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El. knyga: Coding Gender in Romance Cultures

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  • Formatas: PDF+DRM
  • Serija: Romania Viva 32
  • Išleidimo metai: 06-Aug-2020
  • Leidėjas: Peter Lang AG
  • Kalba: eng
  • ISBN-13: 9783653069013
Kitos knygos pagal šią temą:
Coding Gender in Romance CulturesDidesnis paveikslėlis
  • Formatas: PDF+DRM
  • Serija: Romania Viva 32
  • Išleidimo metai: 06-Aug-2020
  • Leidėjas: Peter Lang AG
  • Kalba: eng
  • ISBN-13: 9783653069013
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The book reunites transdisciplinary studies investigating the questions of construction and deconstruction of gender in filmic, literary, and television Romance cultures by referring to a corpus that stretches from plays of travesty in 18th century opera to non-normative masculinities in recent television series.
One of this book’s main objectives consists in inviting its readers to follow the traces of a transmedial and transnational historiography of media that offers figures of nomadic thinking in order to escape the binary concepts of normative biopolitics and offer instead alternative cartographies of gender and desire.



The book reunites transdisciplinary studies on the construction and deconstruction of gender in filmic, literary, and television Romance cultures. It presents a transmedial and transnational historiography of media, using figures of nomadic thinking to escape the binary concepts of normative biopolitics and offer new cartographies of desire.

Preface 9(4)
Women, Gender, Cinema, and the Arts
Comedy, Modernity, and the Politics of Gender in Alice Guy-Blache
13(10)
Veronica Pravadelli
Pensive Spectatorship: Reading of Two Women (de Sica, 1960)
23(16)
Giulia Colaizzi
From flaneur bourgeois to Real fldneuse: Urban and Rural Cartographies of Female Desire in the Cinema of Eric Rohmer and Catherine Breillat
39(22)
Uta Felten
The Feminine Gaze. Women Filmmakers during the Spanish Transition
61(12)
Silvia Guillaman Carrasco
Latin American `Women Films'
73(18)
Isabel Maurer Queipo
Can (the) Suffering Speak? The Im/Possible Discourse of Pain in the Aesthetics of Frida Kahlo as Described in Slavenka Drakulics Frida's Bed (2007/2008)
91(10)
Tanja Schwan
Heterotopias & Heterologies in Lesbiana: A Parallel Revolution by Miriam Fougere (2012)
101(18)
Emilie Notard
Amor y placer en el dial: Micropoliticas del habla y practicas radiofonicas feministas
119(32)
Julia Araujo Mendes
Mediatized Images Of Masculinity And Femimimity
The Spanish Television Fiction Comes Out of the Closet (even Zapatero Presidency)
151(18)
Francisco A. Zurian
Coding Gender and School Imaginary in Spanish Postelevision Culture
169(12)
Jorge Belmonte Arocha
Derecho de voz(s): Women, Photography, Violence, and Revictimization
181(16)
Hernando C. Gomez Prada
When Time and Place Fall into the Abyss. The Art of Failing Queerly Quebicois Identity in Bouchard, Greyson, and Dolan
197(32)
Christoph Behrens
Bd-SM: comment s'agenrer?
229(20)
Bernard Andrieu
Relectures of Gender Coding in 18th, 19th, and 20th Century Literature, Theater, Opera, and Performance
Travestimenti e trasformazioni nella commedeja pe museca
249(20)
Paologiovanni Maione
A Balance Lost. Staging the Body and Controlling Social Mobility during the French Revolution
269(16)
Inge Baxmann
Sterben in Schonheit? Weiblichkeit, Tod und Asthetik in Verdis La Traviata
285(16)
Tanja Schwan
"Emerging from the Closet of Representation". The First Attempts to Show Homosexuality and Same-Sex Marriage on the Musical Theater Stage: lacques Offenbach's L'ile de Tulipatan (1868) and Gilbert & Sullivan's Patience (1881)
301(10)
Kevin Clarke
Ugly Male High Culture and the Absorption into Tumorous Female Popular Culture: Proust's In Search of Lost Time and Puig's Kiss of the Spider Woman
311(20)
Anne-Marie Lachmund
Erotisierung und Exotisierung des weiblichen und mannlichen Korpers - Humberto Solas' Relekture des Nationalmythos Cecilia Valdes (1982)
331
Anne-Derenike Rothstein
Uta Felten is a full professor, Tanja Schwan is an assistant professor for romance studies at Leipzig University. Giulia Colaizzi is a full professor at the University of Valencia, and Francisco A. Zurian is a professor at the Complutense University of Madrid, both in the domain of audiovisual communication theory and publicity.
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