Atnaujinkite slapukų nuostatas

Chocolate Woman Dreams the Milky Way: Mapping Embodied Indigenous Performance [Minkštas viršelis]

  • Formatas: Paperback / softback, 164 pages, aukštis x plotis: 229x152 mm, 28 illustrations
  • Serija: Theater: Theory/Text/Performance
  • Išleidimo metai: 24-Jul-2023
  • Leidėjas: The University of Michigan Press
  • ISBN-10: 0472056212
  • ISBN-13: 9780472056217
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 164 pages, aukštis x plotis: 229x152 mm, 28 illustrations
  • Serija: Theater: Theory/Text/Performance
  • Išleidimo metai: 24-Jul-2023
  • Leidėjas: The University of Michigan Press
  • ISBN-10: 0472056212
  • ISBN-13: 9780472056217
Kitos knygos pagal šią temą:
This volume documents the creation of Chocolate Woman Dreams the Milky Way, a play written and performed by Monique Mojica with collaborators from diverse disciplines.  Inspired by the pictographic writing and mola textiles of the Guna, an indigenous people of Panama and Colombia, the book explores Mojica’s unique approach to the performance process. Her method activates an Indigenous theatrical process that privileges the body in contrast to Western theater’s privileging of the written text, and rethinks the role of land, body, and movement, as well as dramatic story-structure and performance style.  

Co-authored with anthropologist Brenda Farnell, the book challenges the divide between artist and scholar, and addresses the many levels of cultural, disciplinary, and linguistic translations required to achieve this. Placing the complex intellect inherent to Indigenous Knowledges at its center, the book engages Indigenous performance theory, and concepts that link body, land, and story, such as terra nullius/corpus nullius, mapping, pattern literacy, land literacy, and movement literacy. Enhanced by contributions from other artists and scholars, the book challenges Eurocentric ideologies about what counts as “performance” and what is required from an “audience,” as well as long-standing body-mind dualisms.
 

Recenzijos

The centering of molas and of Guna epistemologies, the radically de-colonial ways in which contributors came to the piece, and the deep process of vigilance and protection that went into the creation of Chocolate Woman Dreams the Milky Way are all deeply provocative and form a much-needed intervention in the fields of theatre, dance, and performance studies, as well as Indigenous and anti/post-colonial studies. Julie Burelle, University of California San Diego

Contents


Acknowledgments

Notes on Contributors

ForewordForward: Earth Divers in the House of Balu Wala (Jill Carter)

Prologue: Verbing Art (Monique Mojica)

Chapter 1 Mola Dulad Agbanaed (Living Mola Moving): Reclamations,
Reenactments and Creating an Embodied Script

Chapter 2 Dule Wagan Reading Molas (with Sue Patricia Haglund and Gloria
Miguel)

Chapter 3 The Road to Gunayala

Chapter 4 Working Process for Mapping Embodied Performance (with José A.
Colman and Sue Patricia Haglund)

Chapter 5 The Making of Chocolate Woman Dreams the Milky Way: Towards a
Culturally Specific Dramaturgy (Ric Knowles)

Chapter 6 Scoring the Body: The Mola Dulad as Movement Score

Chapter 7 Intersections: Pattern Literacy, Metaphor and Mapping

Chapter 8 Chocolate Woman Dreams the Milky Way Vocal Script

References Cited

Index
Monique Mojica is an independent actor, playwright, dramaturg, theater instructor, lecturer, and artist-scholar.

Brenda Farnell is Professor of Socio-Cultural & Linguistic Anthropology and American Indian Studies, University of Illinois at Urbana Champaign.