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Classical Orders of Architecture 2nd edition [Kietas viršelis]

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  • Formatas: Hardback, 230 pages, aukštis x plotis: 276x219 mm, weight: 453 g
  • Išleidimo metai: 08-Oct-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138132705
  • ISBN-13: 9781138132702
Kitos knygos pagal šią temą:
Classical Orders of Architecture 2nd editionDidesnis paveikslėlis
  • Formatas: Hardback, 230 pages, aukštis x plotis: 276x219 mm, weight: 453 g
  • Išleidimo metai: 08-Oct-2015
  • Leidėjas: Routledge
  • ISBN-10: 1138132705
  • ISBN-13: 9781138132702
Kitos knygos pagal šią temą:
Pastovi nuoroda: https://www.kriso.lt/db/9781138132702.html
Raktažodžiai:
This is the only publication that presents a modern interpretation of the Classical Orders. The new edition of this successful title now includes the proportions in both metric and imperial measurements to make the orders more accessible and to provide a valuable reference for designers.

The inclusion of both 100-part and 96-part systems of proportion is underpinned by an essay on James Gibbs - one of the 18th century authors of standardized proportioning systems - and his influence in America. Along with additional plates, this book gives a
clear introduction to those not familiar with the classical genre and is an easy to follow guide which assists architects, interior designers and conservators with the quality of their design.

Recenzijos

'This is the only modern source/textbook in existence... I need it!' Peter Hudson, Professor, University of Portsmouth, UK.

Foreword
Peter Hodson
Preface To The Second Edition
Introduction
HISTORICAL BACKGROUND
Plates 1-3 The Greek Orders: Doric, Ionic and Corinthian
29(7)
Plate 4 Comparative Tuscan Orders
36(3)
Plate 5 Comparative Doric Orders
39(3)
Plate 6 Comparative Ionic Orders
42(3)
Plate 7 Comparative Corinthian Orders
45(3)
Plate 8 Comparative Composite Orders
48(5)
THE ORDERS IN DETAIL
Plate 9 The Five Orders
53(3)
Plate 10 The Tuscan Order
56(2)
Plate 11 The Tuscan Capital and Entablature
58(2)
Plate 12 The Tuscan Base and Pedestal
60(2)
Plate 13 The Doric Order
62(2)
Plate 14 The Doric Capital and Entablature I
64(3)
Plate 15 The Doric Capital and Entablature II
67(1)
Plate 16 The Doric Base and Pedestal
68(2)
Plate 17 The Ionic Order
70(2)
Plate 18 The Ionic Volute
72(2)
Plate 19 The Ionic Capital and Entablature
74(2)
Plate 20 The Ionic Capital I
76(3)
Plate 21 The Ionic Capital II
79(1)
Plate 22 The Ionic Base and Pedestal
80(2)
Plate 23 The Corinthian Order
82(2)
Plate 24 The Corinthian Capital and Entablature
84(2)
Plate 25 The Corinthian Entablature
86(2)
Plate 26 The Corinthian Capital
88(2)
Plate 27 The Corinthian Base and Pedestal
90(2)
Plate 28 The Composite Order
92(2)
Plate 29 The Composite Capital and Entablature
94(2)
Plate 30 The Composite Entablature
96(2)
Plate 31 The Composite Capital
98(2)
Plate 32 The Composite Base and Pedestal
100(2)
Plate 33 Comparison of Mouldings
102(3)
JAMES GIBBS AND THE AMERICAN CLASSICAL TRADITION
Plate 34 James Gibbs, design for a round window, plate 110, A Book of Architecture (RIBA Library Photographs Collection)
105(4)
Plate 35a James Gibbs, design for the west front of St Martin's in the Fields, plate 3, A Book of Architecture (RIBA Library Photographs Collection)
109(2)
Plate 35b James Gibbs, design for a garden seat, Plate 82, A Book of Architecture (RIBA Library Photographs Collection)
111(1)
Plate 35c Christ Church, Philadelphia (Historic American Buildings Survey)
111(1)
Plate 33d St. Paul's Chapel, New York City (Historic American Buildings Survey)
111(2)
Plate 36a First Congregational Church, Litchfield, Connecticut (Historic American Buildings Survey)
113(1)
Plate 36b First Congregational Church, New Haven, Connecticut (Historic American Buildings Survey)
114(1)
Plate 37a James Gibbs, design for a gentleman in Dorsetshire, plate 58, A Book of Architecture (RIBA Library Photographs Collection)
115(1)
Plate 37b Mount Airy, Richmond County, Virginia (Historic American Buildings Survey)
115(2)
Plate 38a Hammond-Harwood House, Annapolis, Maryland (Historic American Buildings Survey)
117(1)
Plate 38b James Gibbs, designs for niches, plate 109, A Book of Architecture (RIBA Library Photographs Collection)
117(1)
Plate 38c James Gibbs, design for a gentleman in Yorkshire, plate 63, A Book of Architecture (RIBA Library Photographs Collection)
118(1)
Plate 38d John Hawks, design for Tryon Palace, New Bern, North Carolina (Courtesy of Tryon Palace Historic Sites and Gardens, North Carolina Department of Cultural Resources)
118(2)
Plate 39a Elisha Sheldon House, Litchfield, Connecticut (Historic American Buildings Survey)
120(1)
Plate 39b James Gibbs, draught made for a house for a Gentleman in 1720, plate 43, A Book of Architecture (RIBA Library Photographs Collection)
120(2)
Plate 40a John Edwards House, Charleston, South Carolina (Historic American Buildings Survey)
122(1)
Plate 40b James Gibbs, `The Ionick Capital,' plate XIV, Rules for Drawing (RIBA Library Photographs Collection)
122(2)
Plate 41a James Gibbs, design for a temple in the Doric order, plate 67, A Book of Architecture (RIBA Library Photographs Collection)
124(1)
Plate 41b Monticello, Albemarle County, Virginia (Robert C. Lautman, Courtesy of The Thomas Jefferson Foundation)
124(2)
Plate 42a James Gibbs, design for a house at Seacomb Park, plate 53, A Book of Architecture (RIBA Library Photographs Collection)
126(1)
Plate 42b James Hoban, N. elevation, The White House, Washington, D.C. (Maryland Historical Society)
126(3)
Plate 43a James Gibbs, design for a house to be built in Greenwich, plate 47, A Book of Architecture (RIBA Library Photographs Collection)
129(1)
Plate 43b Whitemarsh Hall (destroyed), Wyndmoor, Pennsylvania (Pennsylvania State Archives)
129(2)
Plate 44 Milburne, Richmond, Virginia (Calder Loth)
131(6)
THE 96-PART ORDERS
Plate 45 The Five Orders, After James Gibbs
137(3)
Plate 46 The Tuscan Order
140(2)
Plate 47 The Tuscan Capital and Entablature
142(1)
Plate 48 The Tuscan Base and Pedestal
143(1)
Plate 49 The Doric Order
144(2)
Plate 50 The Doric Capital and Entablature
146(1)
Plate 51 The Doric Base and pedestal
147(1)
Plate 52 The Ionic Order
148(2)
Plate 53 The Ionic Capital and Entablature
150(1)
Plate 54 The Ionic Base and Pedestal
151(1)
Plate 55 The Corinthian Order
152(2)
Plate 56 The Corinthian Capital and Entablature
154(1)
Plate 57 The Corinthian Base and Pedestal
155(1)
Plate 58 The Composite Order
156(2)
Plate 59 The Composite Capital and Entablature
158(1)
Plate 60 The Composite Base and Pedestal
159(4)
USE OF THE ORDERS
Plate 61 The Column: Diminution and Fluting
163(3)
Plate 62 Intercolumniation I: Tuscan and Ionic
166(2)
Plate 63 Intercolumniation II: Doric, Corinthian and Composite
168(3)
Plate 64 Arches I: Without Pedestals
171(3)
Plate 65 Arches II: With Pedestals
174(2)
Plate 66 Arches III: Details
176(3)
Plate 67 Balustrades
179(3)
Plate 68 Superimposed Orders I and II
182(3)
Plate 69 Superimposed Orders I and II
185(1)
Plate 70 Attics and Basements I and II
186(3)
Plate 71 Attics and Basements I and II
189(1)
Plate 72 Rustication
190(3)
Plate 73 Pediments
193(3)
Plate 74 Doors and Windows I
196(2)
Plate 75 Doors and Windows II
198(2)
Plate 76 Mouldings and Their Enrichment
200(3)
Plate 77 Characteristics of Classicism
203
Robert Chitham