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El. knyga: In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions [Taylor & Francis e-book]

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Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
List of Figures
ix
Acknowledgments xvii
Prologue: Imaginative Drawing and the In-Between xix
Part 1 Between Sense And Imagination
1(40)
Synopsis
1(1)
Preamble on Imagination
1(15)
The Creative Field of Imagination
16(5)
Poetics of the Imaginal
21(20)
Part 2 Between Idea And Thing
41(84)
Visual Representation and Culture in the Islamic World
41(11)
The Intermediary Meditative Field of Geometry
52(24)
Imaginative Inhabitation of the Geometric Mode of Girih
76(29)
Geometric Mode: From Aesthetics to Metaphysics of Being
105(20)
Part 3 Between Inside And Outside
125(1)
Window as Girih
125(28)
Inhabiting the Space of the Orosi Window
153(24)
Epilogue: The Window of Drawing 177(6)
Appendix: Glossary of Terms 183(6)
Bibliography 189(10)
Index 199
Hooman Koliji, University of Maryland, USA.