To get it out of the way: these are the best books I have read this year ... Childhood has the simple declarative sentences of Natalia Ginzburg and the pervasive horror of a good fairy story -- John Self * New Statesman * Mordant, vibrantly confessional... A masterpiece * Guardian * Semi-miraculous, raw and poignant ... Radiates the clear light of truth and stands as the ultimate victory of a life that must have felt, in the living of it, like a defeat -- Alex Preston * Observer * Intense, elegant ... Ditlevsen's portrait of Vesterbro in the Twenties has something of the same texture of Elena Ferrante's description of the poor Neapolitan neighbourhood in which her heroines grow up -- Lucy Scholes * The Daily Telegraph * Wrenching sadness and pitch-black comedy ... Sharp, tough and tender -- Boyd Tonkin * Spectator * A particular kind of masterpiece, one that helps fill a particular kind of void. Ditlevsen's voice, diffident and funny, dead-on about her own mistakes, is a welcome addition to that canon of women who showed us their secret faces so that we might wear our own. * New York Times * Intense and elegant ... an absolute tour de force -- Lucy Scholes * Paris Review * A stunning portrait of addiction and ambition . . . unnervingly brilliant. I felt an almost physical pull to reimmerse myself in the freezing cold water of the trilogy, which understands the trauma of childhood and its reverberations like nothing else I have ever read * Vox * Ditlevsen's taut, simple prose shines a light on what life and love were like for working-class women in 20th century Copenhagen. Elena Ferrante fans, take note * Stylist * Despite the darkness that haunts these three books, they shine with Ditlevsen's honesty and humanity ... Her work, seemingly so simple, has the miraculous quality of a life perceived in perfect clarity. Despite the author's untimely death, The Copenhagen Trilogy is a powerful - and uplifting - testament of survival -- Erica Wagner
