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Ben Shahn and the Passion of Sacco and Vanzetti [Minkštas viršelis]

  • Formatas: Paperback / softback, 160 pages, aukštis x storis: 10x10 mm, weight: 539 g
  • Išleidimo metai: 22-Jun-2001
  • Leidėjas: Rutgers University Press
  • ISBN-10: 0813529441
  • ISBN-13: 9780813529448
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 160 pages, aukštis x storis: 10x10 mm, weight: 539 g
  • Išleidimo metai: 22-Jun-2001
  • Leidėjas: Rutgers University Press
  • ISBN-10: 0813529441
  • ISBN-13: 9780813529448
Kitos knygos pagal šią temą:
Between 1931 and 1932, painter Ben Shahn (18981969) created a series of twenty-three gouaches and temperas on the infamous trial of Nicola Sacco and Bartolomeo Vanzetti. Sacco and Vanzetti  were arrested in 1920 for the murder of a guard during a robbery of a shoe factory in South Braintree, Massachusetts. The two men were Italian immigrants as well as committed anarchists. Their radicalism and their ethnicity, far more than the ambiguous evidence in the case, became the basis for the prosecution against them. In 1927, Sacco and Vanzetti were executed. Theirs was one of the most controversial trials of the twentieth century.

Identifying strongly with these men, Ben Shahn returned again and again to this subject. Spanning the early 1930s up through the end of his career, in 1967, he also produced paintings, an ink drawing, three serigraphs, and a mosaic mural on the trial.

From May through August 2001, the Jersey City Museum will present all paintings in existence from the 193132 series-17 in all-as a first-time event. Many of Shahns other Sacco and Vanzetti works will also be displayed. The exhibit will place the art within the context of the trial itself, as it will include photographs from the courtroom and the newspapers of the day.

With its twelve color and thirty-two black-and-white illustrations, Ben Shahn and The Passion of Sacco and Vanzetti brings the exhibit-and the trial-to life. The catalog will include articles exploring such topics as the artists strong identification with the two men on trial; the 193032 series critical reception from the 1930s to today; and a historical overview of the case itself.

Recenzijos

Of the 23 original works of art, Jersey City Museum (JCM) guest curator Alejandro Anreus Ph.D., has assembled the most comprehensive presentation of The Passion of Sacco and Vanzetti since 1932 with 16 of the originals. These pieces from the original series will appear in the JCM exhibition juxtaposed with photographs of the case along with later treatment of the subject by Shahn in other mediums. (Antiques and the Arts Weekly) This catalog for an exhibit organized by the Jersey City Museum includes five essays on Ben Shahn and his work, with specific emphasis on Sacco and Vanzetti. The essays are authoritative, easy to read, and well documented with 15 pages of endnotes. Additionally, six pages of bibliographic sources round out an excellent set of references. This is a scholarly catalog rather than a picture catalog, and it significantly contributes not only to the printed materials on Ben Shahn, but also to the historical materials about the Sacco and Vanzetti case. (Choice)

Acknowledgements and List of Lenders vi Foreword viii Ben Shahn, Politics, and Art 1(6) Frances K. Pohl The Sacco-Vanzetti Case: An Overview 7(44) Nunzio Pernicone ``Mechanical Vision: Photography and Mass Media Appropriation in Ben Shahns Sacco and Vanzetti Series 51(38) Laura Katzman What Becomes an Icon Most?: The Critical Reception to Ben Shahns `The Passion of Sacco and Vanzetti 89(21) Diana L. Linden Ben Shahn and The Passion of Sacco and Vanzetti 110(14) Alejandro Anreus Endnotes 124(15) Profile of Essayists 139(1) List of Illustrations 140(1) Checklist 141(2) Bibliography 143(6) Jersey City Museum 2000-2001 Board of Trustees and Staff 149
ALEJANDRO ANREUS is a curator for the Jersey City Museum. He also teaches art history at Kean University.