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El. knyga: Children's Film in the Digital Age: Essays on Audience, Adaptation and Consumer Culture

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  • Formatas: 212 pages
  • Išleidimo metai: 19-Nov-2014
  • Leidėjas: McFarland & Co Inc
  • Kalba: eng
  • ISBN-13: 9781476618401
Kitos knygos pagal šią temą:
Children's Film in the Digital Age: Essays on Audience, Adaptation and Consumer CultureDidesnis paveikslėlis
  • Formatas: 212 pages
  • Išleidimo metai: 19-Nov-2014
  • Leidėjas: McFarland & Co Inc
  • Kalba: eng
  • ISBN-13: 9781476618401
Kitos knygos pagal šią temą:

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"This collection of new essays explores how children's film can be re-examined alongside recent developments in their production. These analyses consider the effect of multimedia strategies on the child audience, and the opportunities for participation and their pedagogical implications. The essays also address how childhood is embedded within films and linked to various consumer contexts"--

Scholars of screen media and of childhood explore how new technologies and viewing platforms have changed scholarly approaches to interpreting films produced for and about children. They cover childhood, adults, and films for dual audiences; film adaptation and transmedia forms; and cultural and consumer contexts for children. Among their topics are a Todorovian approach to Tim Burton's Alice in Wonderland, the reimagination of Lucy Pevensie through film franchise texts and digital fan cultures, nurturing young cinephiles with Martin Scorsese's Hugo, and Disney's commodification of Black culture in Song of the South and The Princess and the Frog. Annotation ©2015 Ringgold, Inc., Portland, OR (protoview.com)

Recenzijos

The editors bring together an eclectic mix of authors and subjects...will be of great interest to anyone studying film intended for younger audiences...this collection will be indispensable for specialists in childrens films and of interest to scholars of film, sociocultural studies, and media. Highly recommendedChoice.

Acknowledgments vi
Introduction 1(8)
Karin
Stan Beeler
Section One Childhood, Adults and Films for Dual Audiences
No Place Like Home: Circumscribing Fantasy in Children's Film
9(19)
Julian Cornell
Songs for the Older Set: Music and Multiple Demographics in Shrek, Madagascar and Happy Feet
28(9)
Stan Beeler
The Fantastic Childhood Imagination Through an Adult Lens: A Todorovian Approach to Tim Burton's Alice in Wonderland
37(12)
Heather Rolufs
Asterix & Obelix vs. Hollywood: A Pan-European Film Franchise for the "Family" Audience
49(14)
Noel Brown
Section Two Film Adaptation and Transmedia Forms
Re-Mixing The Chronicles of Narnia: The Reimagining of Lucy Pevensie Through Film Franchise Texts and Digital Fan Cultures
63(15)
Naomi Hamer
An Evolutionary Journey: Pokemon, Mythic Quests and the Culture of Challenge
78(11)
Lincoln Geraghty
Diary of a Wimpy Kid: Film Adaptation and Media Convergence for Children
89(9)
Karin Beeler
Nurturing Young Cinephiles: Martin Scorsese's Hugo
98(11)
Dan North
Section Three Cultural and Consumer Contexts for Children
Russian Animated Films and Nationalism of the New Millennium: The Phoenix Rising from the Ashes
109(24)
Michel Bouchard
Tatiana Podyakova
Cosmopolitan Endurance: Migrant Children and Film Spectatorship
133(15)
Stephanie Hemelryk Donald
Dubashi: Indian Film, Cross-Cultural Communication and Screenings for Children
148(12)
Swarnavel Eswaran Pillai
Branding Blackness: Disney's Commodification of Black Culture in Song of the South and The Princess and the Frog
160(12)
Lydia E. Ferguson
The Commodification of Ms. Penny Proud: Consumer Culture in Fat Albert and the Cosby Kids and Disney's The Proud Family
172(17)
Debbie Olson
About the Contributors 189(2)
Index 191
Karin Beeler is the English department chair at the University of Northern British Columbia in Canada. She has published in various areas of film and television studies, including screen culture for children. Stan Beeler is a professor in the English department at the University of Northern British Columbia in Canada. His publications include books and articles on television, film and popular culture.
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