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Beyond Utopia: Japanese Metabolism Architecture and the Birth of Mythopia [Minkštas viršelis]

  • Formatas: Paperback / softback, 214 pages, aukštis x plotis: 234x156 mm, weight: 367 g, 5 Tables, black and white; 85 Illustrations, black and white
  • Išleidimo metai: 01-Jun-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138056030
  • ISBN-13: 9781138056039
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 214 pages, aukštis x plotis: 234x156 mm, weight: 367 g, 5 Tables, black and white; 85 Illustrations, black and white
  • Išleidimo metai: 01-Jun-2018
  • Leidėjas: Routledge
  • ISBN-10: 1138056030
  • ISBN-13: 9781138056039
Kitos knygos pagal šią temą:

Megastructure proposals by the Japanese Metabolism group are commonly identified with the concept of utopia. Beyond this partial understanding, the author suggests that rather than being merely utopian, the Megastructure of Metabolism represents a uniquely amalgam genre: the myth camouflaged as utopia. Although its Megastructure seemingly describes a desirable future condition as utopia does, it also comprises certain cultural images rooted in the collective (un)conscious of Japanese people, in accordance with the general interpretation of myth. The primary narrative of the book thus follows the gradual unfolding of the myth-like characteristics of its Megastructure.

Myth is dealt here as an interdisciplinary subject in line with contemporary myth theories. After expounding the mechanism underlying the growing demand for a new myth in architecture (the origin of the myth), Part I discovers the formal characteristics of the Megastructure of Metabolism to give hint of the real intention behind. Based on this, Part II is a reexamination of their design methods, which aims to clarify the function of the myth and to suggest the meaning behind it. Finally, Part III deals with the subject matter of the myth by disclosing the meaning unfolding the story, and suggests a new reading of Metabolism urban theory: as an attempt to reconsider the traditional Japanese space concept.

List of Illustrations
xii
Foreword xvi
Author's Preface xvii
Acknowledgment xxii
Introduction: The Origin of the `Myth'---the Agony of Modern Architecture 1(14)
The Formation of CIAM
1(3)
Transformation From CIAM to Team X
4(4)
Urban Theories of Team X
8(7)
PART I The Utopia of Megastructure---The `Myth' Camouflaged
15(92)
Introduction to Part I
15(28)
On Megastructure Approaches
15(10)
On the Metabolism Movement
25(9)
Objectives of Analysis
34(1)
Scale and Method of Analysis
35(1)
Organization of Part I
36(7)
1 Megastructure Proposals
43(25)
Kiyonori Kikutake
`Vertical Communities'
43(7)
Typology of `Vertical Communities' and the Formal Structure of Each Type
45(3)
Summary: Comparison Among the Types
48(2)
`Marine City' Projects
50(18)
Structural Mechanism of `Floating Platform'
52(1)
Analysis of `Marine City' Projects
53(8)
Interrelations Among `Marine City' Projects
61(3)
Summary: Comparison Among `Marine City' Projects
64(4)
2 Megastructure Proposals
68(30)
Kenzo Tange
MIT Boston Harbor Project, 1959
68(12)
Design Concept of MIT Boston Harbor Project, 1959
69(1)
Analysis of MIT Boston Harbor Project, 1959
69(4)
The Spatial Characteristics of MIT Boston Harbor Project, 1959
73(1)
Analysis of the Supposed Ancestors of MIT Boston Harbor Project, 1959
74(4)
Summary: Comparison Between MIT Boston Harbor Project, 1959 and Its Supposed Ancestors
78(2)
A Plan for Tokyo, 1960
80(18)
`Civic Axis' and `Cross-Axis'
81(3)
Linear-Parallel Systems of Roads
84(2)
Administration Buildings and Residential Blocks
86(3)
Comparison to The First National Capital Region Development Plan, 1958
89(2)
Summary: The Formal Characteristics of A Plan for Tokyo, 1960
91(7)
3 Summary: The Design Method of the Megastructure in Metabolism
98(9)
The Characteristics of Kikutake's Megastructure
98(2)
`Vertical Communities'
98(1)
`Marine City' Projects
98(1)
Comparison Between `Vertical Communities' and `Marine City' Projects
99(1)
The Characteristics of Tange s Megastructure
100(1)
MIT Boston Harbor Project, 1959
100(1)
A Plan for Tokyo, 1960
101(2)
Comparison Between MIT Boston Harbor Project, 1959 and A Plan for Tokyo, 1960
102(1)
Comparison Between Kikutake's and Tange's Design Methods
103(4)
PART II The Function of the `Myth'---City as `Living System'
107(42)
Introduction to Part II
107(20)
Biological Analogy in Architecture
107(9)
The Theory of `Living Systems'
116(3)
`Living Architecture' Theory
119(3)
Organization of Part II
122(5)
4 Properties of `Living Systems' in Kikutake's and Tange's Megastructures
127(10)
`Vertical Communities'
127(4)
`Marine City' Projects
131(1)
MIT Boston Harbor Project, 1959
132(1)
A Plan for Tokyo, 1960
133(4)
5 Properties of `Living Systems' in Kurokawa's Megastructures
137(7)
6 Properties of `Living Systems' in Kawazoe's Discourse
144(3)
7 Summary: The Metaphor of `City as Living System' in the Megastructure of Metabolism
147(2)
PART III The Subject Matter of the `Myth'---Creative Tradition
149(40)
8 "Overcoming Modernity"
151(8)
9 The `Tradition Debate' in Architecture
159(20)
10 The Traditional Japanese Conception of Urban Space
179(7)
11 Denouement: Reinterpretation of Tradition Through the Megastructure of Metabolism
186(3)
Appendix 189(10)
Postscript 199(2)
Bibliography 201(7)
Index 208
Agnes Nyilas was an Assistant Professor at Sugiyama Jogakuen University in Japan. She received a combined BArch + MArch degree in architecture from Technical University of Budapest, Hungary and a PhD in architecture from Nagoya University, Japan. Her research interests ranged from architectural design practice to the history and theory of architecture and urban design, with a special focus on modern and contemporary design theories.