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Choreographing Dirt: Movement, Performance, and Ecology in the Anthropocene [Minkštas viršelis]

  • Formatas: Paperback / softback, 104 pages, aukštis x plotis: 216x138 mm, weight: 210 g, 7 Halftones, black and white; 7 Illustrations, black and white
  • Serija: Routledge Studies in Theatre, Ecology, and Performance
  • Išleidimo metai: 27-Jun-2025
  • Leidėjas: Routledge
  • ISBN-10: 0367758431
  • ISBN-13: 9780367758431
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 104 pages, aukštis x plotis: 216x138 mm, weight: 210 g, 7 Halftones, black and white; 7 Illustrations, black and white
  • Serija: Routledge Studies in Theatre, Ecology, and Performance
  • Išleidimo metai: 27-Jun-2025
  • Leidėjas: Routledge
  • ISBN-10: 0367758431
  • ISBN-13: 9780367758431
Kitos knygos pagal šią temą:
This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.

Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether its the Foundling Father digging into the earths strata in Suzan-Lori Parks The America Play (1994), peat hurling through the air in Pina Bauschs The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatres Las Mariposas (2010), or Butoh performers dancing with fungi in Ivįn-Daniel Espinosas Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species like the interplay between microscopic skin bacteria and soil protozoa and macro-level interactions like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.

This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities.

Recenzijos

"In Choregraphing Dirt, Angenette Spalink excavates and activates our intimate and interwoven dance with the material stuff of the earth call it dirt, soil, detritus, mud, peat, humus, ash it is the delicate and constant dance partner of our intractably embodied lives. In light of current myriad crises, Choregraphing Dirt analyzes how performance dance, theatre and cultural enactment can trace the impacts of extraction and trade, reveal displacement and destruction of human and more-than-human lives, unearth and lay bare racist and genocidal histories long buried in soil, or celebrate deeply rooted cultural reciprocities with the land around us. Choreographing Dirt is a lucid and compelling analysis of the essential work of the performing arts in the era of climate change: to illuminate and complicate human kinship with the more-than-human world. Spalink has made an elegant and incisive contribution to the intersectional fields of ecodramaturgy, performance studies, dance studies and environmental humanities."

Theresa J. May, author of Earth Matters on Stage: Ecology, Environment and American Theatre

"Spalink does the urgent work of bringing ecocriticism to dance studies, taking seriously how dirt is choreographed on the stage, as well as how dirt in turn choreographs the movement of others in and across biological, geographical, and cultural spaces. Her analyses of theater and dance pieces in which dirt takes center stage model how the movements of dirt itself offer new insights to intractable ecological problems."

Rosemary Candelario, University of Texas at Austin

"By attending to the ways in which the 'choreography of matter matters,' Choreographing Dirt represents a welcome and much-needed expansion of ecocriticism and ecodramaturgy into the fields of movement and dance. Focusing on well-chosen case studies, Spalinks analysis astutely reveals how performance can illuminate connections between the displacement of resources and environmental injustices."

Dr. Wendy Arons, Professor of Drama and Director of the Center for the Arts in Society, Carnegie Mellon University

List of figures

Acknowledgments

Introduction: Biogeocultography

1. Performative Taphonomy: Excavating and Exhuming the Past in Suzan-Lori
Parkss The America Play

2. Staging Extraction: Peats Vitality in Pina Bauschs The Rite of Spring

3. A Dirty Pas De Deux: Dirt, Skin, and Trans-corporeality in Eveoke Dance
Theatres Las Mariposas

4. Mycelium in Motion: Choreographing Care in Ivįn-Daniel Espinosas
Messengers Divinos

Conclusion: Moving with the Trouble

Index
Angenette Spalink is Assistant Professor of Performance Studies at Texas A&M University.