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El. knyga: Classical Monologues for Men

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  • Formatas: EPUB+DRM
  • Serija: The Good Audition Guides
  • Išleidimo metai: 26-Jun-2014
  • Leidėjas: Nick Hern Books
  • Kalba: eng
  • ISBN-13: 9781780010816
Kitos knygos pagal šią temą:
  • Formatas: EPUB+DRM
  • Serija: The Good Audition Guides
  • Išleidimo metai: 26-Jun-2014
  • Leidėjas: Nick Hern Books
  • Kalba: eng
  • ISBN-13: 9781780010816
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THE GOOD AUDITION GUIDES:

Helping you select and perform the audition piece that is best suited to your performing skills





Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way.





Each volume also carries a user-friendly introduction on the whole process of auditioning.





Classical Monologues for Men contains 50 monologues drawn from classical plays throughout the ages and ranging across all of Western Theatre:





* Classical Greek and Roman

* Elizabethan and Jacobean

* French and Spanish Golden Age

* Restoration and Eighteenth Century

* Nineteenth and Early Twentieth Centuries





Also available: Classical Monologues for Women

Recenzijos

'sound practical advice for anyone attending an audition... so many of these extracts simply cry out to be performed... a source of inspiration for teachers and students alike... these two volumes are a must' * Teaching Drama Magazine *

Introduction 9(8)
Classical Greek And Roman
17(18)
Jason
19(3)
from Medea by Euripides (431 BC)
Polydorus
22(4)
from Hecuba by Euripides (c. 424 BC)
Polyneikes
26(3)
from Thebans by Liz Lochhead (2003), after Sophocles and Euripides (5th century BC)
Pentheus
29(3)
from Bacchae by Euripides (c. 405 BC)
Gripus
32(3)
from Rudens by Plautus (c. 200 BC)
Elizabethan And Jacobean
35(58)
King Henry
37(3)
from Henry VI, Part 3 by William Shakespeare (1592)
Faustus
40(3)
from Doctor Faustus by Christopher Marlowe (c. 1592)
Lance
43(2)
from The Two Gentlemen of Verona by William Shakespeare (1593)
Lodowick
45(2)
from Edward III by William Shakespeare (1593)
Prince Arthur
47(3)
from King John by William Shakespeare (1596)
Philip the Bastard
50(3)
from King John by William Shakespeare (1596)
Angelo
53(3)
from Measure for Measure by Shakespeare (c. 1603)
Lysander
56(2)
from The Widow's Tears by George Chapman (1604)
Hippolyto
58(4)
from The Honest Whore by Thomas Dekker (1604)
Malheureux
62(2)
from The Dutch Courtesan by John Marston (1604)
Richard Follywit
64(3)
from A Mad World, My Masters by Thomas Middleton (1605)
Penitent Brothel
67(3)
from A Mad World, My Masters by Thomas Middleton (1605)
Corvino
70(3)
from Volpone by Ben Jonson (1606)
Vindice
73(3)
from The Revenger's Tragedy by Cyril Tourneur? (1607)
Petruchio
76(2)
from The Tamer Tamed by John Fletcher (1611)
Ferdinand
78(3)
from The Duchess of Malfi by John Webster (1613)
John Allwit
81(3)
from A Chaste Maid in Cheapside by Thomas Middleton (1613)
Duarte
84(3)
from The Custom of the Country by John Fletcher and Philip Massinger (c. 1619)
De Flores
87(3)
from The Changeling by Thomas Middleton and William Rowley (1622)
Domitianus Caesar
90(3)
from The Roman Actor by Philip Massinger (1626)
French and Spanish Golden Age
93(16)
Peribanez
95(2)
from Peribanez by Lope de Vega (c. 1605-12)
Tristan
97(3)
from The Dug in the Manger by Lope de Vega (c. 1613)
Basilio
100(4)
from Lafe is a Dream by Pedro Calderon de la Barca (1630)
Don Juan
104(2)
from Don Juan by Moliere (1665)
Theseus
106(3)
from Phedra by Jean Racine (1677)
Restoration and Eighteenth Century
109(20)
Dryden
111(2)
from The Man of Mode by George Etherege (1676)
Blunt
113(2)
from The Rover by Aphra Behn (1677)
Loveless
115(3)
from The Relapse by John Vanbrugh (1696)
Aimwell
118(2)
from The Beaux Stratagem by George Farquhar (1707)
Bellmour
120(2)
from The Tragedy of Jane Shore by Nicholas Rowe (1714)
Lord Townley
122(2)
from The Provok'd Husband by John Vanbrugh and Colley Cibber (1728)
Faulkland
124(2)
from The Rivals by Richard Brinsley Sheridan (1775)
Lord Foppington
126(3)
from A Trip to Scarborough by Richard Brinsley Sheridan (1777)
Nineteenth and Early Twentieth Centuries
129(29)
Lorenzo
131(2)
from Lorenzaccio by Alfred de Musset (1834)
Khlestakov
133(3)
from The Government Inspector by Nikolai Gogol (1836)
Stockmann
136(3)
from An Enemy of the People by Henrik Ibsen (1882)
Ivanov
139(3)
from Ivanov by Anton Chekhov (1887)
Jean
142(3)
from Miss Julie by August Strindberg (1888)
Gerald Arbuthnot
145(2)
from A Woman of No Importance by Oscar Wilde (1893)
Trigorin
147(3)
from The Seagull by Anton Chekhov (1896)
Tempter
150(2)
from To Damascus Part III by August Strindberg (1900)
Don Juan
152(2)
from Man and Superman by George Bernard Shaw (1903)
Protasov
154(2)
from Children of the Sun by Maxim Gorky (1905)
Duvallet
156(2)
from Fanny's First Play by George Bernard Shaw (1911)
Alfred Mangan
158
from Heartbreak House by George Bernard Shaw (1919)


Marina Caldarone is a hugely experienced teacher and director. She sits on the selection board of several leading Drama Schools and is co-author of Actions: the Actors' Thesaurus.