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El. knyga: Cinema of Christopher Nolan: Imagining the Impossible

3.69/5 (39 ratings by Goodreads)
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  • Formatas: EPUB+DRM
  • Serija: Directors' Cuts
  • Išleidimo metai: 04-Aug-2015
  • Leidėjas: Wallflower Press
  • Kalba: eng
  • ISBN-13: 9780231850766
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  • Formatas: EPUB+DRM
  • Serija: Directors' Cuts
  • Išleidimo metai: 04-Aug-2015
  • Leidėjas: Wallflower Press
  • Kalba: eng
  • ISBN-13: 9780231850766
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Over the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. FromFollowing (1998) to Interstellar (2014), Christopher Nolan's films explore philosophical concerns by experimenting with nonlinear storytelling while also working within classical Hollywood narrative and genre frameworks. Contextualizing and closely reading each of his films, this collection examines the director's play with memory, time, trauma, masculinity, and identity, and considers the function of music and video games and the effect of IMAX on his work.

Recenzijos

Ably edited by Furby and Joy, this collection bids fair to become the go-to resource for those seeking serious analysis of the director's work... This is a smashing success and a must-have for cineasts. Choice

Daugiau informacijos

This wonderful collection offers a deeply insightful exploration of Nolan's impossibly brilliant cinema. In new and exciting ways each essay throws light on the visions and crises that heat and freeze each of his films. A must have for anyone interested in the terrifying beauty of contemporary cinema. -- Sean Redmond, Deakin University Unlocking new dimensions in the puzzles of Christopher Nolan's films, this well-rounded collection offers fresh perspectives on an influential auteur who is still creating ambitious and ambiguous dream worlds. Fans and scholars will enjoy this thought-provoking, richly detailed, and multi-disciplinary set of essays that venture into the maze of Nolan's cerebral and kinetic visions. -- Anna Froula, East Carolina University
Acknowledgements vii
Notes on Contributors ix
Foreword: Are You Watching Closely? xi
Will Brooker
Introduction: Dreaming a Little Bigger, Darling 1(16)
Stuart Joy
1 Developing an Auteur Through Reviews: The Critical Surround of Christopher Nolan
17(14)
Erin Hill-Parks
2 Cinephilia Writ Large: IMAX in Christopher Nolan's The Dark Knight and The Dark Knight Rises
31(13)
Allison Whitney
3 Nolan's Immersive Allegories of Filmmaking in Inception and The Prestige
44(18)
Jonathan Olson
4 Saints, Sinners and Terrorists: The Women of Christopher Nolan's Gotham
62(12)
Tosha Taylor
5 Memento's Postmodern Noir Fantasy: Place, Domesticity and Gender Identity
74(11)
Margaret A. Toth
6 Men in Crisis: Christopher Nolan, Un-truths and Fictionalising Masculinity
85(14)
Peter Deakin
7 Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan's New Millennial Films
99(21)
Fran Pheasant-Kelly
8 "The dream has become their reality': Infinite Regression in Christopher Nolan's Memento and Inception
120(12)
Lisa K. Perdigao
9 Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed
132(15)
Stuart Joy
10 `You keep telling yourself what you know, but what do you believe?': Cultural Spin, Puzzle Films and Mind Games in the Cinema of Christopher Nolan
147(17)
Sorcha Ni Fhlainn
11 Stumbling Over the Superhero: Christopher Nolan's Victories and Compromises
164(11)
Todd McGowan
12 Inception's Singular Lack of Unity Among Christopher Nolan's Puzzle Films
175(14)
Andrew Kania
13 Inception's Video Game Logic
189(12)
Warren Buckland
14 On the Work of the Double in Christopher Nolan's The Prestige
201(18)
Kwasu David Tembo
15 No End in Sight: The Existential Temporality of Following
219(14)
Erin Kealey
16 Hearing Music in Dreams -- Towards the Semiotic Role of Music in Nolan's Inception
233(14)
Felix Engel
Janina Wildfeuer
17 About Time Too: From Interstellar to Following, Christopher Nolan's Continuing Preoccupation with Time-Travel
247(21)
Jacqueline Furby
Index 268
Jacqueline Furby is senior lecturer in film and Stuart Joy is associate lecturer in film and television at Southampton Solent University.