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Collaborative Playwright: Practical Advice for Getting Your Play Written [Minkštas viršelis]

4.40/5 (10 ratings by Goodreads)
, (University of Stirling)
  • Formatas: Paperback / softback, 184 pages, aukštis x plotis x storis: 223x155x14 mm, weight: 254 g
  • Išleidimo metai: 01-Mar-2007
  • Leidėjas: Heinemann Educational Books,U.S.
  • ISBN-10: 0325009953
  • ISBN-13: 9780325009957
Kitos knygos pagal šią temą:
  • Formatas: Paperback / softback, 184 pages, aukštis x plotis x storis: 223x155x14 mm, weight: 254 g
  • Išleidimo metai: 01-Mar-2007
  • Leidėjas: Heinemann Educational Books,U.S.
  • ISBN-10: 0325009953
  • ISBN-13: 9780325009957
Kitos knygos pagal šią temą:
The interaction between the ideas of the playwright and the know-how of the dramaturg is vital to the success of any production. But not every writer is accustomed to thinking like a dramaturg. The Collaborative Playwright changes that by offering a lively dialogue between a highly successful playwright, Bruce Graham, and an equally accomplished dramaturg, Michele Volansky, supported by hands-on exercises to get you thinking and writing in new ways.
The Collaborative Playwright gives you professional advice on how to get started with a play, how to structure it to be performed, and how to work with a dramaturg to turn it into a staged production. Graham and Volansky's fun, smart conversation offers step-by-step advice on each of the components of the craft - exposition, rhythms, characterization, structure, and story generation - all illustrated with clear examples from Graham's own plays.
But unlike other books that advise playwrights, The Collaborative Playwright is written from two points of view: the playwright's and the dramaturg's. It's both friendly and packed with indispensable nuggets of information, including interviews with more than thirty current theatre artists whose collective advice articulates some of the more practical aspects of working in the theatre - knowledge that playwrights need as they write.
Want to write plays that work as well on stage as they do in your head? Read The Collaborative Playwright, listen in as two theatre veterans discuss the crucial characteristics of good writing, and find out why, if you're writing for the theatre, it pays to listen to your dramaturg.
Preface ix
Why I Became a Playwright
Bruce Graham
Why I Became a Dramaturg
Michele Volansky
PART ONE
Generating Ideas
1(11)
Prewriting and Outlines
12(9)
Writing Your Characters
21(24)
Creating Action, Dramatic Tension, and Bargaining
45(13)
Structure
58(10)
Exposition
68(8)
Rhythms
76(12)
Troubleshooting from the Back Row
88(10)
Collaboration
98
PART TWO
Interviews
107
Caroline Luft
Kris Elgstrand
Laura Eason
Dennis Reardon
Rinne Groff
Jeffrey Hatcher
J. T. Rogers
Lisa Dillman
Gina Gionfriddo
Nick Wardigo
Tracy Letts
Austin Pendleton
Christopher Shinn
Tom Donaghy
Jose Rivera
Tracey Scott Wilson
Jon Klein
Melanie Marnich
Larry Loebell
Evan Smith
Kimberly Senior Baker
Lisa McNulty
Pam MacKinnon
Aaron Posner
Russ Tutterow
Les Waters
Jessica Thebus
Lon Winston
Cynthia Croot
Paul Meshejian
Lee Devin
Sara Garonzik
Mary Harden
Parting Words
171