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El. knyga: The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution

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  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-Nov-2020
  • Leidėjas: Pluto Press
  • ISBN-13: 9781786806840
  • Formatas: EPUB+DRM
  • Išleidimo metai: 05-Nov-2020
  • Leidėjas: Pluto Press
  • ISBN-13: 9781786806840

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Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.


A call for western museums to wash their hands of colonial blood

Recenzijos

'A real game-changer' -- The Economist 'If you care about museums and the world, read this book' -- New York Times 'Best Art Books' 2020 'Hickss urgent, lucid, and brilliantly enraged book feels like a long-awaited treatise on justice' -- Coco Fusco, New York Review of Books 'Unsparing ... especially timely ... his book invites readers to help break the impasse by joining the movement for restitution.' -- CNN 'The book is a vital call to action: part historical investigation, part manifesto, demanding the reader do away with the existing brutish museums of the title and find a new way for them to exist' -- Charlotte Lydia Riley, Guardian 'A startling act of conscience. An important book which could overturn what people have felt about British history, empire, civilisation, Africa, and African art. It is with books like this that cultures are saved, by beginning truthfully to face the suppressed and brutal past. It has fired a powerful shot into the debate about cultural restitution. You will never see many European museums in the same way again. Books like this give one hope that a new future is possible.' -- Ben Okri, poet and writer 'An epiphanic book for many generations to come' -- Victor Ehikhamenor, visual artist and writer 'Unflinching, elegantly written and passionately argued, this is a call to action' -- Bénédicte Savoy, Professor of Art History at Technische University 'In his passionate, personal, and, yes, political account, Dan Hicks transforms our understanding of the looting of Benin. This book shows why being against violence now more than ever means repatriating stolen royal and sacred objects and restoring stolen memories' -- Nicholas Mirzoeff, Professor in the Department of Media, Culture and Communication at New York University 'Destined to become an essential text' -- Bryan Appleyard, Sunday Times 'Dan, your words brought tears to my eyes. I salute you' -- MC Hammer 'A masterful condemnation and inspiring call to action' -- Los Angeles Review of Books 'Timely' -- Nature 'The Brutish Museums shows that colonial violence is unfinished, and as it persists in the present, it cannot be relativized.' -- Ana Lucia Araujo, Public Books 'The Brutish Museums leaves no stone unturned' -- Financial Times 'The Brutish Museums argues, persuasively, that the corporate-militaristic pillage behind Europes encyclopedic collections is not a simple matter of possession, but a systematic extension of warfare across time' -- The Baffler 'A bombshell book' -- Los Angeles Times After this book, there can be no more false justifications for holding Benin Bronzes in museums outside of Africa -- Africa is a Country Presents a powerful case for restitution of looted objects, and hostile responses to it highlight enduring attachments to imperialism' -- Counterfire

List of plates
ix
Preface xii
1 The Gun That Shoots Twice
1(17)
2 A Theory of Taking
18(7)
3 Necrography
25(12)
4 White Projection
37(12)
5 World War Zero
49(8)
6 Corporate-Militarist Colonialism
57(22)
7 War on Terror
79(20)
8 The Benin-Niger-Soudan Expedition
99(10)
9 The Sacking of Benin City
109(6)
10 Democide
115(13)
11 Iconoclasm
128(7)
12 Looting
135(17)
13 Necrology
152(14)
14 `The Museum of Weapons, etc'
166(12)
15 Chronopolitics
178(16)
16 A Declaration of War
194(15)
17 A Negative Moment
209(21)
18 Ten Thousand Unfinished Events
230(5)
Afterword: A Decade of Returns 235(8)
Appendix 1 Provisional List of the Worldwide Locations Of Benin Plaques Looted in 1897 243(2)
Appendix 2 Sources of Benin Objects in the Pitt Rivers Museum, Oxford (the `First Collection') 245(1)
Appendix 3 Sources of Benin Objects in the former Pitt-Rivers Museum, Farnham (`the Second Collection') 246(1)
Appendix 4 Current Location of Benin Objects previously in the Pitt-Rivers Museum at Farnham (the `Second Collection') 247(1)
Appendix 5 A Provisional List of Museums, Galleries and Collections that May Currently Hold Objects Looted from Benin City in 1897 248(5)
Notes 253(27)
References 280(19)
Index 299
Dan Hicks is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum and a Fellow of St Cross College, Oxford. He is also a Non-Executive Director and Trustee of Museum of London Archaeology. He was awarded the 2017 Rivers Memorial Medal by the Royal Anthropological Institute. He has published eight books including The Cambridge Companion to Historical Archaeology (CUP, 2006).