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Bundle: Worlds of Music: An Introduction to the Music of the World's Peoples, Shorter Version, 3rd plus 3 Audio CD's 3rd ed. [Multiple-component retail product]

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  • Formatas: Multiple-component retail product, aukštis x plotis x storis: 277x216x30 mm, weight: 975 g, Contains 1 Other merchandise and 1 CD-Audio
  • Išleidimo metai: 05-Jan-2009
  • Leidėjas: Thomson Brooks/Cole
  • ISBN-10: 0495778354
  • ISBN-13: 9780495778356
Kitos knygos pagal šią temą:
  • Formatas: Multiple-component retail product, aukštis x plotis x storis: 277x216x30 mm, weight: 975 g, Contains 1 Other merchandise and 1 CD-Audio
  • Išleidimo metai: 05-Jan-2009
  • Leidėjas: Thomson Brooks/Cole
  • ISBN-10: 0495778354
  • ISBN-13: 9780495778356
Kitos knygos pagal šią temą:
No background or training in music? No problem. This shorter version of WORLDS OF MUSIC: AN INTRODUCTION TO THE MUSIC OF THE WORLD'S PEOPLES is written to make music accessible. Using the case-study approach, the text presents in-depth explorations of music of several cultures from around the world. The authors all ethnomusicologists working in their fields of expertise base their discussions of music-cultures on their own fieldwork and give you a true sense of both the music and culture that created it. The supplementary 3 CD set works hand in hand with the authors' prose providing students with access to a wide range of music-cultures and include authentic recordings from the authors' fieldwork. Leading off is the long-standing jewel in the Worlds of Music crown - James Koetting's magnificent recording of postal workers canceling stamps at the University of Ghana post office. A Western-sounding hymn tune performed against African rhythms, this piece, more that any other, lets you hear contrasting music-cultures.
Recorded Selections xi
Preface xvii
The Authors xxiii
1 The Music-Culture as a World of Music
1(34)
Jeff Todd Titon
The Soundscape
1(3)
The Music-Culture
4(1)
What Is Music?
5(4)
Structure In Music
9(6)
Rhythm and Meter
9(2)
Melody
11(2)
Harmony
13(1)
Form
14(1)
A Music-Culture Performance Model
15(4)
The Four Components of a Music-Culture
19(12)
Ideas About Music
19(5)
Activities Involving Music
24(3)
Repertories of Music
27(2)
Material Culture of Music
29(2)
Ecological and Sustainable Worlds of Music
31(1)
Study Questions
32(3)
2 North America/Native America
35(32)
David P. Mcallester
Three Different Styles
35(8)
Sioux Grass Dance
35(5)
Zuni Lullaby
40(1)
Iroquois Quiver Dance
41(2)
Music of the Navajos
43(21)
A Yeibichai Song From the Nightway Ceremony
43(3)
"Folsom Prison Blues"
46(2)
The Navajo Way of Life
48(2)
Traditional Popular Music
50(1)
The Circle Dance Song "Shizhane'e"
51(2)
The Enemyway Ceremony
53(4)
The Native American Church
57(3)
Navajo Hymn Music
60(2)
New Composers In Traditional Modes
62(2)
The Native American Flute Revival
64(1)
Parting Words
64(1)
Study Questions
65(2)
3 Africa Ewe, Mande., Daghamba, Shona, Baaka
67(40)
David Locke
Postal Workers Canceling Stamps
69(3)
Generalizations About African Music-Culture
70(2)
Agbekor: Music and Dance of the Ewe People
72(15)
The Ewe People
73(1)
Agbekor: History and Contemporary Performance
74(5)
Music of the Percussion Ensemble
79(4)
Songs
83(4)
A Drummer of Dagbon
87(4)
The Drums
87(1)
A Praise Name Dance
88(1)
Life Story: Abubakari Lunna
89(2)
Shona Mbira Music
91(8)
Cultural Context
91(2)
The Mbira
93(1)
"Nhemamusasa"
94(2)
Thomas Mapfumo and Chimurenga Music
96(3)
The Baaka People Singing "Makala"
99(5)
Three Images of the Forest People
100(1)
"Makala," A Mabo Song
101(2)
Music-Culture As An Adaptive Resource
103(1)
Conclusion
104(1)
Study Questions
105(2)
4 North America/Black America
107(36)
Jeff Todd Titon
Music of Worship
107(5)
Music of Work
112(4)
Music of Play
116(1)
Blues
117(22)
Blues and the Truth
118(1)
Response To the Lyrics of "Poor Boy Blues"
118(3)
Autobiography and the Blues
121(4)
Learning the Blues
125(1)
The Blues Scale
126(1)
Composing the Blues
127(1)
A Blues Song In the Making
127(3)
Social Context and the Meaning of the Blues
130(3)
The Blues Yesterday
133(2)
The Blues Today
135(4)
A Few Final Words
139(2)
Study Questions
141(2)
5 Europe / Central and Southeastern Regions
143(36)
Timothy J. Cooley
Europe: An Overview
143(2)
Social and Political Organization
145(3)
Religion and Society
145(2)
Nationalism and Nation-States
147(1)
The Sounds of European Music
148(6)
Rhythm and Meter
148(2)
Pitches, Scales, and Melody
150(1)
Harmony
151(2)
European Musics In the World
153(1)
Case Study: Podhale, Polish Tatra Region
154(15)
People and Music In Podhale
155(1)
Music For Dancing
156(7)
Life Story: Krzysztof Trebunia-Tutka
163(5)
European Village Music On Stage and In Your Neighborhood
168(1)
European Regional Musics On the Global Stage: Two Case Studies
169(7)
Muzyka Podhala and Reggae
169(3)
Riffing On Music From the "Southern Slavs"
172(4)
Reinterpreting Europe
176(1)
Study Questions
177(2)
6 India / South India
179(34)
David B. Reck
History, Culture, and Music
182(5)
The Indus Valley Civilization (C. 2500--C. 1700 B.C.E.)
182(1)
The Aryans (C. 1700-C. 500 B.C.E.)
183(1)
Kingdoms Through the Classic and Medieval Periods (500 B.C.E.--C. 1400 C.E.)
183(1)
The Moghuls (1527-C. 1867)
184(1)
The Period of British Colonization (1600S--1947)
185(1)
Independence and the Modern Period (1947-Present)
186(1)
Many Musics
187(4)
Pop Music
187(3)
Religious Music
190(1)
Classical Music
191(10)
The Sound World
193(2)
Concerts
195(1)
The Ensemble: Musical Texture
196(1)
Raga: the Melodic System
197(2)
The Melakarta System
199(1)
Tala: the Time Cycle
200(1)
The Drummer's Art
200(1)
A Carnatic Music Performance
201(7)
Alapana
205(1)
Tanam
205(1)
Kriti "Sarasiruha"
206(1)
Kalpana Svaras
207(1)
The Drum Solo: Tani Avartanam
207(1)
Indian Music and the West
208(3)
Study Questions
211(2)
7 Asia/Music of Indonesia
213(28)
R. Anderson Sutton
Central Java
215(16)
Gamelan
216(3)
Gamelan Construction
219(1)
Gamelan Identity
220(1)
Gamelan Performance Contexts
221(7)
Irama Level
228(1)
Gamelan Music and Shadow Puppetry
229(2)
Bali
231(4)
Indonesian Popular Music
235(2)
Conclusion
237(1)
Study Questions
238(3)
8 East Asia/China, Taiwan, Singapore, Overseas Chinese
241(36)
Jonathan P. J. Stock
A Cross-Section of Chinese Music
246(2)
Folk Song
248(4)
Shan'ge (Songs of Agricultural Work, Flirting, and Courting)
248(4)
Instrumental Ensemble Traditions
252(9)
Jiangnan Sizhu
254(2)
Beiguan
256(5)
Opera Traditions
261(3)
Jingju (Beijing Opera)
261(3)
Solo Instrumental Tradtions
264(5)
Zither (Qin) Solos
264(4)
Piano Solos
268(1)
Religious Traditions
269(2)
Popular Music
271(4)
Chinese Music/World Music?
275(1)
Study Questions
276(1)
9 Latin America/Chile, Bolivia, Ecuador, Peru
277(40)
John M. Schechter
Chilean Nueva Cancion: Victor Jara/Inti Illimani
279(5)
Bolivian K'Antu
284(5)
The Quichua of the Northern Andes of Ecuador
289(15)
The Musical Tradition: Sanjuan
291(5)
A Classic Sanjuan
296(4)
African Ecuadorian Music of the Chota River Valley
300(4)
The Andean Ensemble Phenomenon: Going Abroad
304(6)
Chaskinakuy
306(3)
Other Groups
309(1)
Afro-Peruvian Music: A Lando
310(5)
Despedida, Or Farewell
315(1)
Study Questions
316(1)
10 The Arab World
317(38)
Anne K. Rasmussen
"Arabia"
317(2)
The Takht Ensemble
319(7)
The Performers and Their Instruments
320(1)
Musical Texture
321(1)
Rhythm
322(1)
Form, Melody, and Improvisation
322(3)
Tarab
325(1)
Religion and Music In the Arab World
326(4)
A Chance Meeting With Sabri Mudallal
327(1)
The Call To Prayer: Azan
327(2)
Music and Islam
329(1)
Music In History/Music As History
330(8)
Musical Life In Medieval Mesopotamia and Present-Day Iraq
330(1)
Interview With Rahim Alhaj, Musician From Baghdad
331(5)
The Ottoman Empire and the Colonial Era
336(1)
The Twentieth Century
337(1)
The Maghrib
338(3)
The Andalusian Legacy
338(2)
Independent Morocco
340(1)
The Music of Celebration: Communal Music Making At A Wedding In Morocco
341(6)
The Public Baths
341(1)
The Wedding Celebration
341(2)
The Zaffah Wedding Procession
343(1)
Wedding Traditions of the Eastern Mediterranean Arab World (The Levant)
344(3)
Poetry and Core Values of Bedouin Culture
347(1)
Homeland and Diaspora: An Unexpected Reaction
348(2)
From Diaspora To Globalization: Ofra Haza and World Beat
350(1)
Concluding Remarks
351(2)
Study Questions
353(2)
11 Discovering and Documenting A World of Music
355(28)
Jeff Todd Titon
David B. Reck
Music In Our Own Backyards
355(9)
Family
356(1)
Generation and Gender
357(1)
Leisure
357(1)
Religion
358(1)
Ethnicity
359(2)
Regionalism
361(1)
Nationalism
362(1)
Commodified Music
362(2)
Doing Musical Ethnography
364(17)
Selecting A Subject: Some Practical Suggestions
364(3)
Collecting Information
367(1)
Gaining Entry
367(1)
Participation and Observation
367(2)
Selecting A Topic
369(2)
Library and Internet Research
371(2)
Ethics
373(1)
Field Gear: Notebook, Recorder, Camera
374(2)
Interviewing
376(3)
Other Means of Collecting Information
379(1)
Finishing the Project
380(1)
Study Questions
381(2)
References 383(24)
Glossary 407(14)
Index 421