation
100(1)
Section
100(2)
Three-dimensional views
102(2)
Principles Of Representation
104(16)
Aids
104(2)
Paper formats and paper types
106(2)
Scale
108(1)
Lines
109(2)
Hatching
111(1)
Labelling
112(2)
Dimensioning
114(6)
Planning Stages
120(36)
Determining basics
120(1)
Preliminary design drawing
120(9)
Presentation plans
129(3)
Design planning
132(8)
Planning permission
140(2)
Working plans
142(11)
Specialist planning
153(3)
Plan Presentation
156(7)
Plan composition
156(1)
Plan header
156(2)
Plan distribution
158(5)
CAD
163(84)
CAD: Meaning And Fields Of Application
164(2)
The Virtual Drawing Board
166(12)
User interface
167(4)
Coordinate systems
171(2)
Transparent planes - the layering principle
173(5)
Drawing Functions
178(18)
Drawing elements
178(8)
Design tools
186(4)
Modifications
190(6)
The Third Dimension
196(22)
Three-dimensional design
197(7)
Construction methods
204(4)
Modelling
208(2)
Architectural elements
210(8)
Visualization
218(16)
Surfaces
222(3)
Light and shade
225(2)
Perspective and virtual camera
227(4)
Rendering parameters
231(3)
Data Flow
234(7)
Program libraries
234(2)
CAD interfaces
236(1)
TAI
237(1)
Printing and plotting
238(3)
System Requirements
241(3)
Hardware
241(1)
Software
242(2)
Designing In Dialogue With The Computer
244(3)
Modelbuilding
247(72)
The Architectural Model As A Means Of Representation
248(3)
Types Of Models
251(10)
Conceptual models (without a concrete scale)
252(1)
Urban design and landscape models, site and topography
253(3)
Architectural/building models
256(1)
Interior models
257(2)
Detailed models
259(2)
Design And Concept Development
261(5)
Color and materials
261(1)
Composition and proportion
262(1)
Abstraction and level of detail
263(3)
Equipment, Tools And Techniques
266(18)
Cutting
266(4)
Gluing
270(3)
Modelling, shaping and casting
273(2)
Machines in the modelling workshop
275(5)
Hot wire cutters
280(1)
Computer milling
281(2)
3D plotter
283(1)
Materials
284(24)
Paper, paperboard and cardboard
285(4)
Wood and wood-based materials
289(5)
Metals
294(3)
Plastics
297(5)
Paints and varnishes
302(1)
Plaster, clay and modelling clays
303(2)
Accessories: trees, figures and cars
305(3)
From Drawing To Model -- Steps And Approaches
308(8)
A few preliminary thoughts
308(1)
The mounting board
308(2)
Making individual building elements
310(3)
Assembling the elements
313(1)
Final tasks and accessories
314(1)
Presentation
315(1)
In Conclusion
316(3)
Architectural Photography
319(68)
Introduction
321(2)
Fundamentals Of Photography
323(8)
Optics
323(1)
Principles of representation
324(4)
Recording the image
328(3)
The Camera
331(12)
Image quality
331(1)
Objectives
332(2)
Control elements
334(3)
Camera types
337(5)
Accessories
342(1)
Image Analysis
343(18)
Image factor: content
344(6)
Image factor: reproduction
350(5)
Image factor: graphics
355(6)
The Photograph
361(11)
The series
361(1)
Divergent lines
362(1)
Order
362(3)
Weather
365(1)
Interior shots
366(1)
Artificial light
366(3)
Construction sites
369(1)
Photographing models
370(2)
Processing The Image
372(2)
Scanning
372(1)
Importing images
372(1)
Selecting images
373(1)
Image Editing
374(9)
Resolution
374(1)
Colors
375(1)
Storage formats
376(1)
Parameters
377(1)
Correcting image errors
378(1)
Retouching
379(1)
Special techniques
380(1)
The image as end product
381(2)
The Architect And Communications Media
383(2)
In Conclusion
385(2)
Appendix 387(1)
Literature 388(2)
Guidelines, Standards And Checklists 390(8)
Picture Credits 398(6)
The Authors 404
Bert Bielefeld, professor at the University of Siegen, managing partner of bielefeld&partner in Dortmund.