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El. knyga: Cambridge Companion to Manga and Anime

Edited by (Stockholms Universitet)
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"This Companion takes a unique approach, exploring manga and anime as two distinct but interrelated forms. Firmly based in Japanese sources, it offers a lively and accessible introduction, exploring the local contexts of production and reception in Japan, as well as the global influence and impact of these versatile media"--

In recent years, manga and anime have attracted increasing scholarly interest beyond the realm of Japanese studies. This Companion takes a unique approach, committed to exploring both the similarities and differences between these two distinct but interrelated media forms. Firmly based in Japanese sources, this volume offers a lively and accessible introduction, exploring the local contexts of manga and anime production, distribution, and reception in Japan, as well as the global influence and impact of these versatile media. Chapters explore common characteristics such as visuals, voice, serial narrative and characters, whilst also highlighting distinct challenges and histories. The volume provides both a basis for further research in this burgeoning field and a source of inspiration for those new to the topic.

This Companion takes a unique approach, exploring manga and anime as two distinct but interrelated forms. Firmly based in Japanese sources, it offers a lively and accessible introduction, exploring the local contexts of production and reception in Japan, as well as the global influence and impact of these versatile media.

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An introduction to manga and anime as distinct but interrelated transcultural media forms.
Introduction: two media forms in correlation Jaqueline Berndt; Part I.
Claimed Origins and Overlooked Traditions:
1. Premodern roots of story-manga?
Jaqueline Berndt;
2. Newspaper comic strips: laughs in four panels Ronald
Stewart;
3. Astro Boy and the 'weaponized' children of wartime Japan Joon
Yang Kim; Part II. Drawing and Movement:
4. Graphic style in anime and manga
Olga Kopylova;
5. Motion and emotion in anime Sheuo Hui Gan; Part III. Sound:
6. Hearing manga Blanche Delaborde;
7. Voice acting for anime Minori Ishida;
Part IV. Narrative:
8. Reading story-manga Kichi Morimoto;
9. Incalculable:
anime narratives and 3D CG aesthetics Selen Ēalk Bedir; Part V. Characters:
10. Characters in the media mix: beyond narratives Lukas R. A. Wilde;
11.
Character acting in anime Stevie Suan; Part VI. Genres:
12. Manga genres:
demographics and themes Deborah Shamoon;
13. Genre networks and anime studios
Bryan Hikari Hartzheim; Part VII. Forms of Production:
14. Manga editors and
their artists Bon Won Koo;
15. Anime production, decentralized Renato Rivera
Rusca; Part VIII. Forms of Distribution:
16. Manga media from analog to
digital Dalma Kįlovics;
17. Media mix as licensed distribution Dario Lolli;
Part IX. Forms of Use:
18. Manga readerships, imaginative agency, and the
'erotic barrier' Patrick W. Galbraith;
19. Anime fandom in Japan and beyond
Akiko Sugawa-Shimada.
Jaqueline Berndt is Professor in Japanese culture at Stockholm University. She previously taught Comics Theory at Kyoto Seika University, Japan. Her main academic work is in manga studies and anime research, approached from the perspective of media aesthetics. She has also directed exhibitions on manga in art-historical contexts.
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