Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India.
Combining ethnographic and archival research, this book examines the lives of colonial-period postcards and reveals how they become objects of contemporary historical imagination in India.
Picture postcards were circulated around the world in their billions in the early twentieth century and remained, until the advent of social media, unmatched as the primary means of sharing images alongside personal messages. This book, based on original research in Bengaluru, shows that their lives stretch from their initial production and consumption in the early 1900s into the present where they act as visual and material mediators in postcolonial productions of history, locality, and heritage against a backdrop of intense urban change.
The book will be of interest to photographic historians, visual anthropologists, and art historians.
Introduction: Ephemeral Entanglement Following the Ramchand Box, Part 1
1. Behind the Lens: Producing Picture Postcards Following the Ramchand Box,
Part 2
2. Picture Postcard Bengaluru Following the Ramchand Box, Part 3
3.
Juggling with the Past and Present: Picture Postcard Collections as
Mnemonic Things Following the Ramchand Box, Part 4
4. Ephemeral Frictions:
Picture Postcards and Heritage in Indias Silicon Valley Conclusion: The
Thing About Picture Postcards in the City Without a Past
Emily Stevenson is Leverhulme Early Career Fellow at the Pitt Rivers Museum, University of Oxford.
