Atnaujinkite slapukų nuostatas

El. knyga: Collaboration and Co-Creation in Museums, Heritage, and the Arts [Taylor & Francis e-book]

Edited by (Australian National University (ANU).), Edited by (Australian National University (ANU).)
  • Formatas: 327 pages, 1 Tables, black and white; 23 Halftones, black and white; 23 Illustrations, black and white
  • Išleidimo metai: 28-Apr-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003222804
Kitos knygos pagal šią temą:
  • Taylor & Francis e-book
  • Kaina: 161,57 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standartinė kaina: 230,81 €
  • Sutaupote 30%
Collaboration and Co-Creation in Museums, Heritage, and the ArtsDidesnis paveikslėlis
  • Formatas: 327 pages, 1 Tables, black and white; 23 Halftones, black and white; 23 Illustrations, black and white
  • Išleidimo metai: 28-Apr-2025
  • Leidėjas: Routledge
  • ISBN-13: 9781003222804
Kitos knygos pagal šią temą:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
"Collaboration and Co-Creation in Museums, Heritage, and the Arts examines collaborative practices in museums, heritage, and the arts. It offers an interdisciplinary approach combining both practical and theoretical perspectives from leading scholars andpractitioners to better understand and support cocreation and collaboration in the cultural sector. The volume is divided into five parts, offering contemporary perspectives on core topics and their interconnections. Themes include the politics of engagement, sharing and recentring authority, decolonising research and practice, facilitating partnerships, structuring cocreation, and community empowerment. Through global case studies and theoretical analyses, contributors explore the challenges and opportunities of collaborative practices, exploring intersecting dynamics, motivations and constraints. The book examines various scales of cocreation, from interpersonal dynamics to community contexts and institutional transformations. The work contributes to ongoing discussions about the future of cultural institutions and the role of culture work in fostering perspectives and practices informed by diverse perspectives and generating multiple values. It emphasizes co-production as a crucial capability for the sector moving forward. Collaboration and Co-Creation in Museums, Heritage, and the Arts is essential for students, academics, communities, and cultural practitioners interested in the complexities and rewards of collaborative work. It offers valuable insights into the theories and practices that shape collaborative projects across different cultural contexts and disciplines, making it an indispensable guide for anyone engaged in or studying the cultural sector"-- Provided by publisher.

Collaboration and Co-Creation in Museums, Heritage, and the Arts examines collaborative practices in museums, heritage and the arts. It offers an interdisciplinary approach combining both practical and theoretical perspectives from leading scholars and practitioners to better understand and support co-creation and collaboration in the cultural sector.

The volume is divided into five parts, offering contemporary perspectives on core topics and their interconnections. Themes include the politics of engagement, sharing and recentring authority, decolonising research and practice, facilitating partnerships, and structuring cocreation, and community empowerment. Through global case studies and theoretical analyses, contributors explore the challenges and opportunities of collaborative practices, exploring intersecting dynamics, motivations and constraints. The book examines various scales of co-creation, from interpersonal dynamics to community contexts and institutional transformations. The work contributes to ongoing discussions about the future of cultural institutions and the role of culture work in fostering perspectives and practices informed by diverse perspectives and generating multiple values. It emphasizes co-production as a crucial capability for the sector moving forward.

Collaboration and Co-Creation in Museums, Heritage, and the Arts is essential for students, academics, communities and cultural practitioners interested in the complexities and rewards of collaborative work. It offers valuable insights into the theories and practices that shape collaborative projects across different cultural contexts and disciplines, making it an indispensable guide for anyone engaged in or studying the cultural sector.



This book examines collaborative practices in museums, heritage, and the arts. It offers an interdisciplinary approach combining both practical and theoretical perspectives from leading scholars and practitioners to better understand and support cocreation and collaboration in the cultural sector.

Acknowledgements; List of figures; Introduction: Towards Shared Ground:
Collaboration and Co-Creation in Museums, Heritage, and the Arts;
1.
Community Consultation to Co-Creation: a history of talking past each other?;
2. Context is everything: Museums and the politics of collaboration;
3.
Socially Engaged Art Within and Beyond the Museum;
4. Seeding Authority: A
Conversation on Museum Decolonisation in Hawaii and Beyond;
5. Non-Colonial
Indigenous Creative Action in Heritage Museums;
6. Collaboration as a
Relational Process: Co-Creating Relationships and Making Connections;
7.
Nuyayanlh, Learning How to Heal with Heritage with the Nuxalk First Nation;
8. Gulahallat Discussing Community-based Co-acting, -knowing, and -thinking
among Sįmi Research, Museum and Art;
9. Songlines Singing the Museum;
10.
Co-Creation as relational relay: reflections on navigating across protocol,
translation, time and space;
11. Digital Returns in the Archival Multiverse;
12. From Co-creation to Empowerment: Documenting the Genesis Myth in the
Creation Ritual Poetry of the Indigenous Lotud People in Sabah, East
Malaysia;
13. In the Way to Become Civic Museums;
14. The tikar not the
table: community, collaboration and co-creativity in contemporary Southeast
Asian art;
15. You Cant Always Collaborate Your Way Out! Reflections on the
Ghetto Biennale;
16. Co-creating site-specific performances for social change
- Reflections from participatory art experiences in Vanuatu and Senegal;
17.
Engaging Young People in Heritage Contexts: design-led approaches to support
collaborative participation within the cultural sector;
18. Dimensions of
Curation Competing Values Model: A Gestation Story from Theory Development to
Practice in Collaboration with Professional Communities;
19. Intangible
Cultural Heritage as Co-creation: Challenges, Pathways and Conditions;
20.
Co-creating heritage safeguarding and marketing strategies with communities
in West Bengal, India: experiences from the HIPAMS project;
21. Emotions in
Collaborative Museum Practice; Index.
Anna Edmundson is Curator, Public Programs, Access & Engagement at the National Archives of Australia (NAA) and an Honorary Lecturer in the Centre for Heritage and Museum Studies at the Australian National University (ANU).

Maya Haviland is Translational Fellow and Senior Lecturer in the Centre for Heritage and Museum Studies in the College of Arts and Social Sciences at the ANU.
Pastovi nuoroda: https://www.kriso.lt/db/9781003222804_pe.html
Raktažodžiai: