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Cinema of James Wan: Critical Essays [Minkštas viršelis]

  • Formatas: Paperback / softback, 221 pages, aukštis x plotis x storis: 229x152x11 mm, weight: 299 g, 10 photos, notes, bibliographies, index
  • Išleidimo metai: 14-Jan-2022
  • Leidėjas: McFarland & Co Inc
  • ISBN-10: 1476683352
  • ISBN-13: 9781476683355
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 221 pages, aukštis x plotis x storis: 229x152x11 mm, weight: 299 g, 10 photos, notes, bibliographies, index
  • Išleidimo metai: 14-Jan-2022
  • Leidėjas: McFarland & Co Inc
  • ISBN-10: 1476683352
  • ISBN-13: 9781476683355
Kitos knygos pagal šią temą:
"An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), DeadSilence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives"--

An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.
Acknowledgments vii
Introduction: James Wan, Auteur 1(16)
Fernando Gabriel Pagnoni Berns
Matthew Edwards
Migratory Anxieties and Diasporic Communities
Insidious Identity Politics: The Horror of Home
17(16)
Rebecca Wynne-Walsh
Aquaman as Meta-Utopia: A Nozickian Reading
33(20)
Adam Lovasz
Occupy and Replace: A Migratory Reading of Possession in The Conjuring 2 and Annabelle: Creation
53(18)
Shastri Akella
Aquaman and American White Supremacy
71(22)
Luis A. Grande Branger
A Gendered Cinema of Violence and Horror
Make Technology Suffer: The Hypermasculine in Death Sentence, Furious 7 and MacGyver
93(16)
Fernando Gabriel Pagnoni Berns
State of Exception in Saw and Death Sentence: Choose Your Type of Antihero
109(18)
Emiliano Aguilar
The Absent/Omnipresent Female Voice in Dead Silence
127(16)
Fernando Gabriel Pagnoni Berns
Wan and the Classical (New) Horror Film
James Wans Dead Space: The Conjuring Films, Siegfried Kracauer and the Revenge of Physical Reality
143(12)
Joshua Schulze
Chromatic Hauntings: The Uncanny Color Design of James Wans Horror Films
155(18)
Cody Parish
Suburban Gothic and Cosmic Horror in Insidious
173(20)
Elisabete Cristina Simoes Lopes
"Do you want to play hide and clap?" The Jump Scares of James Wans Supernatural Horror Films
193(16)
Brandon R. Grafius
About the Contributors 209(2)
Index 211
Fernando Gabriel Pagnoni Berns is a professor at the Universidad de Buenos Aires (UBA)Facultad de Filosofķa y Letras (Argentina). He teaches courses on international horror film and has written about the Spanish horror TV series Historias para no Dormir and the Frankenstein bicentennial. He lives in Buenos Aires, Argentina. Matthew Edwards is a primary school teacher and freelance writer from Cirencester, England. He is the author or editor of numerous books on world cinema.