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Broadview Anthology of British Literature Volume 2: The Renaissance and the Early Seventeenth Century - Third Edition: The Renaissance and the Early Seventeenth Century 3rd New edition [Minkštas viršelis]

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  • Formatas: Paperback / softback, 1201 pages, aukštis x plotis x storis: 235x197x27 mm, weight: 1160 g
  • Išleidimo metai: 14-Mar-2016
  • Leidėjas: Broadview Press Ltd
  • ISBN-10: 1554812909
  • ISBN-13: 9781554812905
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 1201 pages, aukštis x plotis x storis: 235x197x27 mm, weight: 1160 g
  • Išleidimo metai: 14-Mar-2016
  • Leidėjas: Broadview Press Ltd
  • ISBN-10: 1554812909
  • ISBN-13: 9781554812905
Kitos knygos pagal šią temą:
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field.

The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes.

For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castigliones The Courtier, presented in Thomas Hobys influential early modern English translation. Thomas Kyds The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekkers plague pamphlets. We have considerably expanded our representation of Elizabeth Is writings and speeches, as well as providing several more cantos from Edmund Spensers Faerie Queene and adding selections from Sir Philip Sidneys Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herberts writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes.

The edition features two new Contexts sections: a sampling of Tudor and Stuart Humor, and a section on Levellers, Diggers, Ranters, and Covenanters. New materials on emblem books and on manuscript culture have also been added to the Culture: A Portfolio contexts section.

There are many additions the website component as wellincluding Thomas Deloneys Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.

Recenzijos

Comments on the Broadview Anthology of Literature:

sets a new standard by which all other anthologies of British literature will now have to be measured. Graham Hammill, University at Buffalo, The State University of New York

With the publication of The Broadview Anthology of British Literature, teachers and students in survey and upper-level undergraduate courses have a compelling alternative to the established anthologies by Norton and Longman. This is a very real intellectual, as well as pedagogical, achievement. Nicholas Watson, Harvard University

Forty-five years [ after publication], the Norton remains the 800 lb. gorilla in the classroom. But it faces vigorous and growing competition from other anthologies, notably The Longman Anthology of British Literature and The Broadview Anthology of British Literature. The most recent entry in the field, the Broadview, [ is distinguished by its] selections, longer introductions, more visual material, and Web component. The Chronicle of Higher Education

I have been using The Broadview Anthology of British Literature for three years now. I love itand so do my students! Martha Stoddard-Holmes, California State University, San Marcos

After twenty years of teaching British literature from the Norton anthologies, Im ready to switch to the Broadview. The introductions to each period are key to teaching a survey course, and those in the Broadview seem to me to be both more accessible to students and more detailed in their portraits of each era than are those of the Norton. And Broadviews selection of authors and texts includes everything I like to teach from the Norton, plus a good deal else thats of real interest. Neil R. Davison, Oregon State University

Nortons intros are good; Broadviews are better, with greater clarity and comprehension, as well as emphasis upon how the language and literature develop, both reacting or responding to and influencing or modifying the cultural, religious/philosophical, political, and socio-economic developments of Britain. The historian and the linguist in me thoroughly enjoyed the flow and word-craftsmanship. If you have not considered the anthology for your courses, I recommend that you do so. Robert J. Schmidt, Tarrant County College

Preface
Acknowledgments
The Renaissance and the Early Seventeenth Century
History of the Language and of Print Culture
John Skelton
Sir Thomas More
William Tyndale
Contexts: Religion and Devotional Life
Sir Thomas Wyatt
John Foxe
Henry Howard, Earl of Surrey
The Elizabethan Sonnet and Lyric
Anne Lock
Literature in Ireland, Gaelic Scotland, and Wales
The Cornish Ordinalia
Baldassare Castiglione/Thomas Hoby
Lady Jane Grey
Thomas Deloney
Edmund Spenser
Sir Philip Sidney
Mary Sidney Herbert, Countess of Pembroke
Elizabeth I, Queen of England
Contexts: Culture: A Portfolio
Mary Stuart, Queen of Scots
King James Vi
Aemilia Lanyer
Sir Walter Raleigh
Contexts: Other Lands Other Cultures
George Peele
Thomas Kyd
Francis Bacon
Robert Southwell
Christopher Marlowe
Contexts: Tudor and Stuart Humor
William Shakespeare
Contexts: The Theater in Shakespeare's Time
Thomas Campion
Thomas Nashe
Isabella Whitney
Contexts: "Unconstant Women," "Excellent Women": A Seventeenth Century
Debate
Ben Jonson
Thomas Dekker
Thomas Middleton and Thomas Dekker
John Donne
Thomas Coryate
Robert BurtonJ
John Webster
John Smith
Wahunsonacock (Powhatan)
Elizabeth Cary (Viscountess Falkland)
Mary Ward
Lady Mary Wroth
Thomas Hobbes
John Winthrop
William Bradford
Contexts: Governance, Obedience, Dominion
Anne Clifford
Robert Herrick
George Herbert
Thomas Browne
Roger Williams
Anne Bradstreet
Andrew Marvell
Margaret Cavendish
Katherine Philips
Royalist and "Cavalier" Poetry
Izaak Walton
John Milton
Contexts: Levellers, Diggers, Ranters, and Covenanters
Contexts: Civil War
Appendices
Bibliography
Indexes
Of the ten general editors, Joseph Black and Anne Lake Prescott have focused on volume 2 particularly; they are professors at the University of Massachusetts (Amherst) and at Barnard College, respectively.

Our Editorial Team:

Joseph Black, University of Massachusetts Leonard Conolly, Trent University Kate Flint, University of Southern California Isobel Grundy, University of Alberta Roy Liuzza, University of Tennessee Jerome McGann, University of Virginia Anne Prescott, Barnard College Barry Qualls, Rutgers University Claire Waters, University of California, Davis