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El. knyga: Beyond the Bandstand: Paul Whiteman in American Musical Culture

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  • Formatas: EPUB+DRM
  • Serija: Music in American Life
  • Išleidimo metai: 19-Nov-2024
  • Leidėjas: University of Illinois Press
  • Kalba: eng
  • ISBN-13: 9780252047329
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  • Formatas: EPUB+DRM
  • Serija: Music in American Life
  • Išleidimo metai: 19-Nov-2024
  • Leidėjas: University of Illinois Press
  • Kalba: eng
  • ISBN-13: 9780252047329
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The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwins Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a whos who of artists toward prominence. But Whitemans oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history.

W. Anthony Sheppards collection of essays confronts the racial implications of Whitemans career. The contributors explore Whitemans broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television.

Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music.

Contributors: Ryan Raul BaŃagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells

Recenzijos

This book, transcending praise and blame but holding its subject accountable, offers a welcome variety of historical and critical perspectives on an indisputably major figure and goes a long way to restoring who Whiteman was and is, rather than rehashing what he was and is not.--Jeffrey Magee, author of Irving Berlins American Musical Theater

Acknowledgments

A Note on the Paul Whiteman Collection at Williams College  Lisa Conathan

Introduction: Naming and Placing Whiteman  W. Anthony Sheppard



Black Music, White Bodies, Paul Whitemans Body  Stephanie Doktor
Paul Whiteman, Cultural Ownership, and Jazz Historiography in Dave Peytons
The Musical Bunch  Christi Jay Wells
Paul Whiteman and Modern Metropolitan Music, 19271940  John Howland
Arranging Orientalism for Whiteman  Ryan Raul BaŃagale
Concertized Jazz: The Divergent Motives of Whiteman (1924) and Goodman
(1938)  Sarah Caissie Provost
Symphonised Syncopation: Paul Whiteman in the United Kingdom and Europe in
the 1920s  Catherine Tackley
RCA v. Whiteman and the Case for Radio Broadcast Rights  Katherine M. Leo
Integration and Segregation in Whitemans Music Television, 19481955  W.
Anthony Sheppard
Afterword  Elijah Wald

Contributors

Bibliography

Index

 
W. Anthony Sheppard is the Marylin & Arthur Levitt Professor of Music at Williams College. He is the author of Extreme Exoticism: Japan in the American Musical Imagination