Introduction |
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9 | (8) |
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Classical Greek And Roman |
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17 | (18) |
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19 | (3) |
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from Medea by Euripides (431 BC) |
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22 | (4) |
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from Hecuba by Euripides (c. 424 BC) |
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26 | (3) |
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from Thebans by Liz Lochhead (2003), after Sophocles and Euripides (5th century BC) |
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29 | (3) |
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from Bacchae by Euripides (c. 405 BC) |
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32 | (3) |
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from Rudens by Plautus (c. 200 BC) |
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35 | (58) |
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37 | (3) |
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from Henry VI, Part 3 by William Shakespeare (1592) |
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40 | (3) |
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from Doctor Faustus by Christopher Marlowe (c. 1592) |
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43 | (2) |
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from The Two Gentlemen of Verona by William Shakespeare (1593) |
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45 | (2) |
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from Edward III by William Shakespeare (1593) |
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47 | (3) |
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from King John by William Shakespeare (1596) |
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50 | (3) |
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from King John by William Shakespeare (1596) |
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53 | (3) |
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from Measure for Measure by Shakespeare (c. 1603) |
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56 | (2) |
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from The Widow's Tears by George Chapman (1604) |
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58 | (4) |
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from The Honest Whore by Thomas Dekker (1604) |
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62 | (2) |
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from The Dutch Courtesan by John Marston (1604) |
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64 | (3) |
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from A Mad World, My Masters by Thomas Middleton (1605) |
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67 | (3) |
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from A Mad World, My Masters by Thomas Middleton (1605) |
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70 | (3) |
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from Volpone by Ben Jonson (1606) |
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73 | (3) |
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from The Revenger's Tragedy by Cyril Tourneur? (1607) |
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76 | (2) |
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from The Tamer Tamed by John Fletcher (1611) |
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78 | (3) |
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from The Duchess of Malfi by John Webster (1613) |
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81 | (3) |
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from A Chaste Maid in Cheapside by Thomas Middleton (1613) |
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84 | (3) |
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from The Custom of the Country by John Fletcher and Philip Massinger (c. 1619) |
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87 | (3) |
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from The Changeling by Thomas Middleton and William Rowley (1622) |
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90 | (3) |
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from The Roman Actor by Philip Massinger (1626) |
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French and Spanish Golden Age |
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93 | (16) |
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95 | (2) |
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from Peribanez by Lope de Vega (c. 1605-12) |
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97 | (3) |
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from The Dug in the Manger by Lope de Vega (c. 1613) |
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100 | (4) |
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from Lafe is a Dream by Pedro Calderon de la Barca (1630) |
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104 | (2) |
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from Don Juan by Moliere (1665) |
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106 | (3) |
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from Phedra by Jean Racine (1677) |
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Restoration and Eighteenth Century |
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109 | (20) |
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111 | (2) |
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from The Man of Mode by George Etherege (1676) |
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113 | (2) |
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from The Rover by Aphra Behn (1677) |
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115 | (3) |
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from The Relapse by John Vanbrugh (1696) |
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118 | (2) |
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from The Beaux Stratagem by George Farquhar (1707) |
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120 | (2) |
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from The Tragedy of Jane Shore by Nicholas Rowe (1714) |
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122 | (2) |
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from The Provok'd Husband by John Vanbrugh and Colley Cibber (1728) |
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124 | (2) |
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from The Rivals by Richard Brinsley Sheridan (1775) |
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126 | (3) |
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from A Trip to Scarborough by Richard Brinsley Sheridan (1777) |
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Nineteenth and Early Twentieth Centuries |
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129 | (29) |
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131 | (2) |
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from Lorenzaccio by Alfred de Musset (1834) |
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133 | (3) |
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from The Government Inspector by Nikolai Gogol (1836) |
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136 | (3) |
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from An Enemy of the People by Henrik Ibsen (1882) |
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139 | (3) |
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from Ivanov by Anton Chekhov (1887) |
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142 | (3) |
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from Miss Julie by August Strindberg (1888) |
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145 | (2) |
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from A Woman of No Importance by Oscar Wilde (1893) |
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147 | (3) |
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from The Seagull by Anton Chekhov (1896) |
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150 | (2) |
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from To Damascus Part III by August Strindberg (1900) |
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152 | (2) |
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from Man and Superman by George Bernard Shaw (1903) |
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154 | (2) |
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from Children of the Sun by Maxim Gorky (1905) |
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156 | (2) |
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from Fanny's First Play by George Bernard Shaw (1911) |
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158 | |
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from Heartbreak House by George Bernard Shaw (1919) |
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