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Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea 2 Volume Hardback Set [Multiple-component retail product]

, Edited by (Wake Forest University, North Carolina), Edited by (University of North Carolina, Greensboro)
  • Formatas: Multiple-component retail product, 1400 pages, aukštis x plotis x storis: 223x143x100 mm, weight: 2380 g, Worked examples or Exercises; 11 Halftones, unspecified; 2 Line drawings, unspecified, Contains 2 hardbacks
  • Išleidimo metai: 06-May-2021
  • Leidėjas: Cambridge University Press
  • ISBN-10: 0521196221
  • ISBN-13: 9780521196222
Kitos knygos pagal šią temą:
  • Formatas: Multiple-component retail product, 1400 pages, aukštis x plotis x storis: 223x143x100 mm, weight: 2380 g, Worked examples or Exercises; 11 Halftones, unspecified; 2 Line drawings, unspecified, Contains 2 hardbacks
  • Išleidimo metai: 06-May-2021
  • Leidėjas: Cambridge University Press
  • ISBN-10: 0521196221
  • ISBN-13: 9780521196222
Kitos knygos pagal šią temą:
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (16611720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. Writer and critic of the Glorious Revolution, Finch imparts rare insights into this watershed of political and cultural values. Her work represents a complex convergence of artistic innovation, political allegiance, and personal passion.

Recenzijos

'The attention to Finch's accomplishments and the notes about the events and personages mentioned in the works result in a resource that offers a unique understanding of Finch's status in her own time. The documentation alone makes it valuable to serious students and scholars of 18th-century literature.' M. H. Kealy, Choice 'The two-volume Cambridge Edition of the Works of Anne Finch: Countess of Winchelsea allows us to imagine an alternative Age of Finch. The editors, Claudia Kairoff and Jennifer Keith, have completed with astonishing thoroughness, sensitivity, and seriousness one of the landmark pieces of eighteenth-century scholarship of this century Against centuries of incomplete attention to Finch, Keith and Kairoff have redeemed her in a triumphant act of feminist intervention and recovery.' Andrew Black, Digital Defoe 'Jennifer Keith and her coeditors, as well as Cambridge University Press, are to be applauded for this monumental editorial achievement. A new generation of scholars can now access Finch's works in this authoritative edition with extensive textual and explanatory notes and compare the manuscript and published versions. In doing so, they can begin to place Finch in the context of her literary predecessors, both male and female, and contemporaries, such as the Jacobite Jane Barker.' Mihoko Suzuki, Early Modern Women: An Interdisciplinary Journal

Daugiau informacijos

The first ever complete critical edition of the works of Anne Finch, Countess of Winchilsea (16611720).
VOLUME 1 EARLY MANUSCRIPT BOOKS
List of Illustrations
xv
Preface and Acknowledgments xvii
Chronology xxv
List of Abbreviations
xli
Note xlvi
General Introduction xlvii
Claudia Thomas Kairoff
Jennifer Keith
Jean I. Marsden
Previous Editions and Selections liii
Some Conditions of Production lvii
The Early Manuscripts: Contents and Arrangement lxi
Biographical Contexts lxv
Early Years lxvi
Court Years and Marriage lxviii
Friends and Relations lxxi
After the Revolution lxxiv
Another Cataclysm lxxvi
Poetic Contexts lxxvii
Devotional Poetry lxxviii
The Ode lxxxiii
The Song lxxxv
Love Poetry lxxxviii
Satire xci
Fables xcv
Occasional Verse xcviii
The Plays c
The Triumphs of Love and Innocence cv
Aristomenes or the Koyal bhepaeard cvii
Textual Introduction cxiii
Jennifer Keith
The Present Edition: Contents and Editorial Procedures cxvi
Presentation of the Texts, Explanatory and Textual Notes cxviii
Account of the Texts cxxvii
Jennifer Keith
The Northamptonshire Manuscript cxxvii
The Folger Manuscript cxxxii
Works Excluded from This Edition cliv
Molly Hand
Jennifer Keith
From "Poems on Several Subjects Written by Ardelia" (The Northamptonshire Manuscript)
1(2)
On My Selfe
3(1)
A Letter to Mr Finch from Tunbridge Wells August 17th 1685
3(1)
The Grove Written When I Was a Maid of Honour
4(2)
A Maxim for the Ladys Translated from the French of Monsieur de Bussy ("Love; but lett this")
6(1)
Reflections upon Part of the 8th. Verse of the
148. Psalm. Winds and Storms Fullfilling His Word. In a Pindarick Poem upon the Late Hurrycane Concluding with an Hymn Compos'd of the 148th. Psalm Paraphras'd
6(15)
"Miscellany Poems with Two Plays by Ardelia" (The Folger Manuscript)
21(2)
To the Most Ingenious Mrs: Finch on Her Incomperable Poems [ by William Shippen]
23(1)
An Epistle, from Mrs: Randolph to Mrs: Finch; upon Her Presenting Her with Some of Her Poems [ by Grace Randolph]
24(2)
The Preface
26(7)
The Introduction
33(2)
From the French Translation of the Aminta of Tasso ("Though we of small")
35(1)
From the French Translation of the Aminta of Tasso, Part of the Description of the Golden Age
36(1)
A Song of the Canibals, out of Mountains Essays; Done into English Verse, Paraphrased
36(1)
A Letter to Dafnis April: 2d: 1685
37(1)
A Letter to Flavio
38(1)
To My Sister Ogle Decbr-31-1688-
39(1)
Ardelia's Answer to Ephelia, Who Had Invited Her to Come to Her in Town -- Reflecting on the Coquetterie and Detracting Humour of the Age
40(8)
To a Freind in Praise of the Invention of Writing Letters
48(1)
Clarinda's Indifference at Parting with Her Beauty
49(1)
From the Muses, at Parnassus (a Hill So Call'd in Eastwell Park. to the Right Honble: the Ldy: Maidston on My Lord Winchilsea's Birthday
50(1)
The Bird
51(2)
Ardelia to Melancholy
53(1)
The Losse
54(1)
The Consolation
54(1)
Caesar and Brutus
55(1)
To the Eccho, in a Clear Night upon Astrop Walks
55(1)
The Tree
56(1)
On the Lord Dundee
57(2)
A Maxim for the Ladys Translated from Monsr. du Bussy ("From the best witt")
59(1)
Written before a French Book Entitl'd Les moyens de seguerir de I'Amour
60(1)
Freindship between Ephelia and Ardelia
60(1)
The Change
61(2)
A Miller, His Son, and Their Asse. A Fable Translated from Monsr: de La Fontaine
63(3)
From the French, of the 188th: Sonnet of Petrarc
66(1)
Melinda on an Insipped Beauty in Immitation of a Fragment of Sapho's
67(1)
Ralpho's Reflections upon the Anniversary of His Wedding
67(1)
A Song for a Play Alcander to Melinda
68(1)
A Song Melinda to Alcander
69(1)
A Song ("By Love persu'd")
69(1)
A Song ("Miranda, hides her")
69(1)
A Song ("Whilst Thirsis")
70(1)
A Song ("Persuade me not")
71(1)
Jealousie a Song
71(1)
A Song ("Love, thou art best")
72(1)
A Song on Greife Sett by Mr: Estwick
72(1)
A Song ("Quickly Delia")
73(1)
A Song ("Tis strange, this heart")
73(1)
A Song ("The Nymph in vain")
74(1)
The Bargain a Song in Dialogue between Bacchus and Cupid
74(1)
A Song for My Brother Les: Finch upon a Punch Bowl
75(1)
A Song ("If for a Woman")
76(1)
A Song ("Lett the fool")
76(1)
A Song ("Strephon, whose Person")
77(1)
A Moral Song ("Wou'd we attain")
77(1)
On Absence from the Maxims of Bussy-Rabutin
78(1)
An Episde from Alexander to Ephestion in His Sicknesse
78(3)
An Invitation to Dafnis to Leave His Study and Usual Employments - Mathematicks Painting &c and to Take the Pleasures of the Feilds with Ardelia
81(2)
The Circuit of Appollo
83(3)
Upon My Lord Winchilsea's Converting the Mount in His Garden to a Terras, and Other Alterations, and Improvements, in His House, Park, and Gardens
86(3)
An Epistle, from Ardelia to Mrs: Randolph, in Answer to Her Poem, upon Her Verses
89(2)
Upon the Death of the Right Honorable William Lord Maidston Who Was a Volonteere in the Sol-bay Fight and Kill'd by a Random Shott after the Fight Was Over and the Fleets Parted on May the 28th: 1672
91(1)
A Prologue, to Don Carlos; Acted by Yong Ladys. Anno 1696
91(2)
Jealousie Is the Rage or a Man
93(1)
The Spleen
93(5)
To Daphnis, Who Going Abroad, Had Disired Ardelia to Write Some Verses, upon Whatever Subject She Thought Fitt, against His Return in the Evening
98(4)
Some Peices out of the First Act of the Aminta of Tasso
102(1)
Dafne's Answer to Silvia, Declaring She Should Esteem All as Enemies Who Shou'd Talk to Her of Love, or Endeavour to Persuade Her from Her Virgin Life
102(1)
Amintor Being Ask'd by Thirsis Who Is the Object of His Love Speaks as Follows
103(1)
Thirsis Persuades Amintor Not to Dispair, upon the Predictions of Mopsus, Discovering Him to Be an Impostor
104(4)
Verses, Incerted in a Letter to My Lady Thanet; Being an Enquiry after Peace; and Shewing that What the World Generally Persues, Is Contrary to It
108(3)
The Triumphs of Love and Innocence: A Tragecomedy
111(2)
An Advertisment
113(80)
Aristomenes or the Royal Shepheard a Tragedy
193(2)
Prologue to My Lord Winchilsea, upon the First Reading the Play to Him, at Eastwell in Kent
195(90)
Epilogue
285(1)
A Song Designd to Have Been Brought into the Part between Climander and Herminia
285(2)
Aditional Poems Cheifly upon Subjects Devine and Moral
287(2)
Psalm the 137th: Paraphras'd to the 7th: Verse
289(1)
A Preparation to Prayer
289(1)
A Pastoral between Menalcus and Damon on the Appearance
Of the Angels to the Shepheards on Our Saviour's Birth-Day
290(6)
On Easter Day
296(1)
Hallelujah
297(1)
Some Reflections in a Dialogue between Teresa, and Ardelia. On the 2d. and 3d. Verses, of the 73d: Psalm
298(3)
To Death
301(1)
The 10th: Part of the 119th: Psalm Paraphrased, in the Manner of a Prayer from the 1st: to the 6th: Verse
302(1)
The 146th. Psalm Paraphras'd
303(1)
Gold Is Try'd in the Fire, and Acceptable Men, in the Time of Adversity
304(1)
On Affliction
305(1)
The Poor Man's Lamb. Or Nathan's Parable to David, after the Murther of Uriah, and His Mariage with Bathsheba. Turn'd into Verse, and Paraphrased
306(6)
The Second
Chapter of the Wisdom of Solomon, Paraphrased. The First Twelve Verses, Being an Introduction
312(3)
The Petition for an Absolute Retreat. Inscribed to the Right Honorable Catharine Countesse of Thanet; Mention'd in the Poem, under the Name of Arminda
315(10)
Upon the Death of Sir William Twisden
325(6)
AH Is Vanity
331(12)
A Poem for the Birth Day of the Right Honorable the Lady Catherine Tufton Occasion'd by Sight of Some Verses upon That Subject for the Preceding Year Compos'd by No Eminent Hand
343(3)
To Dr: Waldron a Fellow of Allsouls Colledge in Oxford Who in a Letter Acknowledg'd His Mistake in Having Lefte That Society and the Muses to Follow the Practise of Phisick
346(2)
A Pastoral Dialogue between Two Shepheardesses
348(2)
Cupid and Folly a Fable Immittated from the French
350(2)
Adam Pos'd
352(1)
The Appology
352(1)
Upon Ardelia's Return Home (after Too Long a Walk in Eastwell-Park) in a Water Cart Driven by One of the Under-Keepers in His Green Coat, with a Hazle-Bough for a Whip. July. 1689
353(3)
A Sigh
356(1)
Life's Progresse
357(1)
The Equipage Written Originally in French by L'Abbe Reigner
358(1)
The Unequal Fetters
359(1)
Timely Advice to Dorinda
360(1)
The Cautious Lovers
360(3)
A Poem. Occasion'd by the Sight of the 4th: Epistle Liber Epistolarum
1. of Horace; Immitated and Inscrib'd to Richard Thornhill Esq by Mr Rowe, Who Had before Sent Heither, Another Translation from Horace
363(2)
To the Honorable the Lady Worsley at Long-Leate Who Had Most Obligingly Desired My Corresponding with Her by Letters
365(4)
Honour a Song
369(1)
The Goute and Spider a Fable Immitated from Monsr. de La Fontaine and Inscribed to Mr: Finch after His First Fitt of That Distemper
369(2)
Love Death and Reputation a Fable
371(2)
Alcidor
373(2)
The King and the Shepheard a Fable Immitated from the French
375(3)
There's No To-morrow a Fable from L'Estrange
378(1)
Jupiter and the Farmer: A Fable
379(1)
For the Better a Fable
380(2)
The Jester, and the Little Fishes, a Fable, Immitated from the French
382(1)
An Invocation to Sleep
383(1)
Hope
384(1)
Some Occasional Reflections Digested (tho Not with Great Regularity. into a Poem
385(2)
To the Nightingale
387(2)
Verses Written under the King of Sweden's Picture
389(1)
To the Rt. Honble the Lady C-- Tufton upon Adressing to Me the First Letter That Ever She Writt -- at the Age of
389(2)
Upon the Death of King James the Second
391(8)
Explanatory and Textual Notes
399(351)
List of Source Copies
750(8)
Selected Bibliography
758(53)
Index of First Lines 811(4)
Index of Titles 815
VOLUME 2 LATER COLLECTIONS PRINT AND MANUSCRIPT
List of Illustrations
xv
Preface and Acknowledgments xvii
Chronology xxv
List of Abbreviations
xli
Note xlvi
General Introduction xlvii
Claudia Thomas Kairoff
Jennifer Keith
From William to Anne xlviii
Miscellany Poems, on Several Occasions (1713) liii
From Anne to George lxvi
The Wellesley Manuscript lxx
The Ensuing Years lxxvii
Textual Introduction lxxxi
Jennifer Keith
The Present Edition: Contents and Editorial Procedures lxxxiv
Presentation of the Texts, Explanatory and Textual Notes lxxxvi
Account of the Texts xcv
Miscellany Poems, on Several Occasions xcv
Jennifer Keith
An Overview of the Issues Printed xcvi
Copy-Text ciii
Textual Variation in Finch's Authorized Print Volume cv
R. Carter Hailey
Some Terms cv
Title-Page Variants cviii
Canceled Leaves and Stop-Press Corrections cxiii
Errata and Heneage's Corrections cxxii
The Wellesley Manuscript cxxiv
Jennifer Keith
From Miscellany Poems, on Several Occasions
1(2)
Miscellany Poems, on Several Occasions: The Complete List of Contents
3(3)
The Bookseller to the Reader
6(1)
Mercury and the Elephant. A Prefatory Fable
7(1)
The Prevalence of Custom
8(2)
The Mussulman's Dream of the Vizier and Dervis
10(1)
The Shepherd Piping to the Fishes
11(2)
The Decision of Fortune. A Fable
13(2)
The Brass-Pot, and Stone-Jugg. A Fable
15(2)
Fanscomb Barn. In Imitation of Milton
17(4)
A Description of One of the Pieces of Tapistry at Long-Leat, Made after the Famous Cartons of Raphael; in Which, Elymas the Sorcerer Is Miraculously Struck Blind by St. Paul before Sergius Paulus, the Proconsul of Asia. Inscribed to the Honblc Henry Thynne, under the Name of Theanor
21(4)
Part of the Fifth Scene in the Second Act of Athalia, a Tragedy, Written in French by Monsieur Racine
25(2)
The Following Lines Occasion'd by the Marriage of Edward Herbert Esquire, and Mrs. Elizabeth Herbert
27(1)
La Passion Vaincue. Done into English with Liberty
28(1)
The Owl Describing Her Young Ones
28(3)
The Philosopher, the Young Man, and His Statue
31(1)
The Hog, the Sheep, and Goat, Carrying to a Fair
32(1)
The Shepherd and the Calm
33(2)
The Lord and the Bramble
35(2)
The House of Socrates
37(1)
The Young Rat and His Dam, the Cock and the Cat
38(2)
The Executor
40(2)
A Tale of the Miser, and the Poet. Written about the Year 1709
42(3)
Enquiry after Peace. A Fragment
45(1)
On the Death of the Honourable Mr. James Thynne, Younger Son to the Right Honourable the Lord Viscount Weymouth
46(4)
The Critick and the Writer of Fables
50(2)
An Epistie from a Gentleman to Madam Deshouliers, Returning Money She Had Lent Him at Bassette, upon the First Day of Their Acquaintance. Translated with Liberty from the French
52(2)
To Edward Jenkinson, Esq; a Very Young Gendeman, Who Writ a Poem on Peace
54(1)
To the Painter of an Ill-Drawn Picture of Cleone, the Honorable Mrs. Thynne
55(2)
The Atheist and the Acorn
57(1)
The Tradesman and the Scholar
58(2)
Man's Injustice towards Providence
60(2)
The Eagle, the Sow, and the Cat
62(2)
The Man Bitten by Fleas
64(2)
Reformation
66(1)
Fragment at Tunbridge-Wells
67(1)
The Lyon and the Gnat
68(2)
The Man and His Horse
70(1)
Glass
71(1)
The Dog and His Master
72(1)
The Phoenix. A Song
73(1)
Fragment ("So here confin'd")
73(2)
The Battle between the Rats and the Weazles
75(1)
Democritus and His Neighbours. Imitated from Fontaine
75(3)
A Nocturnal Reverie
78(3)
The Wellesley Manuscript
81(2)
On Lady Cartret Drest Like a Shepherdess at Count Volcra's Ball
83(1)
The Puggs a Dialogue between an Old and Young Dutch Mastiff
84(5)
A Letter from Sr A. F. to Ardelia [ by Sir Andrew Fountaine]
89(1)
The Agreeable in an Answer to the Foregoing Letter by Ardelia
90(2)
To Flavia, by Whose Perswasion, I Undertook the Following Paraphrase
92(1)
To the Right Honble: the Countess of Winchilsea. On Her Obliging Compliance with My Request, to Paraphrase the Last
Chapter in Eclesiastes [ by Catherine Fleming]
93(1)
The Last
Chapter of Eclesiastes Paraphras'd. Inscribed to Mrs: Catherine Fleming
94(6)
To His Excellency the Lord Cartret at Stockholm. Upon Recieving from Him a Picture in Miniature of Charles the Twelth King of Sweden
100(3)
On the Death of the Queen
103(4)
Upon Lady Selena Shirly's Picture Drawn by Mr Dagar
107(1)
To the Right Honourable Frances Countess of Hartford Who Engaged Mr. Eusden to Write upon a Wood Enjoining Him to Mention No Tree but the Aspin and No Flower but the King-cup
108(6)
An Hymn of Thanksgiving after a Dangerous Fit of Sickness. In the Year 1715
114(2)
To the Revd. Mr. Bedford
116(2)
An Epistle to Mrs Catherine Fleming at Coleshill in Warwickshire but Hastily Perform'd and Not Corrected. London October the 18th: 1718 ("Tis now my dearest")
118(3)
Upon an Impropable Undertaking
121(1)
A Letter to Mrs: Arrabella Marow
122(2)
Advertisement for the Gazette, Flying Post, Weekly Journal Sec.
124(4)
[ Sir Plausible]
128(1)
A Letter to the Honble: Lady Worseley at Long-Leat. Lewston August the 10th: 1704
129(1)
A Ballad to Mrs: Catherine Fleming in London from Malshanger Farm in Hampshire ("From me who whileom")
130(4)
After Drawing a Twelf Cake at the Honble: Mrs Thynne's
134(1)
The White Mouses Petition to Lamira the Right Honble: the Lady Ann Tufton Now Countess of Salisbury
135(1)
To the Honble. Mrs. H -- n ("Where is the trust")
136(3)
The Agreeable
139(1)
The Misantrope
139(1)
To the Right Honble: Ann Countess of Winchilsea Occasion'd by Four Verses in the Rape of the Lock [ by Alexander Pope]
140(1)
To Mr Pope in Answer to a Coppy of Verses, Occasion'd by a Little Dispute, upon Four Lines in the Rape of the Lock
141(1)
An Apology for My Fearfull Temper in a Letter in Burlesque upon the Firing of My Chimney at Wye College March 25th: 1702
142(3)
These Verses Were Inserted in a Letter to the Right Honble: the Lady Vicountess Weymouth Written from Lewston the Next Day after My Parting with Her at Long Leat
145(1)
On My Being Charged with Writing a Lampoon at Tunbridge
146(2)
To the Lord March upon the Death of His Sparrow
148(1)
To a Lady Who Having Desired Me to Compose Somthing upon the Foregoing Subject Prevail'd with Me to Speak the Four First Lines Extempore and Wou'd Have Had Me So Proceeded in the Rest Which I Sent to Her at More Leasure, with the Following Verses
149(1)
Under the Picture of Sr George Rooke
150(1)
Under the Picture of Mr John Dryden
150(1)
Under the Picture of Marshall Turenne Taken from His Epitaph Written in French
150(1)
Over the Picture of Major Pownoll
150(1)
Mary Magdalen at Our Saviour's Tomb a Fragment
151(1)
Moderation or the Wolves and the Sheep. A Fable
151(2)
To the Rt. Honble. the Ld Viscount Hatton &c.
153(2)
A Suplication for the Joys of Heaven
155(3)
From St. Austin's Manual English'd by Roger's
Chapter the 3d: The Desire of That Soul Which Hath a Feeling of God
158(2)
The Happynesse of a Departed Soul
160(2)
An Aspiration
162(1)
The Following Poem Is Taken from the Episde for the Monday before Easter
163(2)
To the Right Honble: the Lord Viscount Hatton by Way of Excuse for My Having Not in Sometime Replied to His Last Copy of Verses in Which He Gives Himself the Name of Corydon Not Approved by Me Who in This Poem Offer at an Imitation of Madame Deshouliers in Her Way of Badinage
165(3)
A Tale ("Over a cheerfull")
168(7)
The Lawrell
175(2)
Occasion'd by the Death of Collonel Baggot, Who Had Been Groom of the Bedchamber to King James, Together with Collonel Finch (Now Earl of Winchilsea) and Captain Lloyd &c.
177(1)
On These Words. -- For as Much as Ye Did It unto the Least of These My Brethren Ye Did It unto Me
178(3)
On These Words Thou Hast Hedg'd in My Way with Thorns
181(7)
A Act of Contrition
188(1)
An Ode Written upon Christmasse Eve in the Year 1714 upon These Words And Again They Said Alleluia. Inscribed to the Rt: Honble. the Lady Catherine Jones
189(5)
Written after a Violent and Dangerous Fitt of Sicknesse in the Year 1715
194(3)
At First Waking
197(1)
A Prayer for Salvation
197(2)
No Grace
199(1)
A Contemplation
200(5)
Additional Poems
205(2)
An Invocation to the Southern Winds Inscrib'd to the Right Honourable Charles Earl of Winchelsea at His Arrival in London, after Having Been Long Detained on the Coast of Holland
207(4)
The Tunbridge Prodigy ("Protect our State, and let our Marlbro' Thrive")
211(2)
The Prodigy ("Protect the State and let old England thrive")
213(2)
The Nightingale, and the Cuckoo
215(1)
To Mr. Jervais on the Sight of Mrs. Chetwinds Picture
216(1)
An Epilogue to the Tragedy of Jane Shore. To Be Spoken by Mrs. Oldfield the Night before the Poet's Day
217(2)
To Mrs. Arabella Marrow upon the Death of Lady Marrow
219(1)
An Epistle to the Honourable Mrs. Thynne, Persuading Her to Have a Statue Made of Her Youngest Daughter, Now Lady Brooke
219(2)
To the Countess of Hartford on Her Lord's Birth-day
221(2)
The Fall of Caesar
223(1)
A Fable ("A Man whose house")
223(1)
The Mastif and Curs, a Fable Inscrib'd to Mr. Pope
224(2)
The Toad Undrest
226(2)
Upon a Double Stock-July-Flower, Full Blown in January, and Presented to Me, by the Rt: Honble. the Countesse of Ferrers, from Twittenham
228(3)
To Mr. Pope ("The Muse, of ev'ry heav'nly gift allow'd")
231(1)
A Ballad to Mrs Catherine Fleming at the Lord Digby's at Coles-hill in Warwickshire ("To Cole's-hill seat")
232(3)
To the Right Honourable the Countesse of Hartford ("Of sleeplesse Nights")
235(1)
A Song on the South Sea
236(1)
A Fragment of a Dessign'd Poem upon Pitty, Found in a Loose Paper Written with [ ] Own Hand
237(1)
On a Short Vissit Inscribd to My Lady Worsley
237(2)
To a Fellow Scribbler
239(2)
Explanatory and Textual Notes
241(266)
Correspondence
507(18)
A Reception and Transmission History of Finch's Work: Illustrative Cases from the Eighteenth, Nineteenth, and Early Twentieth Centuries
525(1)
Rachel Bowman
Finch's Reach
525(3)
Discovery and Recovery: Anonymous Printing and Unprinted Poems
528(5)
Changing Tastes and Values
533(16)
Revisions and Rediscoveries in the Twentieth and Twenty-First Centuries
549(7)
Claudia Thomas Kairoff: Selected References to and Reprintings of Finch's Works
556(1)
Rachel Bowman: Finch as Playwright
556(3)
Finch: Life and Poems
559(37)
List of Source Copies 596(4)
Selected Bibliography 600(55)
Index of First Lines 655(4)
Index of Tides 659
Jennifer Keith is an Associate Professor of English at the University of North Carolina, Greensboro, where she has taught since 1997. She is the author of Poetry and the Feminine from Behn to Cowper (2005) and numerous essays on poetry from the Restoration to the Romantic era. With the staff of the University Libraries at the University of North Carolina at Greensboro she developed The Anne Finch Digital Archive, an open-access site that supplements this edition. Keith and Claudia Thomas Kairoff were awarded a long-term fellowship by the National Endowment for the Humanities and the Folger Shakespeare Library for work on this edition. Keith also received a three-year grant from the National Endowment for the Humanities Scholarly Editions and Translations Grant for this critical edition and the digital archive. She is a member of the American Society for Eighteenth-Century Studies. Claudia Thomas Kairoff is Professor of English at Wake Forest University, where she has taught since 1986. She is the author of Alexander Pope and his Eighteenth-Century Women Readers (1994) and Anna Seward and the End of the Eighteenth Century (2012), and co-editor, with Catherine Ingrassia, of 'More Solid Learning': New Critical Perspectives on Alexander Pope's Dunciad (2000). She has written numerous articles and book chapters on Pope and on women poets. Kairoff and Jennifer Keith were awarded a long-term fellowship by the National Endowment for the Humanities and the Folger Shakespeare Library for work on this edition. She is a member of the American Society for Eighteenth-Century Studies and of the Southeastern American Society for Eighteenth-Century Studies.