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Boys Abducted: The Homoerotics of Empire and Race in Early Modernity [Minkštas viršelis]

  • Formatas: Paperback / softback, 277 pages, aukštis x plotis: 229x152 mm, weight: 454 g, 46 illustrations
  • Serija: Theory Q
  • Išleidimo metai: 22-Apr-2025
  • Leidėjas: Duke University Press
  • ISBN-10: 1478031581
  • ISBN-13: 9781478031581
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 277 pages, aukštis x plotis: 229x152 mm, weight: 454 g, 46 illustrations
  • Serija: Theory Q
  • Išleidimo metai: 22-Apr-2025
  • Leidėjas: Duke University Press
  • ISBN-10: 1478031581
  • ISBN-13: 9781478031581
Kitos knygos pagal šią temą:
Abdulhamit Arvas explores the history of abducted boys in English and Ottoman literary and visual culture to examine the relationships between homoeroticism, race, and empire in the early modern period.

In Boys Abducted, Abdulhamit Arvas explores the history of abducted boys in English and Ottoman literary and visual culture to examine the relationships between homoeroticism, race, and empire in the early modern period. The popular literary trope of the abducted beautiful boy—often eroticized as an exotic object of desire—intersects with the historical phenomenon of vulnerable youths who were captured and exchanged within the global traffic in bodies. Arvas offers a queer-historicist analysis of a wide array of Ottoman and English texts and genres ranging from poetry, drama, and travelogue to chronicles, maps, and visual arts. He shows how the boy in these representations crosses boundaries between nations and empires, embodying the tensions and dissonances between the aestheticized eroticism of literary and cultural representations and the violent history of abductions, conversions, and enslavements. In so doing, Arvas presents complex parallels and connections between the two societies, highlighting the circulation of sexual and racial discourses in imperial imaginings to uncover discursive formations and formulations of sexuality, race, and empire.

Recenzijos

In this unique and much-needed book, Abdulhamit Arvas analyzes the complex nexus of race, religion, gender, homoeroticism, empire, and social hierarchy brought into play by the widespread early modern practice of abducting boys. This is not an encyclopedic compendium of beautiful abducted boys for the prurient pleasure of the collector, but rather a mapping of the material relations of power behind this practice. No other work addresses the homoerotic traffic in boys so eruditely from both sides of the Ottoman/English divide, illuminating a great many crossings and borrowings between the two empires. - Kadji Amin, author of (Disturbing Attachments: Genet, Modern Pederasty, and Queer History) A work of great archival research and comparatist ambition, Boys Abducted contributes crucially to the transcultural analysis of early modern violence, eroticism, and affect. By unfolding the literature and history of the Ottoman abduction and conversion of white European boys and young men, and by similarly tracing the representations of Ottoman and Black boys in England, Abdulhamit Arvas powerfully demonstrates the importance of reading these literary histories together and shows their astonishing crossings and mutual inflections. For scholars of premodern sexuality and early modern English literature including especially Shakespeare and Marlowe, the wealth of Arvass intersectional analyses will be a revelation. - Jeffrey Masten, author of (Queer Philologies: Sex, Language, and Affect in Shakespeare's Time)

A Note on Transcription and Translations  vii
Acknowledgments  ix
Introduction  1
Part I. Boys Encountered
1. Traveling Boys in the Mediterranean  45
2. Mapping Boys on the Horizon  81
3. (In)visible Boys in English Abductions  109
Part II. Boys Transformed
4. Refashioning Boys  141
5. Regendering Boys  169
Part III. Boys in Modernity, East and West
6. Staging Boys, 16901990  199
7. The Orientalization of Boy Love: A Conclusion  221
Notes  233
Bibliography  277
Index  309
Abdulhamit Arvas is Assistant Professor of English at the University of Pennsylvania and coeditor of Critical Confessions Now.