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El. knyga: Classics Illustrated: A Cultural History, 3d ed.

3.97/5 (39 ratings by Goodreads)
  • Formatas: 472 pages
  • Išleidimo metai: 17-Apr-2024
  • Leidėjas: McFarland & Co Inc
  • Kalba: eng
  • ISBN-13: 9781476651019
  • Formatas: 472 pages
  • Išleidimo metai: 17-Apr-2024
  • Leidėjas: McFarland & Co Inc
  • Kalba: eng
  • ISBN-13: 9781476651019

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" In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker, and a complete issue-by-issue listing of significant international series"--

In its expanded third edition, this definitive work on Classics Illustrated explores the enduring series of comic-book adaptations of literary masterpieces in even greater depth, with twice the number of color plates as in the second edition. Drawing on interviews, correspondence, fanzines, and archival research, the book covers in full detail the work of the artists, editors, scriptwriters, and publishers who contributed to the success of the "World's Finest Juvenile Publication." Many previously unpublished reproductions of original art are included, along with new chapters covering editor Meyer Kaplan, art director L.B. Cole, and artist John Parker, and a complete issue-by-issue listing of significant international series.

Recenzijos

Classics Illustrated was a wonderful series, which introduced young readers to works of literature which they were encouraged to read in the originaland that's just what I, like many others, did, in my case from The Iliad to the works of Verne and Wells. Now, with William Jones Jr.s enlarged and improved third edition of his study of the Gilberton publication, the author has introduced yet another illustrated classic to the worldthis one with the title Classics Illustrated: A Cultural History. It's one of a handful of comics-historical works that belongs on any comics fan's bookshelf.Roy Thomas, Alter Ego Bill Jones has written a compelling history, detailing the prescience of Albert Kanter, a man well ahead of his time, in anticipating the 21st-century development of using comics to coax readers towards great literature. Joining Kanter in his endeavor were the writers, artists, editors, and art directors who captivated the imaginations of more than one generation of young readers, allowing them to amass a library of classic literature more economical, in both cost and space, than the originals. Jones profiles each contributor, adding greatly not only to the familiar story of Jews and comics, but also to the lesser known histories of women and educators in the industry. As a result of the efforts of Joness subjects, and despite the assumptions of many parents and teachers, comics fans in the 40s, 50s, and 60s grew up arguably more erudite than most young people today.Karen Green, Curator for Comics and Cartoons, Columbia University Using artwork, interviews, and analysis, William B. Jones, Jr. brings deserved attention to the writers and artists who made condensed adaptation an art form, while also evoking memories of the naughty thrill of writing a plausible book report based on a comic book. With new chapters, new color illustrations, and rarely seen process artwork, this 3rd edition serves up a delightful blend of nostalgia and knowledge.Randy Duncan, author of The Power of Comics and Graphic Novels: Culture, Form and Content From the previous editions:This second edition adds some 100 pages of in-depth details, new interviews, and the latest adventures of the series...an especially salient piece of comics culture...chronicles a growing respect for the medium...of interest to comics fans, culture watchers, educators, and high schoolersLibrary Journal Highly recommended major revised edition...illuminating...more thorough and more heavily illustrated, than the original...a book to enjoy and appreciate again and again. Our Highest RecommendationBud Plant, Buds Art Books Fabulous...wonderful. A wealth of information is presented, bolstered by interviews with people, especially artists, who worked on the comics. The books layout is breathtaking...lavish. The repros of panels and covers are of exceptional quality, clear and crisp...excellent introduction...an extremely well researched, entertaining volumeClassic Images The appearance (or rather, reappearance, as a second edition) of this volume is an occasion for celebration across the world of comic art scholarship. There are no more than a dozen scholarly works (my favorites include Masters of American Comics, Will Elder: The Mad Playboy of Art, Underground Classics, Jews and American Comics and perhaps, although I am prejudiced, The Art of Harvey Kurtzman) in the field, nearly all of them quite recent. None is as exhaustive for any genre as this. Every reader interested in comic art, will find this volume illuminating. Close readers will find it different, more thorough and more heavily illustrated, than the original. Its a book to enjoy and appreciate again and again.Paul Buhle (Jews and American Comics, The Art of Harvey Kurtzman) Swans Commentary Information is endless...this book encompasses all...an excellent addition to any library...entertaining...in-depth informationPublic Library Quarterly A comprehensive review of the art and careers of the creators...well researched, documented, and analyzed...important...interesting...highly recommendedARBA A massive research project...source material is rigorously identifiedComics Buyers Guide Mr. Jones study represents the best memory book in a long time. Anyone who remembers horse drawn milk trucks, mail deliveries twice a day, faded red enema bags, pin boys at bowling alleys, the St. Louis Browns, and the cats meow will love this book. It is a work of outstanding achievementFilm & History Splendidly readable account...detailedFilmfax Influence is immeasurable...wonderfully illustratedHitch For millions of American baby boomers, monthly issues of Classics Illustrated were a colorful, exciting gateway to the classics of Western literatureThe Blade (Toledo, Ohio) Remarkably well researched...meticulously detail...a beautiful volume...painstakingly, almost lovingly, defines the series unique place in comic book and cultural historyNeighbor News Eentertaining, informativeActive Years A labour of love...an important work...a reminder of the legacy of Albert KanterWeekender, Leader-Post Meticulously indexed...copiously illustratedReference & Research Book News Generously illustratedKnowledge Quest Interviews, behind-the-scenes secrets revealed and correspondence all combine to give a wide-stroke history of the publisher that introduced classic literature to several generations.Boyce McClains Collectors Corner

Table of Contents


Acknowledgments delete deletexi

Introduction: Good Stories delete

I.Albert Kanters Dream delete

II.Of Musketeers and Mohicans: The Jacquet Shop delete

III.Louis Zansky: The Painters Touch delete

IV.Eccentricity Abounding: The War Years delete

V.Arnold Lorne Hicks: Transitional Figure delete

delete delete delete delete Between pages 54 and 55 are 16 color plates
with 60 photographs

VI.Enter Iger: The Fiction House Artists delete

VII.Henry Carl Kiefer and the Classics House Style delete

VIII.Alex A. Blum: A Prince of a Man delete

IX.A Newer, Truer Name: The Late Forties delete

X.Blood, Sweat, and Rudy Palais delete

XI.Meyer A. Kaplan: An Editors Perspective delete

XII.William E. Kanter and the Family Business delete

XIII.Painted Covers and an Extra Nickel: The Early Fifties delete

XIV.Maurice del Bourgo: From Little Lefty to William Tell delete

XV.Freelancers and Publicity: The Mid1950s delete

XVI.Canonical Matters and Classical Curiosities delete

XVII.Lou Cameron: If John Wayne Had Drawn Comic Books delete

XVIII.Norman Nodel: A Certain Integrity delete

XIX.Robertas Writers: Lorenz Graham and Annette T. Rubinstein delete

XX.John William Parker: Iconic Images delete

XXI.From the Crypt to the Classics: The EC Era delete

delete delete delete delete Between pages 210 and 211 are 16 color plates
with 52 photographs

XXII.George Evans, Reed Crandall, and EC Realism delete

XXIII.Roberta the Conqueror delete

XXIV.High Tide and Greenbacks: The Late Fifties delete

XXV.L.B. Cole: Horses, Wild Animals, and Poster Colors delete

XXVI.Gerald McCann: The Colors of the Sky delete

XXVII.Gray Morrow: Real People and Real Events delete

XXVIII.Robertas Reforms: The Early Sixties delete

XXIX.Frawleys Folly: The Twin Circle Era (19671971) delete

XXX.Expanding the Mission (Subsidiary Series, 19531971): Picture Progress
and Classics Illustrated Junior delete

XXXI.Ambitious Endeavors (Subsidiary Series, 19551964): Classics
Illustrated Special Issues; The Best from Boys Life Comics; The World Around
Us delete

XXXII.Classics Abroad: The Worldwide Yellow Banner delete

XXXIII.The Wilderness Years: The Seventies and Eighties delete

XXXIV.Great Expectations: First Publishings Graphic Novels delete

XXXV.Your Doorway to the Classics: Acclaims Study Guides delete

XXXVI.Restoration: Jack Lake Productions, Papercutz, and CCS Books delete

XXXVII.Classics Collected: Notes on the Evolution of a Pastime and a
Passion delete

XXXVIII.Classical Coda delete

Appendices delete

A.Classic Comics (Gilberton, 19411947) and Classics Illustrated (Gilberton,
19471967; Frawley, 19671971) delete

B.Classics Illustrated Giant Editions (Gilberton, 1949) delete

C.Fast Fiction/Stories by Famous Authors Illustrated (19491951) delete

D.Classics Illustrated Educational Series (Gilberton, 19511953) delete

E.Picture Parade/Picture Progress (Gilberton, 19531955) delete

F.Classics Illustrated Junior (Gilberton/Famous Authors, 19531967; Frawley,
19671971) delete

G.Classics Illustrated Special Issues (Gilberton, 19551964) delete

H.The Best from Boys Life Comics (Gilberton, 19571958) delete

I.The World Around Us (Gilberton, 19581961) delete

J.British Classics Illustrated, First and Second Series (Thorpe &
Porter/Strato, 19511963; Ayers & James Pty., Ltd., Australia) delete

K.British World Illustrated Series (Thorpe & Porter, 19601963) delete

L.Ediēao Maravilhosa (Brazil, Editora ­Brasil-América Limitada [ EBAL], First
and Second Series, 19481962) delete

M.Clįsicos Ilustrados (Mexico, Editora La Prensa, 19511974) delete

N.Klassika Eikonographemena (Greece, ­Atlantis-M. Pechlivanides, S.A., First
Series 19511970, Second Series 19751980): Greek Literature, Mythology, and
History Titles delete

O.Classics Illustrated Joint European Series/JES (19561976) delete

P.Classics Illustrated, Second Series (Berkley Publishing Group/First
Publishing, 19901991; Classics International Entertainment, 1994) delete

Q.Classics Illustrated, Third Series, Study Guides (Acclaim Books,
19971998) delete

R.Classics Illustrated, Fourth Series (Jack Lake Productions, Inc.,
20052014) delete

S.Papercutz Classics Illustrated Deluxe Editions (Papercutz, 20082014)
delete

T.Papercutz Classics Illustrated Editions (Papercutz, 20082014) delete

U.British Classics Illustrated, Third Series (CCS Books, 2008 ); Modern
Hardbacks (CCS Books, 2016 ); Replica Hardbacks (CCS Books, 2018 ) delete

V.Letter from Albert L. Kanter to T/4 Joseph Mersand, Camp Crowder,
Missouri, 7 July 1944 delete

W.Correspondence Between Roberta Strauss and the National Maritime Museum,
Greenwich, re: The Dark Frigate, ­November-December 1955 delete

X.Letter from Roberta Strauss Feuerlicht to E. Nelson Bridwell, 25 July 1960
delete

Y.Synopsis of The Call of the Wild by Ken W. Fitch, 1951 delete

Chapter Notes delete

Sources Cited or Consulted delete

Index delete
William Bryan Jones, Jr., is the author of Petit Jean: A Wilderness Adventure; the editor of Robert Louis Stevenson Reconsidered: New Critical Perspectives; and a contributor to The Oxford Handbook of Adaptation Studies and Icons of the American Comic Book. He has written introductions for more than 100 reissued titles in the revived Classics Illustrated and related series.