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El. knyga: Bernard Shaw and the Censors: Fights and Failures, Stage and Screen

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“Dukore’s style is fluid and his wit delightful. I learned a tremendous amount, as will most readers, and Bernard Shaw and the Censors will doubtless be the last word on the topic.”

- Michel Pharand, former editor of SHAW: The Journal of Bernard Shaw Studies and author of Bernard Shaw and the French (2001). 

"This book shows us a new side of Shaw and his complicated relationships to the powerful mechanisms of stage and screen censorship in the long twentieth century.”

-          - Lauren Arrington, Professor of English, Maynooth University, Ireland

A fresh view of Shaw versus stage and screen censors, this book describes Shaw as fighter and failure, whose battles against censorship – of his plays and those of others, of his works for the screen and those of others – he sometimes won but usually lost. We forget usually, because ultimately he prevailed and because his witty reports of defeats are so buoyant, they seem to describe triumphs. We think of him as a celebrity, not an outsider; as a classic, not one of the avant-garde, of which Victorians and Edwardians were intolerant; as ahead of his time, not of it, when he was called “disgusting,” “immoral", and "degenerate.” Yet it took over three decades and a world war before British censors permitted a public performance of Mrs Warren’s Profession. We remember him as an Academy Award winner for Pygmalion, not as an author whose dialogue censors required deletions for showings in the United States. Scrutinizing the powerful stage and cinema censorship in Britain and America, this book focuses on one of its most notable campaigners against them in the last century.


Recenzijos

"In Bernard Shaw and the Censors Dukore draws on his extensive Shavian expertise and brings together, for the first time, Shaws main public quarrels as a banned author on stage and on film within a broad chronological context. As such, the volume will appeal to a wide readership in the fields of film and drama, not to mention Shaw aficionados. (Anne Etienne, Theatre Notebook, Vol. 75 (1), 2021)

Preface ix
1 Who Is the Censor?
1(2)
Brief Survey of Censorship
3(12)
The Licensing Act of1737
15(4)
After 1737
19(6)
The Police and Censorship
25(3)
1832 to 1892
28(11)
2 The Critic and Emerging Playwright Versus British and American Censors
39(3)
One Critic, Two Censors
42(8)
A Doll's House and the Campaign for Ghosts
50(8)
The Campaign for Mrs Warren's Profession in England
58(11)
The Campaign for Mrs Warren's Profession in America
69(11)
After New York
80(9)
3 Shaw's Campaign Against the Censors: Press, Public Opinion, and Parliament
89(2)
1907
91(10)
Evasions: The Minstrel Show and Ireland
101(9)
The 1909 Joint Select Committee of Parliament
110(34)
Major Witnesses in Favor of the Censorship
113(7)
Major Witnesses Opposed to the Censorship
120(10)
Other Witnesses in Favor of the Censorship
130(7)
Other Witnesses Opposed to the Censorship
137(7)
The Outcome
144(4)
From the Eve of World War I to Shaw's Death in 1950
148(19)
4 Shaw and Movie Censorship in Britain and the United States
167(3)
The Loophole in the Cinematograph Act
170(9)
The British Board of Film Censors
179(1)
Sex
180(3)
Propaganda
183(6)
The United States
189(4)
The Aborted Film of Saint Joan
193(7)
The English Film of Pygmalion
200(6)
The English Film of Major Barbara
206(8)
The English Film of Cajsar and Cleopatra
214(5)
Censorship of Shaw's Films, Cleric and Laic
219(8)
5 The Erosion of Stage and Screen Censorship
227(1)
Stage Censorship
227(7)
Screen Censorship
234(7)
Brave New Millennium
241(6)
Index 247
Bernard F. Dukore is University Distinguished Professor Emeritus, Theatre Arts and Humanities, Virginia Tech, USA. His books on theatre and film include Crimes and Punishments and Bernard Shaw (2017), Bernard Shaw: Slaves of Duty and Tricks of the Governing Class (2012), Shaw's Theater (2000), and Sam Peckinpah's Feature Films (1999).