Tackley is an especially goof researcher and it is unlikely one will find any related subject matter not covered thoroughly here. * Bob Porter, IAJRC Journal * Tackley's book attempts to do more than just relate the details of the concert; instead, she seeks to place the event among larger contexts, from the use of recordings as a basis for canonisation to embodiment of the musical past ... All will be inspired to obtain the recordings, not only of the concert itself, but also of the multitude of rich sonic evidence that Tackley cites from Goodman as well as his swing ear compatriots * Sarah Caissie Provost, Popular Music Journal * It is the evidently joyous combination of enthusiasm, scholarly discipline and musical expertise that makes this contribution to the Oxford Studies in Recorded Jazz intriguing for the analyst, particularly companionable for those of us who have grown up with this landmark recording (not released until 1950) and an entertaining narrative for the general reader interested in the place of jazz in American culture. * John Mole, Times Literary Supplement * a thoroughly researched, scholarly work ... For students of jazz history and those interested in the Goodman swing era, this will be a welcome arrival. * Sally Evans-Darby, Jazz Journal * the meat of the volume is the central track-by-track breakdown of the music programme ... Tackley writes compellingly. * Brian Priestley, Jazzwise * Only the fourth book in the "Oxford Studies in Recorded Jazz" series, Tackley's work joins the previous three entries as a distinguished contribution to the literature ... there should be a broad audience for this volume ... Highly recommended. All readers. * K. R. Dietrich, Choice *
Daugiau apie elektronines knygas