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Classic Modern: Midcentury Modern at Home [Kietas viršelis]

4.05/5 (42 ratings by Goodreads)
  • Formatas: Hardback, 208 pages, aukštis x plotis: 285x235 mm, weight: 1270 g, colour photographs
  • Išleidimo metai: 28-Nov-2001
  • Leidėjas: Simon & Schuster Ltd
  • ISBN-10: 0684867443
  • ISBN-13: 9780684867441
Kitos knygos pagal šią temą:
  • Formatas: Hardback, 208 pages, aukštis x plotis: 285x235 mm, weight: 1270 g, colour photographs
  • Išleidimo metai: 28-Nov-2001
  • Leidėjas: Simon & Schuster Ltd
  • ISBN-10: 0684867443
  • ISBN-13: 9780684867441
Kitos knygos pagal šią temą:
A compelling visual tour of mid-twentieth-century design introduces readers to the bold, trend-setting architecture of the 1940s and 1950s. 30,000 first printing.

A visual tour of mid-twentieth-century design introduces the bold architecture of the 1940s and 1950s.

Midcentury modern is back. From the American classics of Charles and Ray Eames to the Scandinavian elegance of Arne Jacobsen, nothing is hotter today than the endlessly inventive, sophisticated work created by modern architects and designers in the 1940s and 1950s.

This beautifully illustrated book is an unparalleled look at the revolutionary design of the midtwentieth century -- a period that today reigns unchallenged among style setters and a new generation of homeowners and collectors. Filled with stunning photographs of landmark midcentury houses and exuberant collections of furniture and decorative arts, Classic Modern tells us why, where, and how midcentury modern design came about. It also shows how people are living with the brilliant work of such timeless figures as Ludwig Mies van der Rohe, Eero Saarinen, Richard Neutra, George Nelson, Isamu Noguchi, and Marcel Breuer, not to mention the prodigious Eameses.

Showcasing the style's elegance, wit, and humanism, Deborah K. Dietsch introduces the basic tenets of midcentury modernism, walking us through the era's distinctive look and presenting influential homes by inventive European architects such as Neutra, Mies, Breuer, and Albert Frey. She then follows this dynamic style as it moved into mainstream American culture. When European sophistication met American invention, led by the charismatic polymaths Charles and Ray Eames, the result was dazzling. Recapturing the energy and optimism inherent at midcentury, the book concludes with a visit to outstanding collections that show how comfortably modern pieces fit into today's homes. And, for those who want to furnish their own residences with appropriate reproductions and the classic pieces still being made, an illustrated catalogue presents fifty items, from the Eameses' famed molded-plywood lounge chair and Nelson's whimsical marshmallow sofa to Saarinen's pedestal chairs and the sensuous ceramics of Eva Zeisel.

Classic Modern is a marvelous celebration of the twentieth century's most important contribution to design. Hipper than ever, midcentury modernism is here to stay -- an American classic.

Midcentury modern is back. From the American classics of Charles and Ray Eames to the Scandinavian elegance of Arne Jacobsen, nothing is hotter today than the endlessly inventive, sophisticated work created by modern architects and designers in the 1940s and 1950s.

This beautifully illustrated book is an unparalleled look at the revolutionary design of the midtwentieth century -- a period that today reigns unchallenged among style setters and a new generation of homeowners and collectors. Filled with stunning photographs of landmark midcentury houses and exuberant collections of furniture and decorative arts, Classic Modern tells us why, where, and how midcentury modern design came about. It also shows how people are living with the brilliant work of such timeless figures as Ludwig Mies van der Rohe, Eero Saarinen, Richard Neutra, George Nelson, Isamu Noguchi, and Marcel Breuer, not to mention the prodigious Eameses.

Showcasing the style's elegance, wit, and humanism, Deborah K. Dietsch introduces the basic tenets of midcentury modernism, walking us through the era's distinctive look and presenting influential homes by inventive European architects such as Neutra, Mies, Breuer, and Albert Frey. She then follows this dynamic style as it moved into mainstream American culture. When European sophistication met American invention, led by the charismatic polymaths Charles and Ray Eames, the result was dazzling. Recapturing the energy and optimism inherent at midcentury, the book concludes with a visit to outstanding collections that show how comfortably modern pieces fit into today's homes. And, for those who want to furnish their own residences with appropriate reproductions and the classic pieces still being made, an illustrated catalogue presents fifty items, from the Eameses' famed molded-plywood lounge chair and Nelson's whimsical marshmallow sofa to Saarinen's pedestal chairs and the sensuous ceramics of Eva Zeisel.

Classic Modern is a marvelous celebration of the twentieth century's most important contribution to design. Hipper than ever, midcentury modernism is here to stay -- an American classic.

Contents

the essence of modern

model houses, modern dreams

Prosperity after World War II unleashed a new way of looking at the home in the United States and Europe. Open spaces and lightweight furnishings gained popularity as symbols of newfound optimism and energy. With the birth of the suburbs, the midcentury modern style spread from custom-built houses to ordinary homes.

the midcentury look

Starting with the outside of a house and moving to its furnishings and finishes, even down to the dinner-table settings, designers of the 1940s and 1950s worked to create a seamless look that melded together the indoors and the outdoors.

flowing spaces, casual living

transparent barriers

malleable materials, mass produced

furniture of many uses

textures nubby and plain

cheering colors and bold patterns

curvaceous organic shapes

sculptural accessories

midcentury modern at home

From the earliest classics that crew out of European modernism to the successors that revolutionized mainstream living, two dozen home and design collections epitomized the spirited midcentury look.

modern to the core: classic houses

The modern movement's European leaders brought their ideas to America, where new influences awaited. Their houses reflect the streamlined elegance that inspired a younger generation to embrace modernism and push it in new directions.

throwing a curve

Albert Frey * Palm Springs, California * 1946

machine in the garden

Richard Neutra * Palm Springs, California * 1946

less is more

Ludwig Mies Van der Rohe * Plano, Illinois * 1951

bauhaus, american style

Marcel Mreuer * Croton-on-Hudson, New York * 1953

modern monticello

Eero Saarinen * Columbus Indiana * 1957

urban sanctuary

José Luis Sert * Cambridge Massachusetts * 1958

time-honored values

Jens Risom interiors * New Canaan, Connecticut, and Block Island, Rhode Island * 1950s and 1967

mainstream modern: affordable style

Modernism was disseminated into mainstream America through affordable houses filled with mass-produced furniture. Architect-designed homes and speculative suburban developments from the 1940s and 1950s illustrate the freedom and invention that revolutionized postwar living.

missionary living

Case-study houses nos. 9, 16, and 22 by Charles Eames and Eer Saarinen, Craig Ellwood, and Pierre Koenig * Los Angeles * 1945-59

symphony in steel

Charles and Ray Eames * Pacific Palisades, California * 1949

suburban frontier

Eugene Sternberg and Joseph Dion * Englewood, Colorado * 1949-57

into the woods

Charles Goodman * Alexandria, Virginia * 1949-60s

umbrella in the sun

Paul Rudolph * Sarasota, Florida * 1953

western pioneers

Jones and Emmons * San Mateo, California * 1956

passion for plastic

Ralph Wilson Sr. and Bonnie McIninish * Temple, Texas * 1959

back to the future: living with midcentury modern

Midcentury modernism is back, as collectors rediscover the simple allure of postwar plywood and plastic from America and wood and glass from Europe. Housed in period settings as well as in unexpected environments, these collections testify to the enduring value of midcentury deisgn.

the art of reduction

Clarence Mayhew * Oakland, California * 1960

minimalist temple

Richard Neutra * San Diego, California * 1960

calming effect

Richard Neutra * Glendale, California * 1961

industrial evolution

John Lawrence * New Orleans, Louisiana * 1958

beginner's luck

Julian Berla and Joseph Abe * Washington, D. C. * 1941

modernist summit

Shelton, Midel and Associates * New York City * 1997

city deco, country classic

Heiner M. Kromer * Southampton, New York * 1982

nordic harmony

Philip Truchaud * Washington, D. C. * 1955

midcentury maverick

Mark McDonald interior * New York City * 1992

modern necessities

catalogue

resources

midcentury designers

further reading

index

Deborah K. Dietsch is the art and architecture critic of the Fort Lauderdale Sun-Sentinel. She is a former editor in chief at ARCHITECTURE magazine and has written about contemporary design issues for The Washington Post, House Beautiful, Progressive Architecture, World of Interiors and Metropolis. She lives in Fort Lauderdale, Florida.