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El. knyga: Biologically-Inspired Computing for the Arts: Scientific Data through Graphics

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  • Formatas: PDF+DRM
  • Išleidimo metai: 30-Apr-2012
  • Leidėjas: Idea Group,U.S.
  • Kalba: eng
  • ISBN-13: 9781466609433
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  • Formatas: PDF+DRM
  • Išleidimo metai: 30-Apr-2012
  • Leidėjas: Idea Group,U.S.
  • Kalba: eng
  • ISBN-13: 9781466609433
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"This book comprises a collection of authors' individual approaches to the relationship between nature, science, and art created with the use of computers, discussing issues related to the use of visual language in communication about biologically-inspired scientific data, visual literacy in science, and application of practitioner's approach"--Provided by publisher.

Contributors from the three fields--biology, computers, and art--explore how people look at nature and its organic forms, then use computers to transform them into art. They cover visual data formation: the biology-inspired generation and analysis of objects and processes, visualizing the invisible: processes for the visual data formation, scientific communication through visual language, tools for metaphors: nature described with the use of mathematics and computing, and analytical discourse: the philosophy and aesthetics of nature-inspired creations. Among the topics are a biomimetic stridulation environment, seeing the unseen, looking at science through water, designing and prototyping kinetic objects, and aesthetics based on the fractal and holographic. Annotation ©2012 Book News, Inc., Portland, OR (booknews.com)
Foreword xv
Preface xvi
Acknowledgment xxiii
Section 1 Visual Data Formation: Biology Inspired Generation and Analysis of Objects and Processes
Chapter 1 Bio-Interfaces: Designing Wearable Devices to Organic Interactions
1(17)
Rachel Zuanon
Chapter 2 Flow Simulation with Vortex Elements
18(13)
Mark Stock
Chapter 3 Cooperation of Nature and Physiologically Inspired Mechanisms in Visualisation
31(28)
Mohammad Majid al-Rifaie
Ahmed Aber
John Mark Bishop
Chapter 4 Oh!m 1 gas: A Biomimetic Stridulation Environment
59(22)
Kuai Shen Auson
Chapter 5 Bridging Synthetic and Organic Materiality: Gradient Transitions in Material Connections
81(9)
Hironori Yoshida
Section 2 Visualizing the Invisible: Processes for the Visual Data Formation
Chapter 6 Sustainable Cinema: The Moving Image and the Forces of Nature
90(15)
Scott Hessels
Chapter 7 Seeing the Unseen
105(20)
Eve Andree Laramee
Kalyan Chakravarthy Thokala
Donna Webb
Eunsu Kang
Matthew Kolodziej
Peter Niewiarowski
Yingcai Xiao
Chapter 8 NanoArt: Nanotechnology and Art
125(13)
Cris Orfescu
Chapter 9 Nature Related Computerkunst
138(11)
Wolfgang Schneider
Section 3 Scientific Communication through Visual Language
Chapter 10 Biological Translation: Virtual Code, Form, and Interactivity
149(12)
Collin Hover
Chapter 11 Looking at Science through Water
161(46)
Anna Ursyn
Chapter 12 Visual Tweet: Nature Inspired Visual Statements
207(33)
Anna Ursyn
Chapter 13 Digital Approaches to Visualization of Geometric Problems in Wooden Sangaku Tablets
240(15)
Jean Constant
Section 4 Tools for Metaphors: Nature Described with the Use of Mathematics and Computing
Chapter 14 Drawings from Small Beginnings
255(12)
Hans Dehlinger
Chapter 15 On the Designing and Prototyping of Kinetic Objects
267(11)
Scottie Chih-Chieh Huang
Shen-Guan Shih
Chapter 16 A New Leaf
278(12)
Liz Lee
Section 5 Analytical Discourse: Philosophy and Aesthetics of Nature Inspired Creations
Chapter 17 Science within the Art: Aesthetics Based on the Fractal and Holographic Structure of Nature
290(32)
Doug Craft
Chapter 18 Getting Closer to Nature: Artists in the Lab
322(15)
James Faure Walker
Chapter 19 drawing//digital//data: A Phenomenological Approach to the Experience of Water
337(19)
Deborah Harty
Chapter 20 From Zero to Infinity: A Story of Everything
356(22)
Clayton S. Spada
Victor Raphael
Compilation of References 378(30)
About the Contributors 408(7)
Index 415