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Cluttered Universes of Samuel Beckett and Tadeusz Kantor [Kietas viršelis]

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"Cluttered Universes of Samuel Beckett and Tadeusz Kantor is a collection of four essays bringing Kantor's and Beckett's texts, theatres, and theories into conversation with decon-struction, new materialism, environmental humanities, and posthumanism. The book is ded-icated to two artists rarely discussed together to see how their awareness of poetics and per-formativity of matter might help us understand our connection to the material world, even if the world is falling apart. Jane Bennett, Karen Barad,Rosi Braidotti, Donna Haraway, Timo-thy Morton, and others pave way for new critical interpretations of canonical works, which are recognised as universes "cluttered" with matter, objects, things, and other nonhuman vis-itors of seemingly exclusive humandomains. Kisiel shows that Beckett's and Kantor's care-fulness and care for imagining nonhuman/human relationships might refresh our understand-ing of memory, togetherness, death, or even the end of the world for the Anthropocene"-- Provided by publisher.

Cluttered Universes of Samuel Beckett and Tadeusz Kantor is a collection of four essays bringing Kantor’s and Beckett’s texts, theatres, and theories into conversation with deconstruction, new materialism, environmental humanities, and posthumanism. The book is dedicated to two artists rarely discussed together to see how their awareness of poetics and performativity of matter might help us understand our connection to the material world, even if the world is falling apart. Jane Bennett, Karen Barad, Rosi Braidotti, Donna Haraway, Timothy Morton, and others pave way for new critical interpretations of canonical works, which are recognised as universes “cluttered” with matter, objects, things, and other nonhuman visitors of seemingly exclusive human domains. Kisiel shows that Beckett’s and Kantor’s carefulness and care for imagining nonhuman/human relationships might refresh our understanding of memory, togetherness, death, or even the end of the world for the Anthropocene.



Cluttered Universes brings Kantor’s and Beckett’s texts, theatres, and theories into conversation with deconstruction, new materialism, environmental humanities, and posthumanism. It reads their artistic universes as “cluttered” with matter, objects, and other nonhuman visitors.

Recenzijos

Kisiels comparative study, or as he phrases it, possible trajectories, is long overdue and especially useful given Becketts popularity and performance frequency in Poland--as far back as 1957 at Teatr Wspóczesny in Warsaw, directed by Jerzy Kreczmar during the Soviet occupation. Kisiel then offers an original perspective to the subject from a bilingual author well positioned to analyse both major authors and theatrical innovators, especially examining what Kisiel calls Beckett and Kantors cluttered universe and more, the need for literary and environmental cartographies in the Anthropocene. His theoretical perspective is quite leading edge, for instance: The overall theoretical corpus is based on the developments in new materialism with regard to its deconstructive and Deleuzian roots. This study resonates well beyond what might be considered the narrow confines of Polish theatre.

--S. E. Gontarski, Robert O. Lawton University Distinguished Professor, Florida State University, USA

Cluttered Universes of Samuel Beckett and Tadeusz Kantor is an engaging and thought-provoking book. Kisiel guides the reader deftly through the complexities of new materialist debates, focusing on materiality, embodiment, and the nonhuman before using this lens to examine the works of Samuel Beckett and Tadeusz Kantor. The result is a compelling and theoretically rich contribution to both Beckett and Kantor studies, but also to the broader fields of new materialism and Anthropocene scholarship. Kisiels readings of embodiment, temporality, and nonhuman agency in Beckett and Kantor are nuanced, creative and intellectually rigorous. His framing of cluttering as both an aesthetic and conceptual force aligned with Karen Barads and Timothy Mortons ideas of coexistence, diffraction, and weird intimacy interweaves materialist thought with artistic practice. By affirming fragility and imperfection, Kisiel unveils how Beckett and Kantor dismantle the subject/object binary and offer new ways to engage with the nonhuman. Despite their androcentric limitations, their works reveal vibrant material agencies and temporal disruptions that prefigure ecological and epistemological shifts. Ultimately, Kisiel suggests that it is only by embracing failure, vulnerability, and openness to the nonhuman, that can we reimagine our place in a shared, entangled world one shaped not by mastery, but by relationality and transformation. Cluttered Universes is a timely study that addresses contemporary ecological concerns and post-anthropocentric theory while casting fresh light on the work of two great twentieth-century authors.

Clare Wallace, Associate Professor of English and American Literatures, Charles University, Czech Republic

Acknowledgements

INTRODUCTION

The Fear of Meaning Something

Cluttered Universes

Bringing Matter Back to Life

The Two Ends of the World

Putting the Void to Work

From Difference to Diffraction

Bibliography

CHAPTER
1. Diffraction of I: Diffractive Memories and Kantors Theatre of
Death

Exit History

Dark Crammed Holes

Diffraction and Repetition

Photographic Apparatuses

Diffraction of I

Bibliography

CHAPTER
2. Unspeakable Homes: Uninhabitable Spaces and the Ruins of the
Everyday World

I Am Not I, Therefore I Am (at Home)

The Parrot and the Grave

Dusty Archives

Elevating the Rags

Neither

Bibliography

CHAPTER
3. Resilient Survivors: Insects, Mannequins, and the Death of the
Nonhuman

Nonhuman Noises, Excessive Images

Heretic Machines

Dying Is Never Death

The Logic of the Swarm

Coda: Insect Technologies

Bibliography

CHAPTER
4. Elsewhere but Here: Becketts Exhausted Ecologies and Liminal
Intimacies

A Tree with Too Many Leaves

The Ecopoetics of Exhaustion

Thus Flesh and Bone Subsist

Intimacy Is Persistence

Global Failures

Bibliography

CONCLUSIONS

Index
Micha Kisiel is a literary scholar, translator, editor, and assistant professor at Jan Dlugosz University in Czestochowa, Poland. In 2019, he received his PhD in literary studies. He has published in Journal of Beckett Studies, Samuel Beckett Today/Aujourdhui, ER(R)GO, Zoophilologica, and Review of International American Studies, among other places. He is an editorial team member of ER(R)GO: Theory Literature Culture and a member of the Polish Academy of Sciences Commission on Literary History (Katowice Branch). His academic interests include experimental literature, deconstruction, materialist theories of the nonhuman, contemporary poetry, theatre and drama, and environmental humanities.