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El. knyga: Becoming the Pearl-Poet: Perceptions, Connections, Receptions

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Who is the Pearl-poet? How do ideas about his life and interpretations of his poems shape our understanding of his work in late-medieval Englandand beyond? In Becoming the Pearl-Poet: Perceptions, Connections, Receptions, readers can explore the world of this extraordinary, fourteenth-century writer. In Part I, Perceptions, five scholars give insightful literary analyses of the narrative poems attributed to the poet: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, and St. Erkenwald. In Part II, Connections, six scholars examine connections between these diverse poems, focusing on authorship, ecology, material culture, sartorial adornment, shields, and the poets pastoral theology. In Part III, Receptions, scholars consider the illustrations of the Pearl Manuscript (British Library MS Cotton Nero A.x), the poets cultural situatedness in the Northwest Midlands and Ricardian court, his religious contexts, later translations and paraphrases of his work, and his medieval and modern audiences. Intended for students and scholars alike, this book encourages readers to gain a deeper understanding of the Pearl-poet and his world, learning many new things and enjoying old things in a new way.

Recenzijos

Year by year, my students love the Pearl-Poet more and more. This is the volume I have been waiting to give them. The essays address the issues that come up in discussion every semester, with fresh perspectives and updated scholarship. -- Ryan McDermott, University of Pittsburgh

Acknowledgments

Introduction: Becoming the Pearl-Poet, Jane Beal

Part I: Perceptions

Chapter One: The Dreamers Contemplative Experience of a Mappamundi in Pearl,
Jane Beal

Chapter Two: Temperance and the Evolution of Concupiscible Vice in Cleanness,
Corey Owen

Chapter Three: Žay ar happen also žat con her hert stere: Virtue and
Nautical Metaphor in Patience, M. W. Brumit

Chapter Four: The Failure of Perfection in Sir Gawain and the Green Knight ,
Mickey Sweeney

Chapter Five: St. Erkenwald, Michael D.C. Drout, Jonathan B. Gerkin, and
Scott Kleinman

Part II: Connections

Chapter Six: Authorship: What Does the Pearl-Poet Tell Us About Himself?,
Ethan Campbell

Chapter Seven: Ecology in the Pearl-Poet, Elizabeth Allen

Chapter Eight: Material Culture of the Pearl-Poet, Jonathan Quick

Chapter Nine: Sartorial Adornment in the Pearl Poems, Kimberly Jack

Chapter Ten: Switching Shields in Sir Gawain and the Green Knight, Kristin
Bovaird-Abbo

Chapter Eleven: The Pastoral Theology of the Pearl-Poet, Grace Hamman

Part III: Receptions

Chapter Twelve: The Illustrations in London, British Library, MS Cotton Nero
A.x (part 2), Joel Fredell

Chapter Thirteen: The Northwest Midlands and the Ricardian Court, David K.
Coley

Chapter Fourteen: Religious Contexts for the Pearl-Poet, Nancy Ciccione

Chapter Fifteen: Translations and Paraphrases, Kenna L. Olsen

Chapter Sixteen: Audiences, Medieval and Modern, John M. Bowers

Index

About the Contributors
Jane Beal is professor of English literature and the chair of English department at the University of La Verne in southern California.
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