Chol (Mayan) Folktales deftly combines high-quality and thoughtfully edited transcriptions of oral storytelling with translation and narrative analysis, documenting and analyzing a trove of Chol folklore. The work provides a look into the folktale culture of the contemporary Maya presented with a rare and innovative theoretical framework.
The rich Chol oral narrative tradition is represented by eleven stories, each printed in the original language of the storytellers with parallel English translations and accompanied by a brief introduction that provides the relevant cultural and mythological background. Included with eight of the stories is a link to an audio clip of the tale told aloud in the Chol language. In addition,Chol (Mayan) Folktales introduces a model for the analysis of narratives that can be used to demonstrate the existence of a tradition of storytelling applicable to other Maya lore, including Classic period hieroglyphic texts.
Creating a nuanced sense of the Mayan oral tradition and revealing a highly structured literary style, this collection provides insight into contemporary Maya culture as well as a greater understanding of Classic period society. It will be of interest to students and scholars of folklore and literature and to anthropologists and linguists.
Recenzijos
"[ Hopkins's and Josserand's] work indicates great care in collection and translation of a folk literature and stands as a worthy contribution to our understanding of contemporary Maya narrative." Anthropology Review Database "With rich companion chapters to the collection of eleven tales, this book certainly achieves its goal [ to 'convey a more nuanced sense of the oral tradition']. . . . the structure that [ Josserand] develops for Chol folktales is incredibly valuable and Hopkins companion chapter applying that structure to these texts speaks to its viability." Journal of Folklore Research
"[ A]n excellent collection of contemporary stories that provide insights into Chol mythology, morality, and lifeways. It is notable in its relevance to a wide variety of readers, but could especially be a valuable resource for linguists and folklorists." Anthropology News
"[ F]ar more than another collection of Maya tales. Drawing on decades of fieldwork in Mexico collaborating with Ausencio 'Chencho' Guzmįn, Nicholas A. Hopkins and J. Kathryn Josserands latest publication combines the presentation of bilingual texts (in Chol and English) with highly nuanced essays and thorough introductions to the stories themselves. . . . the work should find a welcome home on the shelves of scholars and enthusiasts alike, and may even be useful in upper-level undergraduate or graduate classrooms as an accessible text that could be used to introduce students to the complexities of contemporary Maya cultures and storytelling traditions." Anthropological Linguistics
| Preface: On Collecting Chol Folklore Nicholas A. Hopkins |
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1 The Chol Maya And Their Folktales |
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3 | (12) |
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2 The Narrative Structure Of Chol Folktales |
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15 | (18) |
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3 Introduction To The Texts |
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33 | (8) |
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41 | (12) |
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5 Older Brother Sun and Younger Brother Sun |
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53 | (6) |
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59 | (2) |
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7 The Turtle And The Deer |
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61 | (8) |
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PART 2 Tales of the Earth Lord |
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69 | (8) |
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77 | (14) |
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91 | (24) |
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PART 3 Things That Come Out of the Woods |
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115 | (14) |
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129 | (10) |
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139 | (8) |
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147 | (12) |
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PART 4 Discourse Analysis of Narrative Texts |
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15 Discourse Analysis of Chol Narrative Texts |
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159 | (22) |
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| References |
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181 | (12) |
| Further Reading |
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193 | |
Nicholas A. Hopkins and J. Kathryn Josserand spent almost thirty years in the field collecting the oral folktales of the Chol Maya speakers. Their research on Chol and Epigraphic Maya was supported by the National Science Foundation, the National Endowment for the Humanities, and the Foundation for the Advancement of Mesoamerican Studies, Inc., among others. They founded Jaguar Tours and taught anthropology at universities in Mexico City, University of WisconsinMilwaukee, and Florida State University. Nick Hopkins also taught at University of Texas at Austin.
Ausencio (Chencho) Cruz Guzmįn grew up along the Tulijį River, making dugout canoes with his father and brothers. He worked for many years with Merle Greene Robertson in her project to document the art of Palenque.
