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El. knyga: Cambridge Introduction to Comedy

3.83/5 (36 ratings by Goodreads)
(Trinity College, Dublin)
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A 'how to' guide on reading comic texts, covering comedy's origins and characteristics with reference to literature, film and television.

'Laughter', says Eric Weitz, 'may be considered one of the most extravagant physical effects one person can have on another without touching them'. But how do we identify something which is meant to be comic, what defines something as 'comedy', and what does this mean for the way we enter the world of a comic text? Addressing these issues, and many more, this is a 'how to' guide to reading comedy from the pages of a dramatic text, with relevance to anything from novels and newspaper columns to billboards and emails. The book enables you to enhance your grasp of the comic through familiarity with characteristic structures and patterns, referring to comedy in literature, film and television throughout. Perfect for drama and literature students, this Introduction explores a genre which affects the everyday lives of us all, and will therefore also capture the interest of anyone who loves to laugh.

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Winner of Choice Outstanding Academic Title 2009.A 'how to' guide on reading comic texts, covering comedy's origins and characteristics with reference to literature, film and television.
List of illustrations
vii
Preface ix
Introduction: Thinking about comedy 1(1)
First things
1(2)
Play
3(4)
What is comedy?
7(1)
Something to make us laugh?
8(2)
Happy endings
10(2)
The world brought down to earth
12(6)
Summing up before moving on
18(2)
Reading comedy
20(19)
`What kind of world is this?'
20(3)
Formal and textual elements
23(3)
Entering the world of comedy
26(9)
Comedy in the end
35(4)
Comedy's foundations
39(24)
Back to (what we call) the beginning
39(3)
The fingerprints of Old Comedy
42(8)
Our old friend, New Comedy
50(8)
New Comedy in Roman hands
58(5)
Comedy's devices
63(30)
Towards a study of comic traits
63(1)
Humour and its mechanics
63(6)
Humour and the dramatic text
69(3)
Mine the gap: the reader's view
72(14)
Mine the gap: the spectator's access
86(7)
Comedy in the flesh
93(38)
Comedy for the stage of the mind
93(2)
Performance fabric and outlining
95(1)
Reading comic bodies and voices
96(6)
The commedia dell' arte
102(8)
The clown
110(4)
Reading comic character (mask)
114(6)
Reading comic dialogue (lazzi)
120(7)
Comic metaphysics
127(4)
Comedy's range
131(40)
Dramatic texture and the comic
131(1)
The comic and the tragic
132(8)
The deadly serious treated playfully
140(2)
The comic beyond the `realistic'
142(19)
Comic latitude in production
161(10)
Comedy and society
171(36)
Comedy's associates
171(19)
Comedy's politics
190(17)
Notes 207(15)
Further reading 222(2)
List of texts 224(3)
Bibliography 227(10)
Index 237
Eric Weitz is Lecturer in Drama Studies at the School of Drama, Film and Music, Trinity College Dublin.