"Children's Boards in Museums outlines the innovative concept of a "Children's Board", in which children actively participate in a museum by sharing perspectives that expand the typical circle of voices and decision-makers. Drawing on research conducted with children between the ages of seven and 12 from diverse socio-economic contexts, and cultures over the last decade, the author presents some of the most inspiring examples of children-centered museums around the world. The book describes the many waysin which children can improve the museum, explaining how they can help to transform it into a friendlier place that is closer to the needs of the community, more respectful of nature, and capable of listening to and valuing every visitor. The book offersan innovative way of thinking about children in museums and explains how children's participation in areas of the museum that have otherwise been considered exclusive to its staff--such as strategy, human resources, funding, management, and evaluation--can enhance those areas, making the museum a significantly better place. Children's Boards in Museums is essential reading for academics and students who are engaged in the study of museums, heritage, culture and children. It will also be of interest to professionals who are looking to facilitate a new kind of relationship between their institution and the children who visit it"-- Provided by publisher.
Childrens Boards in Museums outlines the innovative concept of a Childrens Board, in which children actively participate in a museum by sharing perspectives that expand the typical circle of voices and decision-makers.
Drawing on research conducted with children between the ages of 7 and 12 from diverse socio-economic contexts, and cultures over the last decade, the author presents some of the most inspiring examples of children-centred museums around the world. This book describes the many ways in which children can improve the museum, explaining how they can help to transform it into a friendlier place that is closer to the needs of the community, more respectful of nature, and capable of listening to and valuing every visitor. This book offers an innovative way of thinking about children in museums and explains how children's participation in areas of the museum that have otherwise been considered exclusive to its staff - such as strategy, human resources, funding, management, and evaluation - can enhance those areas, making the museum a significantly better place.
Childrens Boards in Museums is essential reading for academics and students who are engaged in the study of museums, heritage, culture, and children. It will also be of interest to professionals who are looking to facilitate a new kind of relationship between their institution and the children who visit it.
Childrens Boards in Museums outlines the innovative concept of a Childrens Board, in which children actively participate in a museum by sharing perspectives that expand the typical circle of voices and decision-makers.
Introduction; SECTION I THE VOICES OF CHILDREN IN MUSEUMS: PLAYFULNESS,
AUTHENTICITY, AND CURIOSITY;
1. The Theoretical Underpinnings of the
Childrens Board;
2. The Childrens Board's Toolkit;
3. Research, History,
and Case Studies; SECTION II CHILDRENS LEADERSHIP IN MOTION;
4. Content
Co-creation: Listen, Be Curious, and Connect;
5. Identity, Equity, Diversity,
and Inclusion: Listen and Being in the Present in Different Ways;
6.
Management. Imagine;
7. Relation with the Visitants (Connect and Wave);
8.
Nature: The Museum is Life and Alive (Plant and Growth); SECTION III
EXPANDING CHILDRENS MINDSET: LESSONS LEARNED AND PROPOSALS FOR THE FUTURE;
9. Important Prompts from the Childrens Board;
10. New Challenges,
Perspectives, and Skylines; CODA - An Unfinished Giant Tapestry of Unique
Childrens Stories Awaiting You
José Antonio Gordillo Martorell, PhD, is the Founder and CEO of Cultural Inquiry, a mycelium company located in Switzerland that operates internationally. He is a professional with 26 years of experience in education, collective creativity, content co-creation, change-driven strategy, participation, and community weaving, with a passion for the democratisation of minoritised and unrepresented cultural voices in the cultural arena. He founded Childrens Boards in different Museums of the world, like the City of Arts and Sciences, Norrbottens Museums, HOTA-Home of the Arts, and more recently, Historisches Museum Saar, Museo of Solutions in Mumbai, Museum of Communication Bern, and the Swiss National Museum-Chāteau des Prangins.
